Research domains
Art and art history
Publications
La crise de l’art public, l’art public face aux crises : échecs de l’art public britanniqueIsabelle Alfandary. Crise dans la critique. Une cartographie des studies, Le bord de l'eau, 2023, 9782356879981
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From weather to climate: Contemporary art’s take on the British weatherJean-Pierre Naugrette et Catherine Lanone. Le temps qu'il fait dans la littérature et les arts du monde anglophone/What’s the weather like in Anglophone literature and arts, Honoré Champion, 2020
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Jeremy Deller’s The Battle of Orgreave, rejouer 1984Mathilde Bertrand, Thierry Labica et Cornelius Crowley dirs. Ici notre défaite a commencé. La grève des mineurs britanniques (1984-1985). Paris : Syllepse, 2016
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« L’Esthétisation des écrits sur l’art contemporain britannique »dirs. Anne-Pascale Bruneau-Rumsey, Shannon Wells-Lassagne et Anne-Florence Gillard-Estrada. Ecrire l'art / Writing art : Formes et enjeux du discours sur les arts visuels en Grande-Bretagne et aux Etats-Unis, Mare et Martin, pp. 77-84, 2015
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« What’s in a Name? Les Young British Artists : du branding à l’ontologie » in Katia Schneller et Vanessa Théodoropoulou dirs. Au nom de l’art. Enquête sur le statut ambigu des appellations artistiques de 1945 à nos jours. Paris : Publications de la Sorbonne, 2013.Au nom de l'art, 2013
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« Beyond Partisanship: Young British Art and the Contemporary Third Way » in Jean-Michel Ganteau & Christine Reynier, dirs. Autonomy and Commitment in Twentieth-Century British Arts, Montpellier : Presses Universitaires de la Méditerranée, Collection Horizons Anglophones/Present Perfect 10, 2012.Autonomy and Commitment in 20th century British Art, 2012
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Histoire de l'art et féminisme : la fin d'un oxymore ?La Fabrique du genre. (Dé)constructions du masculin et du féminin dans les arts et la littérature anglophones., Presses Universitaires de Rennes, pp.263-278, 2008, Interférences
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Made in Scotland from Girders. Shipbuilding, waterfront revitalization, and public art in GlasgowArtists and Maritime Technology Seminar, TETI Group, Franklin University, Institute UT Dallas et La Capraia Centre for the Art History of Port Cities, Naples, May 2023, Sorengo, Switzerland
Conference papers
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Workers City (1988-1993). Contesting the narrative of the new post-industrial city supporting Glasgow European City of CultureIndependent Spirit: Dissonant Voices in Scottish Politics and Culture, Observatoire de l'aire britannique, May 2023, Nanterre, France
Conference papers
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A modest contribution to an ecocritical toolbox for artistic research: Making a case for an “Angloseen”Towards Ecocritical Art History: Methods & Practices, Workshop 3, Andrew Patrizio et Olga Smith, Jul 2022, Vienne (Autriche), Austria
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Public art in the museum: a strange place for art?Art in Strange Places, CLIMAS Université Bordeaux Montaigne, Mar 2022, Bordeaux, France
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Glasgow’s Waterfront. From Sea as Sight to Sea as SiteThe Association ofr Art History Annual Congress, The Association ofr Art History, Apr 2021, Birmingham (UK), United Kingdom
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Art’s New AgenciesThe 21th International Conference on Cultural Economics (ACEI), The Association for Cultural Economics International, Jul 2021, Canterbury, United Kingdom
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The inclusions and exclusions of British public art: creating art for the successful city or for the just city?Disrupting the City: Urban Crises in Contemporary British Literature and Art, Université d'Avignon, Oct 2021, Avignon, France
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Buying Art Before it is MadeTools for the future - Researching Art Market Practices from Past to Present, IESA Arts and Culture, Jun 2021, Paris Université Sorbonne Nouvelle, France
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Recent British SoundwalksThe Association for Art History Annual Congress, The Association for Art History, Apr 2018, Londres, United Kingdom
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"Soundwalks: New Possibilities for Spectatorship"Colloque "The Twelfth Annual Conference on the Arts in Society", The American University of Paris, Jun 2017, Paris, France
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From weather to climate: retrieving the elemental in eco-artWhat’s the weather like in Anglophone literature and art , Oct 2016, Paris, France
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Reconsidering Spectatorship in British Art TodayBreaking Through: Impaired/Heightened Senses, Jan 2016, Paris, France
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Contemporary art and public spaceSAES, Jun 2016, Lyon, France
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Artangel and public art commissioningL'art et l'argent, EHESS Paris, May 2016, Paris, France
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Young British Artists, A Rude HeritageGillray after Gillray, INHA Paris, Jan 2016, Paris, France
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Artangel Commissions, A New Approach to Site. The Impact of Hybrid Funding on Hybrid Artistic SpacesArts in Society Conference, Imperial College London, Jul 2015, Londres, United Kingdom
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Come into my House: Inside-Out Spaces in Contemporary Public Art, the case of Artangel commissions.Annual Conference of the Association of Art Historians, AAH, Apr 2015, Norwich, United Kingdom
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Ephemerality and the New CanonConcerning the experimental in art, Oct 2014, Le Mans, France
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Performing 1984, Jeremy Deller’s The Battle of OrgreaveThe Miners’ Strike, 1984-1985, Sep 2014, Nanterre, France
Conference papers
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David Hockney et la nouvelle figure de l’artiste anglais d’après-guerre : bouleversement d’un paradigmeAutour de David Hockney , Dec 2014, Valenciennes, France
Conference papers
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Between Private and Public. Artangel Commissions 1985-2014Congrès SAES, May 2014, Caen, France
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Gillian Wearing, the visual artist, the camera and the British fly-on-the-wall traditionPhotographie, Femmes, Nation , Mar 2013, Nantes, France
Conference papers
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« Talking about a generation ? Le Young British Art à la fin du 20e siècle au Royaume-Uni. Mouvement, jeunesse et positionnement culturelSéminaire doctoral de l’Université de Paris Ouest Nanterre, Mar 2012, Paris, France
Conference papers
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Back to the Future: Nostalgia and Pastiche in Contemporary British ArtMémoire textuelle, visuelle et auditive, PRISMES, Jun 2012, Paris, France
Conference papers
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Cities in the British Isles in the 19th-21st CenturiesAngles: New Perspectives on the Anglophone World, 15, 2022
Special issue
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Modern InstituteBloomsbury Art Market. Protagonists, Networks, Provenances, 2023
Dictionary entry
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Un art public : valeurs et partage de l’art contemporain britannique depuis 1979Humanities and Social Sciences. Université Paris Cité, 2019
Habilitation à diriger des recherches
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