Alessandro Jedlowski
49
Documents
Presentation
Alessandro Jedlowski est anthropologue des médias et des migrations. Après un doctorat de recherche en études africaines à l’Université de Naples « L’Orientale », il a obtenu des bourses Marie Curie et FNRS pour conduire des recherches postdoctorales en Afrique (au Nigéria, en Côte d’Ivoire et en Ethiopie) et au sein de la diaspora africaine en Europe. Ses travaux récents se concentrent principalement sur l’analyse des industries des médias africains et sur les réseaux de circulation (culturelle, économique, marchande) qui relient l’Afrique et ses diasporas en Europe et dans les pays du Sud (l’Inde et la Chine en particulier).
Publications
Regimes of Responsibility in Africa: Genealogies, Rationalities and ConflictsBerghahn Books, 2020
Books
hal-02486959v1
|
|
Cine-Ethiopia: The History and Politics of Film in the Horn of AfricaMichigan State University Press, 2018
Books
hal-02487032v1
|
|
Mobility between Africa, Asia and Latin America: Economic Networks and Cultural InteractionsZed Books, 2017
Books
hal-02487035v1
|
|
Nollywood. L’industria video nigeriana e le sue diramazioni transnazionaliLiguori, 2016
Books
hal-02490477v1
|
|
Lagos Calling. Nollywood e la reinvenzione del cinema in AfricaAracne, 2015
Books
hal-02487037v1
|
|
Teatro, violenza e resistenza in Congo Brazzaville. Il percorso di Dieudonné NiangounaHarmattan Italia, 2007
Books
hal-02490478v1
|
Media studies, globalization, and African realitiesMehita Iqani et Sarah Chiumbu. Media Studies: Decolonising Approaches, Oxford University Press, 2020
Book sections
hal-02487043v1
|
|
Anthropological Approaches to Media in AfricaRoy R. Grinker; Euclides F. Gonçalves; Christopher B. Steiner; Stephen Lubkemann. A Companion to the Anthropology of Africa, Wiley, pp.351-374, 2019
Book sections
hal-02487279v1
|
|
Toward new African languages of protest: African documentary films and human rightsMette Hjort; Eva Jørholt. African Cinema and Human Rights, Indiana University Press, 2019
Book sections
hal-02487048v1
|
|
Violenza e critica sociale nei video nigeriani di NollywoodAlessandro Suzzi Valli. Comunicare l'Africa. Un'ermeneutica attuale delle lingue e dei linguaggi della comunicazione sociale, Aracne, pp.351-380, 2018
Book sections
hal-02487295v1
|
|
African Videoscapes: Southern Nigeria, Ethiopia and Côte d’Ivoire in Comparative PerspectiveKenneth Harrow; Carmela Garritano. Companion to African Cinema, Wiley, 2018
Book sections
hal-02487286v1
|
|
Ethiopian Cinema and the Politics of Migration, at Home and abroadMichael W. Thomas; Alessandro Jedlowski; Aboneh Ashagrie. Cine-Ethiopia: The History and Politics of Film in the Horn of Africa, Michigan State University Press, pp.161-180, 2018
Book sections
hal-02487293v1
|
|
Les transformations de la circulation de films vidéos nigérians en Côte d’Ivoire : Du commerce informel aux grandes sociétés internationalesPatricia Caillé et Claude Forest. Regarder des films en Afrique, Presses Universitaires du Septentrion, pp.259-274, 2017, ⟨10.4000/books.septentrion.17161⟩
Book sections
hal-02487311v1
|
|
Realism in Nollywood Films: The Materiality of Lagos and the Nigerian Video Film IndustryJames Tar Tsaaior; Françoise Ugochukwu. Nigerian Film Culture and the Idea of the Nation: Nollywood and National Narration, Adonis and Abbey Publishers, 2017
Book sections
hal-02487321v1
|
|
Regulating mobility, reshaping accessibility: Nollywood and the piracy scapegoatUte Röschenthaler et Mamadou Diawara. Copyright Africa: How Intellectual Properties, Media and Markets Transform Immaterial Cultural Goods, Sean Kingston, 2016
Book sections
hal-02487338v1
|
|
Avenues of participation and strategies of control: Video film production and social mobility in Ethiopia and southern NigeriaMiranda Banks, Vicky Mayer et Bridget Conor. Production Studies II, The Sequel. Cultural Studies of Global Media Industries, Routledge, 2015
Book sections
hal-02487361v1
|
|
Film marketing in NollywoodNolwenn Mingant, Cecilia Tirtaine et Joel Augros. Film Marketing Into the Twenty-First Century, Palgrave McMillan, 2015
Book sections
hal-02487355v1
|
|
Nollywood, vetrina di Lagos, della Nigeria e dell’Africa contemporaneaAracne editrice int. Lagos Calling. Nollywood e la reinvenzione del cinema in Africa, Aracne editrice int, 2015, 978-88-548-8850-0
Book sections
halshs-01514338v1
|
|
Nigerian migrants, Nollywood videos and the emergence of an ‘anti-humanitarian’ representation of migration in Italian cinemaEmma Bond, Guido Bonsaver et Federico Faloppa. Destination Italy: Representing Migration in Contemporary Media and Narrative, Peter Lang, 2015
Book sections
hal-02487362v1
|
|
The women behind the camera: Female entrepreneurship in the southern Nigerian video film industryUte Röschenthaler et Dorothea Schulz. Cultural Entrepreneurship in Africa, Routledge, 2015
Book sections
hal-02487349v1
|
|
Exporting Nollywood: Nigerian video filmmaking in EuropePetr Szczepanik et Patrick Vonderau. Behind the Screen: European Contributions to Production Studies, Palgrave McMillan, 2013
Book sections
hal-02487366v1
|
|
Oltre la migrazione: Alla ricerca di un cinema popolare afroitalianoLeonardo de Franceschi. L’Africa in Italia. Per una controstoria postcoloniale del cinema italiano, Aracne, 2013
Book sections
hal-02487372v1
|
|
From Nollywood to Nollyworld: Processes of transnationalization in the Nigerian video film industryMatthias Krings et Onookome Okome. Global Nollywood: Transnational Dimensions of an African Video Film Industry, Indiana University Press, 2013
Book sections
hal-02487370v1
|
|
On the periphery of Nollywood: Nigerian video filmmaking in Italy and the emergence of intercultural aestheticsCristina Lombardi-Diop et Caterina Romeo. Postcolonial Italy: Challenging National Homogeneity, Palgrave McMillan, 2012
Book sections
hal-02487373v1
|
|
Una nuova voce nel cinema italiano? L’emergenza di forme di cinema migrante in ItaliaVanessa Lanari, Fabbrizio Colombo et Stefano Gaiga. Camera Africa: Classici, noir, Nollywood e la nuova generazione del cinema delle Afriche, Cierre Edizioni, 2011
Book sections
hal-02487382v1
|