Hélène Charlery

Publications

Article dans une revue (7)

Introduction: Mainstreaming Intersectionality in Contemporary Cinema and Television Hélène Charlery,Mikaël Toulza Revue Française d'Etudes Américaines, 2024, 4 (181), pp.3-13 Article dans une revue hal-04820617v1
Can You Sell an Intersectional Narrative in the Early 2010s? The Case of Dee Rees’s Pariah (2011) Hélène Charlery Revue Française d'Etudes Américaines, 2024, Mainstreaming Intersectionality in Contemporary Cinema and Television, 4 (181), pp.14-35 Article dans une revue hal-04820624v1
« Get him Grandpa » : féminité et blanchité dans &quot;Get Out&quot; de Jordan Peele (2017) Hélène Charlery Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2022, Representing Whiteness in US Film and Television, 24, ⟨10.4000/miranda.43675⟩ Article dans une revue hal-04318614v1
Queen of the fields': Slavery’s Graphic Violence and the Black Female Body in &quot;12 Years a Slave&quot; (Steve McQueen, 2013) Hélène Charlery Transatlantica. Revue d'études américaines/American Studies Journal, 2018, 1, ⟨10.4000/transatlantica.12453⟩ Article dans une revue hal-04318583v1
HBO’s Black Women Artist Biopics: &quot;The Josephine Baker Story&quot; and &quot;Introducing Dorothy Dandridge Hélène Charlery Revue LISA / LISA e-journal, 2016, vol. XIV-n°2, ⟨10.4000/lisa.8993⟩ Article dans une revue hal-04318594v1
L'action en noir et au féminin dans &quot;New York Taxi&quot; (Tim Story, 2004) Hélène Charlery Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2016, 12, ⟨10.4000/miranda.8552⟩ Article dans une revue hal-04318605v1
Burning Mississippi: Race, Fatherhood and the South in &quot;A Time to Kill&quot; (1996) Hélène Charlery Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2011, South and Race / Staging Mobility in the United States, 5, ⟨10.4000/miranda.2343⟩ Article dans une revue hal-04318635v1

Communication dans un congrès (13)

Discussing the Margin-Center Paradigm with Ava DuVernay's 'Middle of Nowhere Hélène Charlery Conférence de la SERCIA, SERCIA, Sep 2023, Aubervilliers & Paris, France Communication dans un congrès hal-04774633v1
“‘To hell with it—I’m going to build my own table.’ Ava DuVernay’s activist distribution and crewing models” Hélène Charlery Congrès de la SAES 2023, Université de Rennes, Jun 2023, Rennes, France Communication dans un congrès hal-04852892v1
“(Not so) Accidentally Black and Female? Intersectionality in Ava DuVernay's I Will Follow (2010)?” Hélène Charlery Colloque « Minority Voices in English-Speaking Cinema and Television », Mikaël Toulza, Université de Lille, Oct 2023, Lille, France Communication dans un congrès hal-04852891v1
“‘It won’t happen to you, so you can laugh’: The Spectacle of White Masculinity in Watermelon Man” Hélène Charlery Melvin Van Peebles Symposium, Ohio Wesleyan University, Mar 2023, Delaware, United States Communication dans un congrès hal-04859625v1
Discussing Feminisms in Katia von Garnier's Iron Jawed Angels (2004)” Hélène Charlery Remembering Women’s Suffrage Struggles in the Atlantic World, Université Toulouse Jean Jaurès-CAS, Dec 2022, Toulouse, France Communication dans un congrès hal-04859627v1
Black feminism and complex gender identities in Ava DuVernay's Queen Sugar (S01) Hélène Charlery JE Feminism and TV Series, Aix-Marseille-Université-UT2J, Oct 2022, Aix-en-Provence, France Communication dans un congrès hal-04853535v1
“Voting Rights and Political Empowerment: an Intersectional Analysis of Mrs. America’s First Season (2020)” Hélène Charlery “Women Suffrage in the United States: Laws, Practices and Representations (19th-21st centuries), Université du Mans, Feb 2022, En ligne, France Communication dans un congrès hal-04859620v1
Don’t Believe the Hype: représentations et récits linéaires dans 13th (2016) et When They See Us (2019) Hélène Charlery Portraits croisés d’Afro-américains et de peuples autochtones en Amérique, UT2J CAS, Oct 2022, Toulouse, France Communication dans un congrès hal-04853536v1
“The Representations of Black women in 21st century historical films: the case of Harriet (Kasi Lemmons, 2019)” Hélène Charlery Black Women’s Activism in the Americas, Annual Conference. Society for History of Women in the Americas, Jul 2022, Londres, United Kingdom Communication dans un congrès hal-04859667v1
“Re-presenting Rebellion on Screen: Intersectional Past and Present Agency in Harriet (Kasi Lemmons, 2019) and Antebellum (Gerard Bush and Christopher Renz, 2020)” Hélène Charlery Colloque international, Mise en scène de la rebellion dans les Amériques, Université Toulouse Jean Jaurès -CAS, Mar 2022, Toulouse, France Communication dans un congrès hal-04859621v1
In-between: Black feminism(s), workplaces and romances in Issa Rae's first season of Insecure (2016)”. Hélène Charlery “Researching the Influence of Feminist Film Theory on 21st Century Films and TV Series”, Université Toulouse Jean Jaurès, Nov 2021, Toulouse, France Communication dans un congrès hal-04859664v1
Compte rendu de lecture : Black Feminism Reimagined After Intersectionality, par Jennifer Nash Mikaël Toulza,Hélène Charlery Séminaire "Les Jeudis du Genre", Nov 2020, Toulouse, France Communication dans un congrès hal-04146115v1
“Contemporary African American Women Filmmakers and the Memory of Trauma” Hélène Charlery JE “African American Memories”,, Université Toulouse Jean Jaurès-CAS, Mar 2020, Toulouse, France Communication dans un congrès hal-04859671v1

N°spécial de revue/special issue (2)

Mainstreaming Intersectionality in Contemporary Cinema and Television Hélène Charlery,Mikaël Toulza Revue Française d'Etudes Américaines, 4 (181), 2024 N°spécial de revue/special issue hal-04820611v1
Images on the Move: Circulations and Transfers in film Hélène Charlery,Marie Bouchet,Zachary Baqué,Cristelle Maury Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 10, 2014, ⟨10.4000/miranda.6144⟩ N°spécial de revue/special issue hal-04318336v1

Ouvrages (1)

Erasure and Recollection. Memories of Racial Passing Within and Beyond the United States Hélène Charlery,Aurélie Guillain Peter Lang, 2021 Ouvrages hal-04318318v1

Chapitre d'ouvrage (4)

Racial Bodies in Kathryn Bigelow’s &quot;Strange Days Hélène Charlery Marianne Kac-Vergne; Julie Assouly. From the Margins to the Mainstream: Women in Film and Television, Bloomsbury, pp.113-132, 2022 Chapitre d'ouvrage hal-04318241v1
‘Everybody needs to see this’ : la télévision dans les films du mouvement des droits civique Hélène Charlery Lawrence Aje; Nathalie Dessens; Nicolas Gachon; Anne Stefani. Regards croisés sur la (post)racialité aux États-Unis, Presses Universitaires du Midi, pp.111-132, 2021 Chapitre d'ouvrage hal-04318255v1
‘Always Take Care of Ganja’: Intersectional and Postfeminist Contradictions in &quot;Da Sweet Blood of Jesus&quot; (Spike Lee, 2014) Hélène Charlery Cristelle Maury; David Roche. Women Who Kill: Gender and Sexuality in Film and Series of the Post-feminist Era, Bloomsbury, pp.226-242, 2020 Chapitre d'ouvrage hal-04318268v1
Lee Daniels’ &quot;The Butler&quot;: From the Headlines to the Front Line Hélène Charlery Armelle Prey; Shannon Wells-Lassagne. Adapting Ending from Book to Screen, Routledge, pp.72-85, 2019 Chapitre d'ouvrage hal-04318293v1