
Martine Lambert-Charbonnier
- Voix Anglophones : Littérature et Esthétique (VALE)
Présentation
Qualifications : 1999 : Doctorate in English studies, University of Sorbonne- Paris 4, under the supervision of M. Professor Alain Jumeau. With the highest honours. Title of the dissertation: “Mirrors of Culture and Images of Oneself : from the portrait to the imaginary portrait in Walter Pater’s works”. 1995 : Second-year post-graduate/master’s degree in Comparative Literature, University of Sorbonne-Paris 4, under the supervision of Mrs Professor Dominique Millet-Gérard. With honours. Title of the dissertation: “Imaginary Lives : Walter Pater and Marcel Schwob”. 1993 : Agrégation in English. (Teacher competitive examination and certificate in English) 1991 : First-year post-graduate/ master’s degree in English Literature, University of Bordeaux 3, under the supervision of M. Professor Michel Jouve. With honours. Title of the dissertation: “The Notion of Correspondence in Oscar Wilde’s works.”
1990 : Bachelor of Arts in English studies. University of Bordeaux 3. 1987 : ‘A’ levels. Lycée Magendie, Bordeaux.
Teaching: Master’s course on the English pre-raphaelite movement, aestheticism and decadence. Lectures and courses in British civilization from 1st year to master’s students. Courses in Business-oriented translation studies and International Affairs for third-year students. Two-Week Teaching missions on British civilization at the Sorbonne-Abu Dhabi since 2006. One-Week Teaching mission at the University of Liverpool in 2002.**
University responsibilities 2021-22 : responsible for LPMOD - the professional degree in international trade, specializing in Textile and Fashion. 2019-2021 : business and languages degree coordinator. Since 2001 : Erasmus and International office exchange academic coordinator. For students in the Business and Languages Department. Student Exchanges with the UK, Ireland, the USA, Canada, Australia and New Zealand. 2003-2006 : University representative for the Erasmus National Agency in Bordeaux.
Member of selecting committees for the recruitment of Associate professors: 2022 : English and business studies, business and languages department, Sorbonne University. 2012: English and business studies, Business and languages department, University of Paris-Sorbonne. 2010: British civilisation, English Department, University of Paris-Sorbonne.**
Membership of research centres and societies Member of VALE EA 4085 – Voix Anglophones Littérature et Esthétique. Member of the SAES – Société des Anglicistes de l’Enseignement Supérieur. Member of the SFEVE – French Society for Victorian and Edwardian Studies. Member of the International Walter Pater Society.
Co-organisations of conferences and seminars July 2014: International Walter Pater Conference “Continuity/ Discontinuity”, co-organised at Paris-Sorbonne with Bénédicte Coste (University of Bourgogne), Anne-Florence Gillard-Estrada (University of Rouen), and Charlotte Ribeyrol (University of Paris 4-Sorbonne).
Co-edited publications Anne-Florence Gillard-Estrada, Martine Lambert-Charbonnier, Charlotte Ribeyrol eds. Testing New Opinions and Courting New Impressions: New Perspectives on Walter Pater. Routledge, 2018.
Publications in international peer-reviewed journals John Ruskin, William Morris and Walter Pater: From Nature to Musical Harmony in the Decorative Arts, Cahiers Victoriens et Edouardiens 91 (Printemps 2020). « An oblique message in gothic architecture : Walter Pater’s and John Ruskin’s interpretations of Amiens Cathedral» (« Un message oblique sous la croisée d’ogives ? La cathédrale d’Amiens sous le regard de Walter Pater et de John Ruskin » ). Polysèmes 21 (2019) : 1-17. « From commodity fetishes to symbols: Danny Boyle’s simulations of British culture in the London Olympic Games Opening Ceremony ». Visualizing Consumer Culture. In Media. The French Journal of Media Studies 7:1(2018). « ‘A reality that almost amounts to illusion’ : Walter Pater and Mona Lisa’s veil. » (« ‘A reality that almost amounts to illusion’ : Walter Pater et le voile de la Joconde »). Ed. Elisabeth Angel-Perez, Geneviève Cohen-Cheminet et Pierre Iselin. Sillages critiques 14 (2012). « From pleasure to idealism : Oscar Wilde and Walter Pater. » (« Du plaisir à l’idéal : regards croisés entre Oscar Wilde et Walter Pater »). Rue des Beaux Arts 33 (July-August 2011). http://www.oscholars.com/RBA/thirty-three/33.9/Pater.htm « Old age in Walter Pater’s works : humanity and aesthetics. » (« Walter Pater et la vieillesse : humanité et esthétique de la culture »), Cahiers Victoriens et Edouardiens 69 (2009) : 115-29. « Pater’s Scholar and the Hypertext» Cahiers Victoriens et Edouardiens 68 (October 2008): 47-61. « Exile from home : reality and idealism in three imaginary portraits by Walter Pater. » (« Entre la terre et l’idéal, être exilé de ‘chez-soi’ : étude de trois ‘portraits imaginaires’ de Walter Pater »). Cahiers Victoriens et Edouardiens 51 (April 2000) : 207-16. « The Image as a mirror and an ideal : the imaginary portrait of Watteau in ‘A Prince of Court Painters’». (« L’image, miroir des personnages et idéal de l’écriture : le ‘portrait imaginaire’ de Watteau dans ‘A Prince of Court Painters’ »). “Like Painting. . .”, Liliane Louvel, ed., La Licorne 49 (1999) : 65-81.
Chapters in collective volumes: « Habitus and the multifaceted self. Are there different Paters? ».Testing New Opinions and Courting New Impressions: New Perspectives on Walter Pater. Eds. Anne-Florence Gillard-Estrada, Martine Lambert-Charbonnier, Charlotte Ribeyrol eds. Routledge, 2018. Pp. 51-66.
« The Gioconda and the subjective spaces of art criticism in Walter Pater’s works » (« La Joconde et les ‘espaces subjectifs’ de l’écrit sur l’art chez Walter Pater. Ecrire l’art / Writing Art: Formes et enjeux du discours sur les arts visuels en Grande-Bretagne et aux Etats-Unis ed. Anne-Pascale Bruneau-Rumsey, Anne-Florence Gillard-Estrada, Shannon Wells-Lassagne. Mare & Martin. 2015. 101-113.
« The Quest for Mystic Realism : the reconciliation of the soul and the body in Walter Pater’s works.» (« Vers un réalisme mystique : la réconciliation de l’âme et du corps chez Walter Pater »). Spiritual Naturalism in Europe. Development and Impact . (Le naturalisme spiritualiste en Europe. Développement et rayonnement). Ed. Marie-Cécile Cadars et Mikaelle Cedergren. Classiques Garnier, 2012. « Poetics of Ekphrasis in Pater's ‘Imaginary Portraits’». Walter Pater: Transparencies of Desire. Laurel Brake, Lesley Higgins, Carolyn Williams eds. Greensboro: ELT Press, 2002. 202-12. Reviews Béatrice Laurent (ed.), Sleeping Beauties in Victorian Britain, Cultural, Literary and Artistic Explorations of a Myth. Miranda, 11 | 2015 John Coates, The Rhetorical Use of Provocation as a Means of Persuasion in the Writings of Walter Pater (1839–1894), English Essayist and Cultural Critic. Pater as a Controversialist. Cahiers Victoriens et Edouardiens (79) spring 2014. Bénédicte Coste, Walter Pater critique littéraire. “The Excitement of the Literary Sense”. Cahiers Victoriens et Edouardiens. (74), fall 2011.
Monograph Walter Pater and the « Imaginary Portraits». Mirrors of Culture and Images of Oneself. (Walter Pater et les « Portraits Imaginaires ». Miroirs de la culture et Images de soi.) Paris : L’Harmattan, 2004.
Selected papers given at international conferences (since 2007)
“From Sensations and ideas to the House Beautiful”. International Pater Conference. Venice University, July 2022.
« Home and digital images: a new ecstasy of perception ». Colloque international Frontières de l’image (The Frontiers of Images). UPEC University, Paris. 20-21 March 2021. The conference was cancelled because of the covid crisis, but the paper was sent to the organizers.
« Influences of John Ruskin and Walter Pater on the decorative arts ». Mediating Ruskin: through a kaleidoscope, brightly. 2019 S.F.E.V.E. Annual Conference, UPPA/UBM (ALTER, EA 7504, UPPA / CLIMAS, EA 4196, UBM). 8-9 February 2019. «Mirroring and educating the senses: interior design in the Arts and Crafts movement ». 11-12 January 2018. Paris Sorbonne Nouvelle. « From commodity fetishes to symbols: Danny Boyle’s simulations of British culture in the London Olympic Games Opening Ceremony ». Visualizing consumer culture, commodifying visual culture in the English-speaking world, Paris-Sorbonne and Sorbonne Nouvelle, 21-22 October 2016. « Discontinuity in biography: are there different Paters? » The International Walter Pater Conference, Walter Pater: Continuity and Discontinuity, Paris-Sorbonne, July 2014. « Subjective spaces in art criticism : Walter Pater’s Mona Lisa » . SAIT International Conference on « Writings on Art ». University of New Sorbonne-Paris 3. 16-17 March 2007.
Invitations to conferences and seminars. «Perceptions of the immigration cap in the British Press from 2010 to 2012. » Values and responsibilities in a globalised world. Free LEA. Universities of Paris-Sorbonne and Marne-La-Vallée, Créteil, UPEC. 22-23 November 2013. « ‘A reality that almost amounts to illusion’ ». Texte et critique du texte, VALE. University of Sorbonne-Paris 4. February 2010.
Publications
Publications
“Testing New Opinions”: New Perspectives on Walter PaterRoutledge, 2017
Ouvrages
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