Lacy Rumsey
Présentation
Maître de conférences en poésie anglaise et américaine, ENS de Lyon.
Publications
Publications
T.S. Eliot with a Rhythmic Set: Vers Libre, Free Verse and Strong RhythmicityEtudes Anglaises, 2023, 76 (3), pp.257-281. ⟨10.3917/e.etan.763.0257⟩ |
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On R.F. Langley's "To A NightingaleÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2016, 51 |
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Recent British Literature: Concluding panel of the 2015 SEAC conferenceÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2016, 51, ⟨10.4000/ebc.3478⟩ |
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Da-DA-da-da-da: Intonation and Poetic FormThinking Verse, 2015, 5, pp.15-49 |
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The obstinate reader: Prynne, prosody and degrees of engagementThinking Verse, 2011, 1, pp.44-66 |
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Describing shape in the poetry of J.H. Prynne: rhythm and intonation in "Again in the Black CloudÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2010, 39, pp.109-27. ⟨10.4000/ebc.2811⟩ |
Swinburne et la variation rythmiqueEtudes Anglaises, 2009, 62 (2), pp.186-204. ⟨10.3917/etan.622.0186⟩ |
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American literature : the twentieth centuryYear's Work in English Studies, 2008, 87, pp.990-1100. ⟨10.1093/ywes/man017⟩ |
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Formal innovation in non-mainstream British poetry since 1985Etudes Anglaises, 2007, 60 (3), pp.330-345. ⟨10.3917/etan.603.0330⟩ |
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American literature : the twentieth centuryYear's Work in English Studies, 2007, 86, pp.906-967. ⟨10.1093/ywes/mam016⟩ |
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A prosody of doubt and satisfaction : aspects of meaning and form in Elizabeth BishopProfils américains, 2007, 19, pp.131-152. ⟨10.4000/books.pulm.16183⟩ |
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American literature : the twentieth centuryYear's Work in English Studies, 2006, 85, pp.866-977. ⟨10.1093/ywes/mal016⟩ |
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American literature : the twentieth centuryYear's Work in English Studies, 2005, 84, pp.872-944. ⟨10.1093/ywes/mai016⟩ |
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Form before genre : free verse and contemporary British poetryÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2004, N° 26 (Juin 2004), pp.73-91 |
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Reading for nostalgia in the 1990sÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2004, 27bis, pp.153-167. ⟨10.4000/14ip0⟩ |
H.D.: A Source in HeineANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 2001, 14 (2), pp.32-35. ⟨10.1080/08957690109598149⟩ |
The Waste Land : The Micro- and Macropoetics of Multi-RhythmicityAji, Hélène; Derail, Agnès; Oudart, Clément. T.S. Eliot agoniste : lecture des poèmes, Editions Rue d'Ulm, pp.133-150, 2024, Les actes de la recherche à l'ENS, ⟨10.4000/11qkd⟩ |
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1922, laboratoire du rythme dans le vers libre anglo-américainBrault-Dreux, Élise. L'air du temps de 1922 : Royaume-Uni et États-Unis aux rythmes d'une année, Sorbonne Université Presses, pp.247-84, 2022 |
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Free Verse and Open FormWolfgang Görtshacher; David Malcolm. A Companion to British and Irish Poetry, 1960-2015, 1, Wiley; Wiley-Blackwell, pp.143-58, 2020, 9781118843208. ⟨10.1002/9781118843215.ch2b.5⟩ |
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The reader, the text and the metre: rhythmic freedom and constraint in Louis MacNeice’s The Burning PerchAnne Goarzin; Clíona Ní Ríordáin. Memoranda to MacNeice: New Readings, Presses universitaires de Rennes, pp.127-51, 2019, ⟨10.4000/14n0n⟩ |
Whitman's Fitful RhythmsAgnès Derail; Cécile Roudeau. Whitman, feuille à feuille, Éditions Rue d’Ulm, pp.39-55, 2019, ⟨10.4000/books.editionsulm.3200⟩ |
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What the beat can carry": Prosody in the Pound / Zukofsky, Williams / Zukofsky, Olson / Creeley and Bishop / Lowell LettersVanessa Guignery. Crossed Correspondences: Writers as Readers and Critics of Their Peers, Cambridge Scholars, pp.117-39, 2016 |
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Revisiting the American “Walk Poem”: A.R. Ammons, Charles Olson, and Jonathan WilliamsKlaus Benesch; François Specq. Walking and the Aesthetics of Modernity: Pedestrian Mobility in Literature and the Arts, Palgrave Macmillan US, pp.63-81, 2016, 978-1-137-60282-4. ⟨10.1057/978-1-137-60364-7_5⟩ |
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The Atypicality of Jeff Hilson: Metrical Language and Modernist PleasureLang, Abigail; Nowell-Smith, David Modernist Legacies: Trends and Faultlines in British Poetry Today, Palgrave Macmillan US, pp.109-28, 2015, ⟨10.1057/9781137488756_7⟩ |
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One day / this rock / will talk" : Monuments and Monumentality in the Poetry of Jonathan Williams and Ronald JohnsonPorée, Marc; Savinel, Christine. Monument et Modernité dans l’art et la littérature britanniques et américains, Presses Sorbonne Nouvelle; Presses de la Sorbonne Nouvelle, pp.167-82, 2015, ⟨10.4000/books.psn.7338⟩ |
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Modes of Found PoetryErik Martiny. A Companion to Poetic Genre, 1, Wiley; Wiley-Blackwell, pp.361-76, 2011, ⟨10.1002/9781444344318.ch25⟩ |
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Interprétation, apories et méditation : enjeux de la métaphore dans "An Account of the Pelew Islands" de George Keate (1788)Regard, Frédéric. De Drake à Chatwin : rhétoriques de la découverte, ENS Éditions, pp.107-119, 2007, ⟨10.4000/books.enseditions.728⟩ |
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Exhilarating uncertainty : reading Bishop's rhythmsNesme, Axel;. Elizabeth Bishop : and looked our infant sight away, Ellipses, pp.127-143, 2002 |