CV HAL - Charlène Cruxent

“Do you think I am easier to be played on than a pipe?”: Tragic Game(s) in Hamlet

Charlène Cruxent

Mises en je(u) de Hamlet, Prince of Denmark, Presses Universitaires de Paris Nanterre, p.113-133, 2023, 978-2-84016-526-2

Chapitre d'ouvrage hal-05719664v1

A rose by any other name would smell as sweet" : names and secret identities in Shakespeare's plays

Charlène Cruxent

Annette Kern-Stähler; Nicole Nyffenegger. Secrecy and Surveillance in Medieval and Early Modern England, SPELL : Swiss papers in English language and literature (37), Narr Francke Attempto, https://www.e-periodica.ch/cntmng?pid=spe-001%3A2019%3A37%3A%3A234, 2019, 9783823393269. ⟨10.5169/seals-869564⟩

Chapitre d'ouvrage hal-05719693v1

[Play review] Amlet, directed by Guy Cimino (U Teatrinu, University Arts Centre, Corte, Corsica, France, 14 October 2021)

Charlène Cruxent

Cahiers Élisabéthains : A Journal of English Renaissance Studies, 2023, 109 (1), pp.116-118. ⟨10.1177/01847678221137543⟩

Article dans une revue (compte-rendu de lecture) hal-05774073v1

[Play review] The Merry Wives of Windsor, directed by Elle While (Shakespeare’s Globe, London. 17 May–12 October 2019. Broadcast via YouTube, 1–14 June 2020)

Charlène Cruxent

Shakespeare Bulletin, 2021, 39 (1), pp.156-159. ⟨10.1353/shb.2021.0000⟩

Article dans une revue (compte-rendu de lecture) hal-04471806v1

[Book review] Shakespeare’s Englishes: Against Englishness (Margaret Tudeau-Clayton)

Charlène Cruxent

Caliban : French journal of English studies, 2020, 64, pp.403-407. ⟨10.4000/caliban.9771⟩

Article dans une revue (compte-rendu de lecture) hal-05773924v1

[Play review] Athens by Night (Timon of Athens and A Midsummer Night’s Dream), directed by Charles Chemin for the Craiova National Theatre, Amza Pellea Main Auditorium of Marin Sorescu National Theatre, Craiova, 1 May 2018

Janice Valls-Russell , Nicoleta Cinpoes , Charlène Cruxent , Nora Galland , Dana Monah

Cahiers Élisabéthains : A Journal of English Renaissance Studies, 2019, pp.103-106. ⟨10.1177/0184767819867410k⟩

Article dans une revue (compte-rendu de lecture) halshs-02419005v1

[Book review] Naming Thy Name: Cross Talk in Shakespeare’s Sonnets (Elaine Scarry)

Charlène Cruxent

Names: A Journal of Onomastics, 2019, 67 (4), pp.238-240. ⟨10.1080/00277738.2019.1677053⟩

Article dans une revue (compte-rendu de lecture) hal-05773930v1

Twelfth Night" in Switzerland: a Burlesque Comedy

Charlène Cruxent

L’Œil du spectateur - Supplément à Shakespeare en devenir, 2017, 9, https://shakespeare.edel.univ-poitiers.fr/index.php?id=1080

Article dans une revue hal-02168584v1

[Play Review] Hamlet, directed by Andrew Shepherd (ACS Random, Park Theatre, London, 6 December 2014)

Charlène Cruxent

Cahiers Élisabéthains : A Journal of English Renaissance Studies, 2015, 87, pp.129-130

Article dans une revue (compte-rendu de lecture) hal-02168603v1

Dynamiques des héritages (XVIe-XVIIIe siècles)

Charlène Cruxent , Nora Galland

Dynamiques des héritages (XVIe-XVIIIe siècles): Colloque annuel des jeunes chercheurs (SFEDS, SEAA 17-18, Société d’étude du XVIIe siècle), Oct 2018, Montpellier, France. 2022, ⟨10.58079/m7hw⟩

Proceedings/Recueil des communications hal-05772709v1

Dynamiques des héritages : une dialectique fructueuse entre le passé et le présent

Charlène Cruxent , Nora Galland

Dynamiques des héritages (XVIe -XVIIIe siècles): Colloque des jeunes chercheurs, Oct 2018, Montplellier, France. https://carnet1718.hypotheses.org/1072, pp.1-10, 2022, ⟨10.58079/m7hw⟩

Proceedings/Recueil des communications hal-05772717v1

An animal by any other name : identité culturelle et symbolisme animal dans le "Roméo et Juliette" d’Oh Tae-Suk

Charlène Cruxent

Shakespeare et le monde animal, Jan 2019, Paris, France. Actes des congrès de la Société française Shakespeare, 38, 2020, ⟨10.4000/shakespeare.5672⟩

Proceedings/Recueil des communications hal-05772732v1

“You nickname virtue. ‘Vice’ you should have spoke”: The Humouristic and Offensive Potential of Nicknames in Shakespeare’s Plays

Charlène Cruxent

Humour in Shakespeare’s Arcadia: Gender, Genre and Wordplay in Early Modern Comedy, Apr 2015, Florence, Italy. The British Institute of Florence; https://www.iasems.org/docs/IASEMS_2015%20Proceedings.pdf, p. 139-156, 2017, 978-88-907244-4-2

Proceedings/Recueil des communications hal-05772976v1

Nomen Omen and Onomantia : Shakespeare and the Early Modern Belief in Names

Charlène Cruxent

Les jeux de la Fortune : métamorphoses et variations littéraires et iconographiques dans l'Europe des XVIe et XVIIe siècles, Université Paul Valéry Montpellier 3, 22-23 mars 2019, 2019, Montpellier, France

Communication dans un congrès hal-02168601v1

A rose by any other name would smell as swett" : Aliases and secret identities in Shakespeare's works

Charlène Cruxent

Secrecy and Surveillance in Medieval and Early Modern England, Université de Berne, Berne (Suisse), 14 septembre 2018, 2018, Berne, Switzerland

Communication dans un congrès hal-02168573v1

What's in a (Foreign) Name?" : Nicknaming in the Other's Language in Shakespeare's Plays

Charlène Cruxent

Scènes dans la langue de l'autre, Université de Georgia, Athens, 02 novembre 2018, 2018, Athens, United States

Communication dans un congrès hal-02168564v1

My Nation is[t] Switzerland": Glottophobia and Shakespeare in a Multilingual Nation

Charlène Cruxent

Université de Georgia, Athens, 16 avril 2018, 2018, Athens, United States

Communication dans un congrès hal-02168575v1

Shakespeare as a Global Language and Medium for Cultural Exchange

Charlène Cruxent

Shakespeare in the Classroom, East Jackson Comprehensive High School, Georgia, 30 octobre 2018, 2018, Georgia, United States

Communication dans un congrès hal-02168574v1

Their Whispering Tales" : Cultural Representations of Rumour in Queen Elizabeth I's Writing

Charlène Cruxent

Beyond Truth: Fiction and (Dis)information in the Early Modern World, New College, Oxford, 18 septembre 2018, 2018, Oxford, United Kingdom

Communication dans un congrès hal-02168571v1

What is thy name, young man?":Nicknames and Social Interactions in Shakespeare's Plays

Charlène Cruxent

Doctoriales de la Société Française Shakespeare, Université de Poitiers, Poitiers, 24 mars 2017, 2017, Poitiers, France

Communication dans un congrès hal-02168566v1

Queen Elizabeth I : a Political Writer

Charlène Cruxent

Et la femme écrivain pendant la Renaissance anglaise, Théâtre de la Vignette, Université Paul-Valéry Montpellier 3, Montpellier, 13 décembre 2017, 2017, Montpellier, France

Communication dans un congrès hal-02168576v1

I do not like her name": Unofficial Appellations and Social Interactions in Shakespeare's Plays

Charlène Cruxent

Cultures of Exclusion in the Early Modern World: Enemies and Strangers 1600-1800, University of Warwick, Warwick, 18 mai 2017, 2017, Warwick, United Kingdom

Communication dans un congrès hal-02168568v1

Food and the Human Experience in the Early Modern Utopian Literature and Imagination

Charlène Cruxent

New Faces: Facing Europe in Crisis, University of Szeged, Szeged, 02 juin 2017, 2017, Szeged, Hungary

Communication dans un congrès hal-02168565v1

A "monster in the likeness of a man" : Representing the Multilingual Foreigner in Englishmen for my Money (1598)

Charlène Cruxent

Journée exploratoire : Scènes dans la langue de l'autre dans le théâtre français et anglais (XVI-XVIIe siècles), Université Paul-Valéry Montpellier 3, Montpellier, 25 novembre 2017, 2017, Montpellier, France

Communication dans un congrès hal-02168577v1

You nickname virtue.“Vice” you should have spoke’. The Humouristic and Offensive Potential of Nicknames in Shakespeare’s Plays

Charlène Cruxent

Shakespeare and his Contemporaries, 2017, Florence, Italy. pp.139-156

Communication dans un congrès hal-02168581v1

Language as Negotiation and Representation of Identity in Early Modern Crises : the Case of Nicknames in "Othello" and "Henry IV, parts 1 and 2

Charlène Cruxent

New Faces : Facing Europe in Crisis, University of Szeged, Szeged, 09 juin 2017, 2017, Szeged, Hungary

Communication dans un congrès hal-02168578v1

Surnoms (et autres appellations officieuses) dans Roméo et Juliette

Charlène Cruxent

Journée des doctorants de l'IRCL, Domaine d'O, Montpellier, 22 juin 2016, 2016, Montpellier, France

Communication dans un congrès hal-02168567v1

What's in a Nickname ? : Romeo and Juliet as a Case Study

Charlène Cruxent

The Eighteenth Annual British Graduate Shakespeare Conference, The Shakespeare Institute, Stratford-Upon-Avon, 03 juin 2016, 2016, Stratford-upon-Avon, United Kingdom

Communication dans un congrès hal-02168579v1

Pistol and Monsieur Le Fer: An Anglo-French Encounter

Charlène Cruxent

2019

Article de blog scientifique hal-05772727v1

[Play review] Othello: Iago’s Capitalist Tragedy, directed by Pamela Schermann

Charlène Cruxent

2015

Article de blog scientifique hal-02168607v1

[Article, pre-print version] Social Exclusion and Stereotyping through Food-Related Terms of Address in Shakespeare's Henriad and Twenty-first Century Society

Charlène Cruxent

2018

Autre publication scientifique halshs-01835592v1

Bonne chaire, mauvaise chère ? Termes d'adresse et nourriture dans Shakespeare

Charlène Cruxent

6e rencontres de Bournazel : Chair et bonne chère à la Renaissance, Château de Bournazel, 23 septembre 2017., 2017, Bournazel, France. 2017

Poster de conférence hal-03076549v1

Charlène Cruxent

Publications

Publications

“Do you think I am easier to be played on than a pipe?”: Tragic Game(s) in Hamlet

A rose by any other name would smell as sweet" : names and secret identities in Shakespeare's plays

[Play review] Amlet, directed by Guy Cimino (U Teatrinu, University Arts Centre, Corte, Corsica, France, 14 October 2021)

[Play review] The Merry Wives of Windsor, directed by Elle While (Shakespeare’s Globe, London. 17 May–12 October 2019. Broadcast via YouTube, 1–14 June 2020)

[Book review] Shakespeare’s Englishes: Against Englishness (Margaret Tudeau-Clayton)

[Play review] Athens by Night (Timon of Athens and A Midsummer Night’s Dream), directed by Charles Chemin for the Craiova National Theatre, Amza Pellea Main Auditorium of Marin Sorescu National Theatre, Craiova, 1 May 2018

[Book review] Naming Thy Name: Cross Talk in Shakespeare’s Sonnets (Elaine Scarry)

Twelfth Night" in Switzerland: a Burlesque Comedy

[Play Review] Hamlet, directed by Andrew Shepherd (ACS Random, Park Theatre, London, 6 December 2014)

Dynamiques des héritages (XVIe-XVIIIe siècles)

Dynamiques des héritages : une dialectique fructueuse entre le passé et le présent

An animal by any other name : identité culturelle et symbolisme animal dans le "Roméo et Juliette" d’Oh Tae-Suk

“You nickname virtue. ‘Vice’ you should have spoke”: The Humouristic and Offensive Potential of Nicknames in Shakespeare’s Plays

Nomen Omen and Onomantia : Shakespeare and the Early Modern Belief in Names

A rose by any other name would smell as swett" : Aliases and secret identities in Shakespeare's works

What's in a (Foreign) Name?" : Nicknaming in the Other's Language in Shakespeare's Plays

My Nation is[t] Switzerland": Glottophobia and Shakespeare in a Multilingual Nation

Shakespeare as a Global Language and Medium for Cultural Exchange

Their Whispering Tales" : Cultural Representations of Rumour in Queen Elizabeth I's Writing

What is thy name, young man?":Nicknames and Social Interactions in Shakespeare's Plays

Queen Elizabeth I : a Political Writer

I do not like her name": Unofficial Appellations and Social Interactions in Shakespeare's Plays

Food and the Human Experience in the Early Modern Utopian Literature and Imagination

A "monster in the likeness of a man" : Representing the Multilingual Foreigner in Englishmen for my Money (1598)

You nickname virtue.“Vice” you should have spoke’. The Humouristic and Offensive Potential of Nicknames in Shakespeare’s Plays

Language as Negotiation and Representation of Identity in Early Modern Crises : the Case of Nicknames in "Othello" and "Henry IV, parts 1 and 2

Surnoms (et autres appellations officieuses) dans Roméo et Juliette

What's in a Nickname ? : Romeo and Juliet as a Case Study

Pistol and Monsieur Le Fer: An Anglo-French Encounter

[Play review] Othello: Iago’s Capitalist Tragedy, directed by Pamela Schermann

[Article, pre-print version] Social Exclusion and Stereotyping through Food-Related Terms of Address in Shakespeare's Henriad and Twenty-first Century Society

Bonne chaire, mauvaise chère ? Termes d'adresse et nourriture dans Shakespeare