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Jean-Christophe Mayer
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Presentation
**Jean-Christophe Mayer** is a Research Professor employed by the French National Centre for Scientific Research (CNRS). He is also a member and the deputy head of the Institute for Research on the Renaissance, the Neo-classical Age and the Enlightenment (IRCL) at Université Paul Valéry, Montpellier.
He is the author of *Shakespeare’s Hybrid Faith—History, Religion and the Stage* (Palgrave, 2006) and of *Shakespeare et la postmodernité: Essais sur l’Auteur, le Religieux, l’Histoire et le Lecteur* (Peter Lang 2012). He has edited *Breaking the Silence on the Succession: A Sourcebook of Manuscripts and Rare Texts* (Montpellier UP, 2003) and has published an edition and translation of Henry Porter’s *Two Angry Women of Abington* (Pléiade, Gallimard, 2010). He has also edited several collections of essays, including most recently *Representing France and the French in Early Modern English Drama* (U of Delaware Press, 2008) and *Shakespearean Configurations* (*Early Modern Literary Studies*, Special Issue 21).
He is co-general editor of the journal *Cahiers Élisabéthains* and was Barbara Mowat - Andrew W. Mellon long-term fellow at the Folger Shakespeare Library in Washington, D.C (2010-11) and short-term fellow at the Huntington Library (2014). His work is also supported by research and travel grants from the Japanese Society for the Promotion of Science (JSPS; grants in 2013, 2016 and 2023). Since 2017, he is an expert for the European Commission in the field of humanities.
His latest monograph is entitled *Shakespeare’s Early Readers: A Cultural History from 1590 to 1800* (Cambridge University Press, 2018.) He is now working on a new project provisionally entitled "Handwriting and the English Imagination from 1600 to 1800", which explores how early modern women and men imagined handwriting within the context of the rise of the printed book.
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Shakespeare's Early Readers : A Cultural History from 1590 to 1800Cambridge University Press, 272 p., 2018
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Shakespeare’s Early Readers : A Cultural History from 1590 to 1800241 p., 2016
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Shakespeare et la postmodernité : essais sur l'auteur, le religieux, l'histoire et le lecteurPeter Lang, pp.305, 2012, 978-3-0343-1196-0
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Henry Porter, Les deux Mégères d’Abingdon, (Etablissement du texte, traduction, introduction et notes)Line Cottegnies; François Laroque; Jean-Marie Maguin. Gallimard, 1, pp.235-369, 2009, Théâtre élisabéthain, 978-2-07-011317-0
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Representing France and the French in early modern English dramaUniversity of Delaware press, pp.247, 2008, 978-0-87413-000-3
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Shakespeare's hybrid faith : history, religion and the stagePalgrave Macmillan, pp.IX-235, 2006, Early modern literature in history, 978-0-230-00525-9
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Bernard Bourdin, « James VI and I—Divine Right, the Doctrine of the Two Kingdoms and the Legitimising of Royal Power », (Traduction du français en anglais)Université Paul-Valéry Montpellier 3, pp.119-141, 2004, The struggle for the succession in late elizabethan England : politics, polemics and cultural representations 2-84269-239-X
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The struggle for the succession in late elizabethan England : politics, polemics and cultural representationsPresses universitaires de Rouen et du Havre, 11, pp.432, 2004, Astraea, 2-84269-239-X
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Anonyme, Defence of the Queen's Silence [1587?], (Etablissement du texte, introduction et notes)Université Paul-Valéry Montpellier 3, pp.29-35, 2003, Breaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, (c. 1587-1603), 978-2842695668
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Robert Parsons, To King James I (1603), (Etablissement du texte, introduction et notes)Université Paul-Valéry Montpellier 3, pp.309-323, 2003, Breaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, (c. 1587-1603), 978-2842695668
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N. Doleman, A Conference about the Next Succession to the Crowne of Ingland (1594), (Etablissement du texte (extraits), introduction et notes)Université Paul-Valéry Montpellier 3, pp.69-105, 2003, Breaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, (c. 1587-1603), 978-2842695668
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Alexander Dickson, Of the right of the Crowne efter Hir Majesty, Three books where be occasione is refuted a treacherus libel intitling the house of Spagne to the succession therof. [1598], (Etablissement du texte (extraits), introduction et notes)Presses universitaires de la Méditerranée, pp.157-187, 2003, Breaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, (c. 1587-1603), 978-2842695668
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Anonyme, An apologie of the Scottische king [c. 1600], (Etablissement du texte (extraits), introduction et notes)Université Paul-Valéry Montpellier 3, pp.203-221, 2003, Breaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, (c. 1587-1603), 978-2842695668
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Peter Wentworth, A Pithie Exhortation on to Her Majestie for Establishing her Successor to the Crowne. Whereunto is added a Discourse containing the Authors opinion of the true and lawful successor to her Majestie (1598), (Etablissement du texte (extraits), introduction et notes)Université Paul-Valéry Montpellier 3, pp.107-124, 2003, Breaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, (c. 1587-1603), 978-2842695668
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Breaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, c. 1587-1603Presses universitaires de la Méditerranée, 1, pp.336, 2003, Astraea texts, 2-84269-566-6
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Henry Hooke, Of succession to the Crowne of England (1601 and 1603 [?]), (Etablissement du texte, introduction et notes)Université Paul-Valéry Montpellier 3, pp.261-308, 2003, Breaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, (c. 1587-1603), 978-2842695668
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Les C@hiers de la RenaissancePresses universitaires de la Méditerranée 1, 2002, « La mort du prince » et « La parure »
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Lectures de Shakespeare, "Antony and Cleopatra"Presses universitaires de Rennes, pp.222, 2001, Didact. Anglais, 978-2868475497
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Shakespeare and the Origins of European Culture WarsRichard Chapman, Paola Spinozzi. New Faces. Facing Europe in Crisis: Shakespeare’s World and Present Challenges, UCL Press, In press
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The Rise of Shakespearean cultural capital: Early configurations and appropriations of ShakespeareMartin Procházka. From Shakespeare to Autofiction: Approaches to Authorship After Barthes and Foucault, UCL Press, inPress
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Les premières lectrices et annotatrices de Shakespeare (XVIe au XVIIIe siècle)Thierry Verdier et Charlotte Chennetier. Portraits de Femmes à la Renaissance « Les 9e rencontres de Bournazel », Presses Universitaires de la Méditerranée et Éditions du Buisson, A paraître
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Annotated bibliographyBloomsbury. The Arden Research Handbook of Shakespeare and Textual Studies, Bloomsbury, pp.408, inPress, The Arden Research Handbook of Shakespeare and Textual Studies, 9781350080638
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The Birth of Shakespearean Cultural Capital: Early Configurations and Appropriations of ShakespeareProcházka, Martin. Author, Authorship, and Authority in the Age of Cultural Studies and New Media, UCL Press, inPress, Author, Authorship, and Authority in the Age of Cultural Studies and New Media
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« Annotated Bibliography »Lukas Erne. The Arden Research Handbook of Shakespeare and Textual Studies, Bloomsbury, pp.320-53, 2021, The Arden Research Handbook of Shakespeare and Textual Studies, 9781350080645
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Les premières lectrices et annotatrices de Shakespeare (XVIe au XVIIIe siècle)Charlotte Chennetier, Thierry Verdier. Portraits de femmes à la Renaissance, 9e rencontres de Bournazel, Presses Universitaires de La Méditerranée, Éditions Dubuisson, inPress
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The Early Manuscript Reception of Shakespeare: The Formation of Shakespearean Literary TasteTamara Atkin; Laura Estill. Early British Drama in Manuscript, 1, Brepols Publishers, 2019, British Manuscripts, 978-2-503-57546-9. ⟨10.1484/M.BM-EB.5.116456⟩
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Providence and Divine Right in the English HistoriesHamlin, Hannibal. The Cambridge Companion to Shakespeare and Religion, Cambridge University Press, 2019, Cambridge Companions to Literature and Classics, 9781316779224. ⟨10.1017/9781316779224.010⟩
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Providence in Shakespeare's History PlaysHannibal Hamlin. The Cambridge Companion to Shakespeare and Religion, Cambridge University Press, pp.151-167, 2018
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Reading PracticesBruce R. Smith, Katherine Rowe. The Cambridge guide to the worlds of Shakespeare, Cambridge University Press, 2016, 9780521113939
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Early Buyers and Readers of Shakespeare's First FolioEmma Smith. The Cambridge Companion to Shakespeare's First Folio, Cambridge University Press, pp.103-119, 2016, Cambridge Companions to Literature, 978-1107491687
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Changing the Parameters of the Printed text - Shakespeare's Early Modern Theatrical Annotators and TranscribersMargaret Jane Kidnie; Sonia Massai. Shakespeare and Textual Studies, Cambridge University Press, pp.163-176, 2015, 978-1107023741
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Reading PracticesBruce R. Smith; Katherine Rowe. The Cambridge guide to the worlds of Shakespeare, 1, Cambridge University Press, pp.354-360, 2015, 9780521113939
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Témoignages, traces, et représentations du passé : la mise à l'épreuve de l'histoire par le théâtre historique shakespearienJean-Pierre Schandeler; Nathalie Vivienne-Guerrin. Les usages de la preuve d'Henri Estienne à Jeremy Bentham, Hermann, pp.245-262, 2014, Les Collections de la république des Lettres. Symposiums, 978-2-7056-8951-3
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Shakespeare's Undiplomatic ReadersMartin Prochazka; Andreas Hoefele; Hanna Scolnicov; Michael Dobson. Renaissance Shakespeare : Shakespeare renaissances / proceedings of the ninth World Shakespeare congress, University of Delaware Press, pp.193-203, 2013, The World Shakespeare Congress Proceedings, 978-1611494600
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Modernité, présentisme et représentation de l'histoire dans le théâtre shakespearienJane Avner Modernités Shakespeariennes, L'Harmattan, pp.101-116, 2010, 978-2296131835
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IntroductionJean-Christophe Mayer. Representing France and the French in early modern English drama, University of Delaware press, pp.21-46, 2008, 978-0-87413-000-3
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Shakespeare and France in the European MirrorGraham Bradshaw; Tom Bishop; Ton Hoenselaars; Clara Calvo. Special section, European Shakespeares, 8, Ashgate, pp.107-116, 2008, The Shakespearean international yearbook, 9780754665724
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The Ironies of Babel in Shakespeare's "Henry V"Jean-Christophe Mayer. Representing France and the French in early modern English drama, University of Delaware press, pp.127-141, 2008, 978-0-87413-000-3
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IntroductionJean-Christophe Mayer. The struggle for the succession in late elizabethan England : politics, polemics and cultural representations, 11, Université Paul-Valéry Montpellier 3, pp.1-20, 2004, Astraea, 2-84269-239-X
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Late Elizabethan Theatre and the SuccessionJean-Christophe Mayer. The struggle for the succession in late elizabethan England : politics, polemics and cultural representations, 11, Université Paul-Valéry Montpellier 3, pp.371-393, 2004, Astraea, 2-84269-239-X
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'This Papist and his Poet' - Shakespeare's Lancastrian Kings and Robert Parsons's "Conference about the Next Succession"Richard Dutton; Alison Findlay; Richard Wilson. Theatre and religion : Lancastrian Shakespeare, Manchester university press, pp.116-129, 2003, 0-7190-6363-9
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IntroductionBreaking the silence on the succession : a sourcebook of manuscripts & rare Elizabethan texts, c. 1587-1603, 1, Université Paul-Valéry Montpellier 3, pp.1-27, 2003, Astraea texts, 2-84269-566-6
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Shakespeare's Religious Background Revisited - "Richard II in a New Context"Dennis Taylor; David Beauregard. Shakespeare and the culture of Christianity in early modern England, 6, Fordham university press, pp.103-120, 2003, Studies in religion and literature, 0-8232-2283-7
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Les spectateurs de Shakespeare : à la découverte des lettres et carnets de ses contemporainsPatricia Dorval; Jean-Marie Maguin. Shakespeare & ses contemporains, Société française Shakespeare, pp.143-159, 2002, 2-84269-538-0
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'... com'st thou smiling from / The world's great snare uncaught?' (4.8.17-18) - La place du politique dans "Antony and Cleopatra"Jean-Christophe Mayer. Lectures de Shakespeare, "Antony and Cleopatra", Presses universitaires de Rennes, pp.29-42, 2001, Didact anglais, 2-86847-549-3
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Royauté et souveraineté : Shakespeare et la politiqueFrançois Laroque; Franck Lessay. Figures de la royauté en Angleterre : de Shakespeare à la Glorieuse Révolution, Presses de la Sorbonne nouvelle, pp.33-48, 1999, 2-87854-179-0
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Le discours du pouvoir dans "Venus et Adonis"Jean-Marie Maguin; Charles Whitworth. William Shakespeare, "Venus and Adonis" : nouvelles perspectives critiques, Publications de l'Université Paul Valéry, pp.135-155, 1999
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Cultural 'Shakespeares' : Fact and artefactLiliane Kerjan; Renée Dickason. La consommation culturelle dans le monde anglophone, Presses universitaires de Rennes, pp.151-163, 1999, 2-86847-445-4
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Le portrait du roi : Shakespeare et l'idéologie officielleMarie-Claire Rouyer. Figures du souverain, Presses universitaires de Bordeaux, pp.49-63, 1996, 2-86781-191-0
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Power of Myths and Myths of Power : Shakespeare's History Plays and Modern HistoriographyHolger Klein; Rowland Wymer. Shakespeare and history, 6, E. Mellen press, pp.37-51, 1996, The Shakespearean international yearbook, 0-7734-8837-5
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Evolution et résonances du motif du jardin : "Henry VI", "Richard II", "Henry V"Marie-Thérèse Jones-Davies. Shakespeare : le monde vert, rites et renouveau, les Belles lettres, pp.65-75, 1995, 2-251-69124-3
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Images de la souveraineté dans "La Tempête"Claude Peltrault. Shakespeare, "La Tempête" : études critiques, Université de Franche-Comté, pp.127-138, 1994, 2-11-087907-6
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Shakespeare and the Origins of European Culture Wars2019
Preprints, Working Papers, ...
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What did early modern readers really think of Shakespeare’s works? The Early Manuscript Reception of the ‘Bard’Nottingham-Trent Seminar (Royaume-Uni), Nottingham-Trent University, Feb 2021, Nottingham (visioconférence), United Kingdom
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Les premières lectrices et annotatrices de Shakespeare (XVIe - XVIIIe siècles)9e Rencontres de Bournazel 2021 : "Portraits de femmes à la Renaissance", Thierry Verdier; Charlotte Chennetier, Sep 2021, Bournazel, France
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Shakespeare's Early Modern Female Readers and Annotators from the Sixteenth to the Eighteenth century: An OverviewEcrire pour elles, Clotilde Thouret, Mar 2021, Nancy, France
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Reading Shakespeare in Early Modern England (1590-1800): Tracing and Interpreting the Archival EvidenceReading Shakespeare, Dr Beatrice Monterdoro, Nov 2020, Zurich (par visio-conférence: Covid 19), Switzerland. pp.16
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“I cannot tell wat is dat”: Linguistic Conflict in Shakespeare’s King Henry V'Henry V': Literary and Historical Territories at War, Dec 2020, Toulouse, Université Jean Jaurès, France
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The Early Manuscript Reception of Shakespeare : The Formation of Shakespearean Literary TasteConférérence plénière, 15 mai 2018, Université de Genève, Faculté des Lettres, 2018, Genève, Switzerland
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France and the French in Shakespeare's "Henry V"Scene-Stealing/Ravir la scène, du 31 au 04 novembre 2018, Université de Georgia, Athens, USA, 2018, Athens, United States
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Voltaire, Shakespeare and Anglo-French Cultural Warfare in the Eighteenth CenturyShakespeare and Can(n)ons, International Shakespeare Conference, Shakespeare Institute, Stratford-upon-Avon, 23 au 28 juillet 2018, 2018, Stratford-upon-Avon, United Kingdom
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The Birth of the Shakespearean Myth - Early Configurations and Appropriations of Shakespeare, conférence invitéeConférence Département d'anglais, 06 octobre 2016, Université de Kyoto, Japon, 2016, Kyoto, Japan
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Exploring the Tragedies, communication lors du symposium consacré à l'in-folio le plus annoté au monde (Meisei MR774)A Celebration of Shakespearean Readership : Exploring and Experiencing the Most Annotated Early First Folio in the World, 02 octobre 2016, Université de Meisei, 2016, Tokyo, Japan
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Reading Shakespeare in a Seventeenth-Century English Jesuit College : The Valladolid Second Folio Re-ExaminedCongrès de la Société Shakespearienne Japonaise, 9 octobre 2016, Université de Keio, Tokyo, Séminaire 2 "The Second Folio Revisited", 2016, Tokyo, Japan
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Playing with Shakespeare's Words — Early Modern Theatrical Reader-Revisers at WorkShakespeare, Language and Performance, Bergen Shakespeare and Drama Network, Sep 2013, Szeged, Hungary
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Life with the Bard — Shakespeare and the Shaping of the Early Modern SelfShakespearean Readership : An International Symposium on Readers and Users of Shakespearean Folios, Université de Meisei, Jul 2013, Hino, Japan
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Shakespeare and the Art of Early Modern Cultural WarfareConférence à l'invitation du Département d'Etudes Anglophones, Université de Kyoto, Jul 2013, Kyoto, Japan
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Life in the Archives : First Folio Readers' Marks and the Shaping of Early Modern SelfhoodAtelier de l'Internation Shakespeare Conference, Internation Shakespeare Conference, Aug 2012, Stratford-sur-Avon, United Kingdom
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Shakespeare's Early Modern Readers WritingWhen Readers Write, Renaissance Society of America, Mar 2012, Washington, United States
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Shakespearean Criticism and Religion — Doubt or Faith ?Glaube und Zweifel bei Shakespeare, Deutsche Shakespeare-Gesellschaft, Apr 2012, Bochum, Germany
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From Stage to Page : Shakespeare's Early Modern ReadersBergen Shakespeare and Drama Network, Oct 2012, Vicenza, Italy
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Reinventing Source Editions — Shakespeare's Early Modern Readers at WorkShakespeare, Sources and Directions, University College Cork, Oct 2011, Cork, Ireland
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Shakespeare's Undiplomatic ReadersWorld Shakespeare Congress de Prague, World Shakespeare Congress, Jul 2011, Prague, Czech Republic. pp.193-203
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Reading Shakespeare's Early Modern ReadersFolger Shakespeare Library, Folger Shakespeare Library, Mar 2011, Washington, United States
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Shakespeare’s ParatextsShakespeare Configurations, CNRS-IRCL, Sep 2010, Montpellier, France
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Shakespeare’s Memorial DramaShakespeare as Secularizing Agent, Shakespeare Institute, Université de Birmingham, Aug 2010, Stratford-sur-Avon, United Kingdom
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Témoignages, traces, et représentations du passé : la mise à l'épreuve de l'histoire par le théâtre historique shakespearienLa Preuve : notions, pratiques et représentations en France et en Grande-Bretagne (XVIe-XVIIIe siècles), CNRS - Université Paul Valéry Montpellier, Jun 2010, Montpellier, France
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Shakespeare's Commonplacing Readers (version largement augmentée)Framing and Reframing Shakespeare, CNRS - Université Paul Valéry, Montpellier, Oct 2009, Montpellier, France
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Shakespeare's Commonplacing ReadersShakespeare Configured, Université de York, (Royaume-Uni), Sep 2009, York, (Royaume-Uni), United Kingdom
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Shakespeare et la religion, présentation de mon ouvrage "Shakespeare's Hybrid Faith"Shakespeare et la religion, Couvent des Dominicains, Montpellier, Jan 2007, Montpellier, France
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Coriolan : réseaux conceptuels et pistes interprétativesJournée d'études sur Coriolan, Université Paul Valéry, Montpellier, Feb 2007, Montpellier, France
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The Humanities and Social Sciences Department of the French National Center for Scientific ResearchLa Recherche française en Sciences de l'Homme et de la Société à l'heure de l'Europe, Association Universitaire pour l'Entente et la Liberté (AUPEL), Institut du Monde Anglophone, Université Paris 3-Sorbonne Nouvelle, May 2005, Paris, France
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Acting the Insubstantial in Shakespeare's "King Richard III"Ritual and Remembrance in the Early Modern World, Université d'Aberdeen (UK), Jun 2003, Aberdeen, United Kingdom
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Le théâtre élisabéthain et la (re)construction de l'identité nationale anglaisePeuples, frontières, histoires, Yves Charles Zarka, Franck Lessay, Jan 2003, Paris, France
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"... new opinions, / Diverse and dangerous, which are heresies, / And, not reformed, may prove pernicious" — Shakespeare and the English Reformation(s)Congrès annuel de la Société Britannique d'Etudes sur la Reforme (Society for Reformation Studies), Society for Reformation Studies, University d'Exeter (UK), Apr 2002, Exeter, United Kingdom
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"Richard III" au cinémaFestival Shakespeare, CROUS Montpellier, Mar 2002, Montpellier, France
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Shakespeare et la rébellion du comte d'EssexSéminaire Interdisciplinaire d'Etudes sur la Renaissance (SIER), Séminaire Interdisciplinaire d'Etudes sur la Renaissance (SIER), Oct 2001, Montpellier, France
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Théâtre et censure dans l'Angleterre élisabéthaineCensure et autocensure, Université Rennes 2, Sep 1998, Rennes, France
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La question du pouvoir dans le théâtre et la littérature de l'Angleterre élisabéthaineImages du pouvoir à la Renaissance, Institut Universitaire St-Melaine, Nov 1997, Rennes, France
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'What is the Body When the Head is Off ?' Souveraineté et mort du prince dans le théâtre de ShakespeareXXXVIIème Congrès de la S.A.E.S., Société des Anglicistes de l’Enseignement Supérieur, May 1997, Nice, France
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The literary incarnations of Richard IIIShakespeare Summer School, Université du Texas (Austin), Jul 1996, Oxford, United States
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