Diemo Schwarz
Présentation
Publications
Publications
Geräuschanalyse und TextursyntheseStefan Weinzierl. Handbuch der Audiotechnik, Springer Berlin Heidelberg, pp.1-17, 2024, 978-3-662-60357-4. ⟨10.1007/978-3-662-60357-4_11-1⟩ |
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Methods and Datasets for DJ-Mix Reverse EngineeringKronland-Martinet R., Ystad S., Aramaki M. Perception, Representations, Image, Sound, Music, 12631, Springer, Cham, pp.31-47, 2021, Lecture Notes in Computer Science (LNCS), 978-3-030-70209-0. ⟨10.1007/978-3-030-70210-6_2⟩ |
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Designing action-sound metaphors using motion sensing and descriptor-based synthesis of recorded sound materialsRoutledge Companion to Embodied Music Interaction, 2017, 978- 1-138-65740-3 |
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Interactive Sound Texture Synthesis Through Semi-Automatic User AnnotationsSpringer International Publishing; Aramaki, M., Derrien, O., Kronland-Martinet, R., Ystad, S. Sound, Music, and Motion, Lecture Notes in Computer Science, Vol. 8905, pp.372-392, 2014 |
IAE & IAEOURoland Cahen. Topophonie research project : Audiographic cluster navigation (2009-2012), ENSCI - Les Ateliers / Paris Design Lab, pp.50-51, 2012, Les Carnets d’Expérimentation de l’École Nationale Supérieure de Création Industrielle |
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Audio principles and methods in the Topophony research projectRoland Cahen. Topophonie research project : Audiographic cluster navigation (2009-2012), ENSCI - Les Ateliers / Paris Design Lab, pp.36-37, 2012, Les Carnets d’Expérimentation de l’École Nationale Supérieure de Création Industrielle |
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Navigation et composition dans un univers graphique 3D de grains sonoresCépaduès Editions; Sophie Chauvin. Information & Visualisation: Enjeux, recherches et applications,, pp.243-268, 2008 |
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Spectral Envelopes and Additive+Residual Analysis-SynthesisSpringer; James W. Beauchamp. Analysis, Synthesis, and Perception of Musical Sounds, The Sound of Music, pp.175-227, 2007 |
Spaces of Spaces — Interactive Navigation in Corpora of Room Impulse Responses for Musical Production and CreationSound and Music Computing Conference, Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz, Jul 2025, Graz, Austria. ⟨10.5281/zenodo.15838431⟩ |
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Crafting Musical Agents: Interactive Generation as a Catalyst for Artistic Formalization6th Conference on AI Music Creativity (AIMC 2025), Sep 2025, Brussels, Belgium |
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Acoustic Augmentation of the Trumpet – Navigating Control and Unpredictability in a Long-Term Research-Creation CollaborationJournées d'Informatique Musicale, GRAME; Inria, Jun 2025, Lyon, France |
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VIVO: Video Analysis for Corpus-based Audio--Visual SynthesisJournées d'Informatique Musicale, May 2024, MARSEILLE (FRANCE), France |
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Touch Interaction for Corpus-based Audio-Visual SynthesisNew Interfaces for Musical Expression (NIME), May 2023, Mexico City, Mexico |
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Notation, Transmission, and Comprovisation: A Case Study of the ONCEIM Improvisation OrchestraInternational Conference on Technologies for Music Notation and Representation (TENOR), May 2022, Marseille, France |
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Elicitation of 2D expressive gestures through interactive sonificationInternational Conference on New Interfaces for Musical Expression (NIME), Jun 2022, The University of Auckland, New Zealand. ⟨10.21428/92fbeb44.8ec6de60⟩ |
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Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D ElectronicsInternational Computer Music Conference (ICMC), Pontificia Universidad Católica de Chile, 2021, Santiago, Chile |
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SonicHoop: Using Interactive Sonification to Support Aerial Hoop PracticesCHI '21 - Conference on Human Factors in Computing Systems, ACM, May 2021, Yokohama / Virtual, Japan. pp.1-16, ⟨10.1145/3411764.3445539⟩ |
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A Survey on the Use of 2D Touch Interfaces for Musical ExpressionNew Interfaces for Musical Expression (NIME), Jul 2020, Birmingham, United Kingdom |
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Methods and Datasets for DJ-Mix Reverse Engineering14th International Symposium on Computer Music Multidisciplinary Research (CMMR 2019), Oct 2019, Marseille, France |
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From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided CompositionMUME 2018: International Workshop on Musical Metacreation, 2018, Salamanca, Spain |
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UnmixDB: A Dataset for DJ-Mix Information Retrieval19th International Symposium on Music Information Retrieval (ISMIR), Sep 2018, Paris, France. ⟨10.5281/zenodo.1422385⟩ |
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Musical Gesture Recognition Using Machine Learning and Audio DescriptorsInternational Conference on Content-Based Multimedia Indexing (CBMI'18), 2018, La Rochelle, France |
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A Heuristic Algorithm for DJ Cue Point EstimationSound and Music Computing, Jul 2018, Limassol, Cyprus |
MIMES : outil de prototypage et d'exploration pour la création sonoreConférence francophone sur l'Interaction Homme-Machine, Oct 2018, Brest, France, Oct 2018, Brest, France |
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Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusicInternational Computer Music Conference (ICMC'17), 2017, Shanghai, China |
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A Topo-Phonic Table for Tangible Sonic InteractionInternational Computer Music Conference (ICMC), Oct 2017, Shanghai, China |
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Towards Extraction of Ground Truth Data from DJ MixesInternational Symposium on Music Information Retrieval (ISMIR), Oct 2017, Suzhou, China |
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PiPo, A Plugin Interface for Afferent Data Stream Processing ModulesInternational Symposium on Music Information Retrieval (ISMIR), Oct 2017, Suzhou, China |
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Effects of Test Duration in Subjective Listening TestsInternational Computer Music Conference (ICMC), Hans Timmermans, Sep 2016, Utrecht, Netherlands. pp.515-519 |
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Concatenative Sound Texture Synthesis Methods and Evaluation19th International Conference on Digital Audio Effects (DAFx-16), Jiří Schimmel, Sep 2016, Brno, Czech Republic. pp.217-224 |
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Introducing CatOracle: Corpus-based Concatenative Improvisation with the Audio Oracle AlgorithmInternational Computer Music Conference (ICMC), Hans Timmermans, Sep 2016, Utrecht, Netherlands. pp.141-147 |
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Tingle: A Digital Music Controller Re-Capturing the Acoustic Instrument ExperienceNew Interfaces for Musical Expression (NIME), May 2015, Baton Rouge, LA, United States. pp.4 |
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Projet EFFICACE : Développements et perspectives en composition assistée par ordinateurJournées d'Informatique Musicale, 2015, Montréal, Canada |
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Collective Sound Checks: Exploring Intertwined Sonic and Social Affordances of Mobile Web ApplicationsTEI '15: Ninth International Conference on Tangible, Embedded, and Embodied Interaction, Jan 2015, Stanford California USA, United States. pp.685-690, ⟨10.1145/2677199.2688808⟩ |
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Smooth Granular Sound Texture Synthesis by Control of Timbral SimilaritySound and Music Computing (SMC), Jul 2015, Maynooth, Ireland. pp.6 |
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Fine-tuned Control of Concatenative Synthesis with CataRT Using the bach Library for MaxInternational Computer Music Conference (ICMC), Sep 2014, Athens, Greece. pp.1-1 |
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Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical ExpressionNew Interfaces for Musical Expression (NIME), Jun 2014, London, United Kingdom. pp.1-1 |
Interacting with a Corpus of SoundsSI13: NTU/ADM Symposium on Sound and Interactivity, Nov 2013, Singapore, Singapour |
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Dirty Tangible Interfaces: Expressive Control of Computers with True GritCHI, Apr 2013, Paris, France. pp.2991-2994 |
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Perspectives pour l'apprentissage interactif du couplage geste-sonJournées d'Informatique Musicale (JIM 2013), May 2013, PARIS, France. pp.77-84 |
Tools for the Writing of Tamonontamo (2012): A New Way to Relate Concatenative Synthesis and SpatializationKorean Electro-Acoustic Music Society's Annual Conference (KEAMSAC), Nov 2013, Seoul, Corée du Sud |
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Retexture — Towards Interactive Environmental Sound Texture Synthesis through Inversion of AnnotationsComputer Music Multidisciplinary Research (CMMR), Oct 2013, Marseille, France. pp.283-290 |
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DIRTI — Dirty Tangible InterfacesNew Interfaces for Musical Expression (NIME), May 2012, Ann Arbour, United States. pp.347-350 |
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Content-based Retrieval of Environmental Sounds by Multiresolution AnalysisSMC2012, Jul 2012, Copenhague, Denmark. pp.1-1 |
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Precise Pitch Control in Real Time Corpus-Based Concatenative SynthesisInternational Computer Music Conference (ICMC), Sep 2012, Ljubljana, France. pp.1-1 |
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The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative SynthesisNew Interfaces for Musical Expression (NIME), May 2012, Ann Arbour, United States. pp.250-253 |
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Navigating Variation: Composing for Audio MosaicingInternational Computer Music Conference (ICMC), Sep 2012, Ljubljana, France. pp.1-1 |
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State of the Art in Sound Texture SynthesisDigital Audio Effects (DAFx), Sep 2011, Paris, France. pp.221-232 |
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Distance Mapping for Corpus-Based Concatenative SynthesisSound and Music Computing (SMC), Jul 2011, Padova, Italy. pp.1-1 |
Corpus-Based Concatenative Synthesis: Perceptual Descriptors as an Approach to Composing and Analyzing TimbreCrossing the Corpus Callosum II: Neuroscience, Healing & Music, Jan 2011, Cambridge, MA, États-Unis |
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Spatial Audio–Graphic Modeling for X3DWeb3D, Jun 2011, Paris, France. pp.1-1 |
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Interaction-optimized Sound Database RepresentationDAFx, Sep 2011, Paris, France. pp.1-1 |
Corpus-Based Improvisation(Re)thinking Improvisation, Nov 2011, Malmö, Suède |
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Sound Level of Detail in Interactive Audiographic 3D ScenesInternational Computer Music Conference (ICMC), Jul 2011, Huddersfield, United Kingdom. pp.1-1 |
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A Modular Sound Descriptor Analysis Framework for Relaxed-real-time ApplicationsInternational Computer Music Conference (ICMC), Jun 2010, New York, United States. pp.1-1 |
Grainstick: A Collaborative, Interactive Sound InstallationInternational Computer Music Conference (ICMC), Jun 2010, New York, États-Unis |
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Spatializing Timbre with Corpus-Based Concatenative SynthesisInternational Computer Music Conference (ICMC), Jun 2010, New York, United States. pp.1-1 |
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Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing InterfaceNew Interfaces for Musical Expression (NIME), Jun 2010, Sydney, Australia. pp.447-450 |
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Descriptor-based Sound Texture SamplingSound and Music Computing (SMC), Jul 2010, Barcelona, Spain. pp.510-515 |
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Sound Search by Content-Based Navigation in Large DatabasesSound and Music Computing (SMC), Jul 2009, Porto, Portugal. pp.1-1 |
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Scalability in Content-Based Navigation of Sound DatabasesInternational Computer Music Conference (ICMC), Aug 2009, Montreal, Canada. pp.1-1 |
Wavefield synthesis for interactive sound installations127th AES Convention, Oct 2009, New-York, États-Unis |
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Corpus-Based Transcription as an Approach to the Compositional Control of TimbreInternational Computer Music Conference (ICMC'09), 2009, Montreal, QC, Canada |
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Using the SDIF Sound Description Interchange Format for Audio FeaturesInternational Conference on Music Information Retrieval (ISMIR), Sep 2008, NA, France. pp.1-1 |
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What Next? Continuation in Real-Time Corpus-Based Concatenative SynthesisInternational Computer Music Conference (ICMC), Aug 2008, Belfast, United Kingdom. pp.1-1 |
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Seeing the InaudibleAudio Engineering Society Convention (AES), May 2008, Amsterdam, Netherlands. pp.1-1 |
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Principles and Applications of Interactive Corpus-Based Concatenative SynthesisJournées d'Informatique Musicale (JIM), Mar 2008, Albi, France. pp.1-1 |
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Musical Applications of Real-Time Corpus-Based Concatenative SynthesisInternational Computer Music Conference (ICMC), Aug 2007, Copenhaguen, Denmark. pp.47-50 |
The 3D Augmented Mirror: Motion Analysis for String Practice TrainingInternational Computer Music Conference (ICMC), Aug 2007, Copenhagen, Danemark. pp.53-56 |
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Plumage: Design d’une interface 3D pour le parcours d’ échantillons sonores granularisésIHM-07 19th Conference on l'Interaction Homme-Machine , Nov 2007, Paris, France. pp.71 - 71, ⟨10.1145/1541436.1541450⟩ |
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How Musical are Images? From Sound Representation to Image Sonification: An Eco Systemic ApproachInternational Computer Music Conference (ICMC), Aug 2007, Copenhaguen, Denmark. pp.183-187 |
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Panel: the Need of Formats for Streaming and Storing Music-Related Movement and Gesture DataInternational Computer Music Conference 2007, Aug 2007, Copenhague, Denmark. pp.13-16 |
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Evaluation of Real-Time Audio-to-Score AlignmentInternational Symposium on Music Information Retrieval (ISMIR), 2007, Vienna, Austria |
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Plumage: Design d'une interface 3D pour le parcours d'échantillons sonores granularisésConférence Francophone sur l'Interaction Homme-Machine IHM, Nov 2007, Paris, France. pp.1-1 |
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Real-Time Corpus-Based Concatenative Synthesis with CataRT9th International Conference on Digital Audio Effects (DAFx), Sep 2006, Montreal, Canada. pp.279-282 |
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X-Micks – Interactive Content Based Real-Time Audio Processing9th International Conference on Digital Audio Effects (DAFx-06), Sep 2006, Montreal, Canada. pp.1-1 |
Technology and Paradigms to Support the Learning of Music Performance2nd i-Maestro Workshop on Technology Enhanced Music Education, Dec 2006, Leeds, Royaume-Uni |
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Gabor, Multi-Representation Real-Time Analysis/SynthesisCOST-G6 Conference on Digital Audio Effects (DAFx), Sep 2005, Madrid, Spain. pp.122-126 |
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From Boulez to Ballads: Training Ircam's Score FollowerInternational Computer Music Conference (ICMC), Sep 2005, Barcelona, Spain. pp.1-1 |
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Hybrid Concatenative Synthesis On The Intersection of Music and SpeechJournées d'Informatique Musicale, Association Française d'Informatique Musicale; Centre de recherche en Informatique et Création Musicale, Jun 2005, Paris, France. pp.41-45 |
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FTM — Complex data structures for MaxInternational Computer Music Conference (ICMC), Sep 2005, Barcelona, Spain. pp.1-1 |
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Training Ircam's Score FollowerIEEE International Conference on Acoustics, Speech, and Signal Processing, Mar 2005, Philadelphia, United States. pp.1-1 |
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Current Research in Concatenative Sound SynthesisInternational Computer Music Conference (ICMC), Sep 2005, Barcelona, Spain. pp.1-1 |
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Robust Polyphonic Midi Score Following with Hidden Markov ModelsInternational Computer Music Conference (ICMC), Nov 2004, Miami, United States. pp.1-1 |
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Implicit Learning of Musical Performance ParametersAAAI Symposium 2004 Style and Meaning in Language, Art, Music, and Design, Oct 2004, Washington, United States. pp.1-1 |
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Score Following: State of the Art and New DevelopmentsNew Interfaces for Musical Expression (NIME), May 2003, Montreal, Canada |
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The Caterpillar System for Data-Driven Concatenative Sound SynthesisDigital Audio Effects (DAFx), Sep 2003, London, United Kingdom. pp.135-140 |
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New Developments in Data-Driven Concatenative Sound SynthesisInternational Computer Music Conference (ICMC), Oct 2003, Singapore, Singapore. pp.443-446 |
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Improving polyphonic and poly-instrumental music to score alignmentInternational Conference on Music Information Retrieval (ISMIR), Oct 2003, Baltimore, United States. pp.6 |
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Alignment of Monophonic and Polyphonic Music to a ScoreInternational Computer Music Conference (ICMC), Sep 2001, Havana, Cuba. pp.1-1 |
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Extensions and Applications of the SDIF Sound Description Interchange FormatICMC: International Computer Music Conference, Sep 2000, Berlin, Germany. pp.1-1 |
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A System for Data-Driven Concatenative Sound SynthesisDigital Audio Effects (DAFx), Dec 2000, Verona, Italy. pp.97-102 |
An XML-based SDIF stream relationship languageICMC: International Computer Music Conference, Sep 2000, Berlin, Allemagne |
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Spectral envelope estimation, representation, and morphing for sound analysis, transformation, and synthesis.ICMC: International Computer Music Conference, Oct 1999, Pekin, China. pp.1-1 |