Alessandro Jedlowski
63
Documents
Presentation
Alessandro Jedlowski est anthropologue des médias et des migrations. Après un doctorat de recherche en études africaines à l’Université de Naples « L’Orientale », il a obtenu des bourses Marie Curie et FNRS pour conduire des recherches postdoctorales en Afrique (au Nigéria, en Côte d’Ivoire et en Ethiopie) et au sein de la diaspora africaine en Europe. Ses travaux récents se concentrent principalement sur l’analyse des industries des médias africains et sur les réseaux de circulation (culturelle, économique, marchande) qui relient l’Afrique et ses diasporas en Europe et dans les pays du Sud (l’Inde et la Chine en particulier).
Publications
Hidden in plain sight: YouTube and Nollywood’s reinvention of minor transnational practicesCEDITRAA Conference. Dis/Ordering Distribution. Infrastructures, Formats and Practices in the Circulation of Culture, CEDITRAA (Cultural Entrepreneurship and Digital Transformation in Africa and Asia); Goethe University, Apr 2024, Frankfurt, Germany
Conference papers
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Screen media, technological innovation and the state in NigeriaSACOMM 2024 Conference. The Politics of the Present, South African Communications Association, Sep 2024, Stellenbosch, South Africa
Conference papers
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Umorismo, politica e imprenditoria del sé nei video YouTube dei giovani comici afrodiscendenti francesiSeminari Immaginari di libertà e risonanza delle immagini. Tecnologie digitali, soggettività e politiche del quotidiano nella vita online della diaspora africana e oltre, Centro di Ricerca MODI dell’Università di Bologna, Jun 2023, Bologna, Italy
Conference papers
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El archivo como frontera. Cinema y complicidad revolucionarias entre África e Italia en los años ’60 y ’70Congreso Internacional Fronteras: Imágenes más allá del fin del mundo, 1-4 noviembre de 2023, Universidad Nacional de Tierra del Fuego, Nov 2023, Ushuaia, Argentina
Conference papers
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Hidden in Plain Sight. YouTube and Nollywood’s Reinvention of Minor Transnational PracticesSéminaire d’ouverture du projet « IRN SOUTH-STREAM : A collective and critical approach of cultural platforms, digital players and policies in the global south, MSH Paris Nord; UMR Passages; LabEx ICCA (Industries culturelles et création artistique), Oct 2023, Paris, France
Conference papers
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Humour et politique sur les chaines de Youtubeurs afro-descendants en France7e Rencontres des études africaines en France (REAF), Circulations dans les Afriques, Afriques en circulation, Toulouse, 28 juin-1er juillet 2022, GIS Études africaines en France, Jun 2022, Toulouse, France
Conference papers
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Regimes of Responsibility in Africa: Genealogies, Rationalities and ConflictsBerghahn Books, 2020
Books
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Cine-Ethiopia: The History and Politics of Film in the Horn of AfricaMichigan State University Press, 2018
Books
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Mobility between Africa, Asia and Latin America: Economic Networks and Cultural InteractionsZed Books, 2017
Books
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Nollywood. L’industria video nigeriana e le sue diramazioni transnazionaliLiguori, 2016
Books
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Lagos Calling. Nollywood e la reinvenzione del cinema in AfricaAracne, 2015
Books
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Teatro, violenza e resistenza in Congo Brazzaville. Il percorso di Dieudonné NiangounaHarmattan Italia, 2007
Books
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Hidden in Plain Sight: YouTube and Nollywood's Reinvention of Minor Transnational PracticesPhilippe Bouquillion, Christine Ithurbide, Tristan Mattelart. Digital Platforms and the Global South: Reconfiguring Power Relations in the Cultural Industries, Routledge, 2023
Book sections
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Serious laughs: Blackness, humour and social media in contemporary FranceBolette B. Blaagaard; Sabrina Marchetti; Sandra Ponzanesi; Shaul Bassi. Postcolonial publics: Art and Citizen Media in Europe, 30, Cà Foscari University Pess, pp.112-130, 2023, Studi e ricerche, 978-88-6969-678-7. ⟨10.30687/978-88-6969-677-0⟩
Book sections
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Living in Bondage, Part I (1992) and Part II (1993)DePaul Heike; Sarah Marak; Katrharina Gerund; Marius Henderso. Lexicon of Global Melodrama, Transcript Verlag, pp.203-208, 2022, 978-3-8376-5973-3. ⟨10.1515/9783839459737-048⟩
Book sections
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Una nuova corsa all’oro? L’intervento delle grandi compagnie internazionali nell’economia di NollywoodMarco Cucco; Giuseppe Richeri. Le industrie del cinema: un confronto internazionale, Mimesis, 216 p., 2022, 9788857591865
Book sections
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"Don’t tell me you want to marry a white man!" : The Encounter with Euro-American Characters and Settings in African Commercial CinemaGrace A Musila. The Routledge Handbook of African Popular Culture, Routledge, 498 p., 2022, 9780367532000
Book sections
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Media studies, globalization, and African realitiesMehita Iqani et Sarah Chiumbu. Media Studies: Decolonising Approaches, Oxford University Press, 2020
Book sections
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Toward new African languages of protest: African documentary films and human rightsMette Hjort; Eva Jørholt. African Cinema and Human Rights, Indiana University Press, 2019
Book sections
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Anthropological Approaches to Media in AfricaRoy R. Grinker; Euclides F. Gonçalves; Christopher B. Steiner; Stephen Lubkemann. A Companion to the Anthropology of Africa, Wiley, pp.351-374, 2019
Book sections
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African Videoscapes: Southern Nigeria, Ethiopia and Côte d’Ivoire in Comparative PerspectiveKenneth Harrow; Carmela Garritano. Companion to African Cinema, Wiley, 2018
Book sections
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Violenza e critica sociale nei video nigeriani di NollywoodAlessandro Suzzi Valli. Comunicare l'Africa. Un'ermeneutica attuale delle lingue e dei linguaggi della comunicazione sociale, Aracne, pp.351-380, 2018
Book sections
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Ethiopian Cinema and the Politics of Migration, at Home and abroadMichael W. Thomas; Alessandro Jedlowski; Aboneh Ashagrie. Cine-Ethiopia: The History and Politics of Film in the Horn of Africa, Michigan State University Press, pp.161-180, 2018
Book sections
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Realism in Nollywood Films: The Materiality of Lagos and the Nigerian Video Film IndustryJames Tar Tsaaior; Françoise Ugochukwu. Nigerian Film Culture and the Idea of the Nation: Nollywood and National Narration, Adonis and Abbey Publishers, 2017
Book sections
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Les transformations de la circulation de films vidéos nigérians en Côte d’Ivoire : Du commerce informel aux grandes sociétés internationalesPatricia Caillé et Claude Forest. Regarder des films en Afrique, Presses Universitaires du Septentrion, pp.259-274, 2017, ⟨10.4000/books.septentrion.17161⟩
Book sections
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Regulating mobility, reshaping accessibility: Nollywood and the piracy scapegoatUte Röschenthaler et Mamadou Diawara. Copyright Africa: How Intellectual Properties, Media and Markets Transform Immaterial Cultural Goods, Sean Kingston, 2016
Book sections
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Nigerian migrants, Nollywood videos and the emergence of an ‘anti-humanitarian’ representation of migration in Italian cinemaEmma Bond, Guido Bonsaver et Federico Faloppa. Destination Italy: Representing Migration in Contemporary Media and Narrative, Peter Lang, 2015
Book sections
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Nollywood, vetrina di Lagos, della Nigeria e dell’Africa contemporaneaAracne editrice int. Lagos Calling. Nollywood e la reinvenzione del cinema in Africa, Aracne editrice int, 2015, 978-88-548-8850-0
Book sections
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Film marketing in NollywoodNolwenn Mingant, Cecilia Tirtaine et Joel Augros. Film Marketing Into the Twenty-First Century, Palgrave McMillan, 2015
Book sections
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The women behind the camera: Female entrepreneurship in the southern Nigerian video film industryUte Röschenthaler et Dorothea Schulz. Cultural Entrepreneurship in Africa, Routledge, 2015
Book sections
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Avenues of participation and strategies of control: Video film production and social mobility in Ethiopia and southern NigeriaMiranda Banks, Vicky Mayer et Bridget Conor. Production Studies II, The Sequel. Cultural Studies of Global Media Industries, Routledge, 2015
Book sections
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Exporting Nollywood: Nigerian video filmmaking in EuropePetr Szczepanik et Patrick Vonderau. Behind the Screen: European Contributions to Production Studies, Palgrave McMillan, 2013
Book sections
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Oltre la migrazione: Alla ricerca di un cinema popolare afroitalianoLeonardo de Franceschi. L’Africa in Italia. Per una controstoria postcoloniale del cinema italiano, Aracne, 2013
Book sections
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From Nollywood to Nollyworld: Processes of transnationalization in the Nigerian video film industryMatthias Krings et Onookome Okome. Global Nollywood: Transnational Dimensions of an African Video Film Industry, Indiana University Press, 2013
Book sections
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On the periphery of Nollywood: Nigerian video filmmaking in Italy and the emergence of intercultural aestheticsCristina Lombardi-Diop et Caterina Romeo. Postcolonial Italy: Challenging National Homogeneity, Palgrave McMillan, 2012
Book sections
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Una nuova voce nel cinema italiano? L’emergenza di forme di cinema migrante in ItaliaVanessa Lanari, Fabbrizio Colombo et Stefano Gaiga. Camera Africa: Classici, noir, Nollywood e la nuova generazione del cinema delle Afriche, Cierre Edizioni, 2011
Book sections
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Podcast. En quoi le cinéma nigérian est-il le reflet de la réalité sociale et économique du pays ?2024
Other publications
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[Podcast] Nollywood : la success story d’un cinéma populaire2024
Other publications
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Communautés imaginées, imaginaires politiques : les industries culturelles africaines au prisme des transformations numériques2025
Preprints, Working Papers, ...
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