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Martine Lambert-Charbonnier

Maître de conférences en anglais
6
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Affiliations actuelles
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Présentation

**Qualifications :** 1999 : Doctorate in English studies, University of Sorbonne- Paris 4, under the supervision of M. Professor Alain Jumeau. With the highest honours. Title of the dissertation: “Mirrors of Culture and Images of Oneself : from the portrait to the imaginary portrait in Walter Pater’s works”. 1995 : Second-year post-graduate/master’s degree in Comparative Literature, University of Sorbonne-Paris 4, under the supervision of Mrs Professor Dominique Millet-Gérard. With honours. Title of the dissertation: “Imaginary Lives : Walter Pater and Marcel Schwob”. 1993 : Agrégation in English. (Teacher competitive examination and certificate in English) 1991 : First-year post-graduate/ master’s degree in English Literature, University of Bordeaux 3, under the supervision of M. Professor Michel Jouve. With honours. Title of the dissertation: “The Notion of Correspondence in Oscar Wilde’s works.” 1990 : Bachelor of Arts in English studies. University of Bordeaux 3. 1987 : ‘A’ levels. Lycée Magendie, Bordeaux. **Teaching**: Master’s course on the English pre-raphaelite movement, aestheticism and decadence. Lectures and courses in British civilization from 1st year to master’s students. Courses in Business-oriented translation studies and International Affairs for third-year students. Two-Week Teaching missions on British civilization at the Sorbonne-Abu Dhabi since 2006. One-Week Teaching mission at the University of Liverpool in 2002.** **University responsibilities** 2021-22 : responsible for LPMOD - the professional degree in international trade, specializing in Textile and Fashion. 2019-2021 : business and languages degree coordinator. Since 2001 : Erasmus and International office exchange academic coordinator. For students in the Business and Languages Department. Student Exchanges with the UK, Ireland, the USA, Canada, Australia and New Zealand. 2003-2006 : University representative for the Erasmus National Agency in Bordeaux. **Member of selecting committees for the recruitment of Associate professors**: 2022 : English and business studies, business and languages department, Sorbonne University. 2012: English and business studies, Business and languages department, University of Paris-Sorbonne. 2010: British civilisation, English Department, University of Paris-Sorbonne.** **Membership of research centres and societies** Member of VALE EA 4085 – Voix Anglophones Littérature et Esthétique. Member of the SAES – Société des Anglicistes de l’Enseignement Supérieur. Member of the SFEVE – French Society for Victorian and Edwardian Studies. Member of the International Walter Pater Society. **Co-organisations of conferences and seminars** July 2014: International Walter Pater Conference “Continuity/ Discontinuity”, co-organised at Paris-Sorbonne with Bénédicte Coste (University of Bourgogne), Anne-Florence Gillard-Estrada (University of Rouen), and Charlotte Ribeyrol (University of Paris 4-Sorbonne). **Co-edited publications** Anne-Florence Gillard-Estrada, Martine Lambert-Charbonnier, Charlotte Ribeyrol eds. Testing New Opinions and Courting New Impressions: New Perspectives on Walter Pater. Routledge, 2018. **Publications in international peer-reviewed journals** John Ruskin, William Morris and Walter Pater: From Nature to Musical Harmony in the Decorative Arts, Cahiers Victoriens et Edouardiens 91 (Printemps 2020). « An oblique message in gothic architecture : Walter Pater’s and John Ruskin’s interpretations of Amiens Cathedral» (« Un message oblique sous la croisée d’ogives ? La cathédrale d’Amiens sous le regard de Walter Pater et de John Ruskin » ). Polysèmes 21 (2019) : 1-17. « From commodity fetishes to symbols: Danny Boyle’s simulations of British culture in the London Olympic Games Opening Ceremony ». Visualizing Consumer Culture. In Media. The French Journal of Media Studies 7:1(2018). « ‘A reality that almost amounts to illusion’ : Walter Pater and Mona Lisa’s veil. » (« ‘A reality that almost amounts to illusion’ : Walter Pater et le voile de la Joconde »). Ed. Elisabeth Angel-Perez, Geneviève Cohen-Cheminet et Pierre Iselin. Sillages critiques 14 (2012). « From pleasure to idealism : Oscar Wilde and Walter Pater. » (« Du plaisir à l’idéal : regards croisés entre Oscar Wilde et Walter Pater »). Rue des Beaux Arts 33 (July-August 2011). http://www.oscholars.com/RBA/thirty-three/33.9/Pater.htm « Old age in Walter Pater’s works : humanity and aesthetics. » (« Walter Pater et la vieillesse : humanité et esthétique de la culture »), Cahiers Victoriens et Edouardiens 69 (2009) : 115-29. « Pater’s Scholar and the Hypertext» Cahiers Victoriens et Edouardiens 68 (October 2008): 47-61. « Exile from home : reality and idealism in three imaginary portraits by Walter Pater. » (« Entre la terre et l’idéal, être exilé de ‘chez-soi’ : étude de trois ‘portraits imaginaires’ de Walter Pater »). Cahiers Victoriens et Edouardiens 51 (April 2000) : 207-16. « The Image as a mirror and an ideal : the imaginary portrait of Watteau in ‘A Prince of Court Painters’». (« L’image, miroir des personnages et idéal de l’écriture : le ‘portrait imaginaire’ de Watteau dans ‘A Prince of Court Painters’ »). “Like Painting. . .”, Liliane Louvel, ed., La Licorne 49 (1999) : 65-81. **Chapters in collective volumes:** « Habitus and the multifaceted self. Are there different Paters? ».Testing New Opinions and Courting New Impressions: New Perspectives on Walter Pater. Eds. Anne-Florence Gillard-Estrada, Martine Lambert-Charbonnier, Charlotte Ribeyrol eds. Routledge, 2018. Pp. 51-66. « The Gioconda and the subjective spaces of art criticism in Walter Pater’s works » (« La Joconde et les ‘espaces subjectifs’ de l’écrit sur l’art chez Walter Pater. Ecrire l’art / Writing Art: Formes et enjeux du discours sur les arts visuels en Grande-Bretagne et aux Etats-Unis ed. Anne-Pascale Bruneau-Rumsey, Anne-Florence Gillard-Estrada, Shannon Wells-Lassagne. Mare & Martin. 2015. 101-113. « The Quest for Mystic Realism : the reconciliation of the soul and the body in Walter Pater’s works.» (« Vers un réalisme mystique : la réconciliation de l’âme et du corps chez Walter Pater »). Spiritual Naturalism in Europe. Development and Impact . (Le naturalisme spiritualiste en Europe. Développement et rayonnement). Ed. Marie-Cécile Cadars et Mikaelle Cedergren. Classiques Garnier, 2012. « Poetics of Ekphrasis in Pater's ‘Imaginary Portraits’». Walter Pater: Transparencies of Desire. Laurel Brake, Lesley Higgins, Carolyn Williams eds. Greensboro: ELT Press, 2002. 202-12. Reviews Béatrice Laurent (ed.), Sleeping Beauties in Victorian Britain, Cultural, Literary and Artistic Explorations of a Myth. Miranda, 11 | 2015 John Coates, The Rhetorical Use of Provocation as a Means of Persuasion in the Writings of Walter Pater (1839–1894), English Essayist and Cultural Critic. Pater as a Controversialist. Cahiers Victoriens et Edouardiens (79) spring 2014. Bénédicte Coste, Walter Pater critique littéraire. “The Excitement of the Literary Sense”. Cahiers Victoriens et Edouardiens. (74), fall 2011. **Monograph** Walter Pater and the « Imaginary Portraits». Mirrors of Culture and Images of Oneself. (Walter Pater et les « Portraits Imaginaires ». Miroirs de la culture et Images de soi.) Paris : L’Harmattan, 2004. **Selected papers given at international conferences (since 2007)** “From Sensations and ideas to the House Beautiful”. International Pater Conference. Venice University, July 2022. « Home and digital images: a new ecstasy of perception ». Colloque international Frontières de l’image (The Frontiers of Images). UPEC University, Paris. 20-21 March 2021. The conference was cancelled because of the covid crisis, but the paper was sent to the organizers. « Influences of John Ruskin and Walter Pater on the decorative arts ». Mediating Ruskin: through a kaleidoscope, brightly. 2019 S.F.E.V.E. Annual Conference, UPPA/UBM (ALTER, EA 7504, UPPA / CLIMAS, EA 4196, UBM). 8-9 February 2019. «Mirroring and educating the senses: interior design in the Arts and Crafts movement ». 11-12 January 2018. Paris Sorbonne Nouvelle. « From commodity fetishes to symbols: Danny Boyle’s simulations of British culture in the London Olympic Games Opening Ceremony ». Visualizing consumer culture, commodifying visual culture in the English-speaking world, Paris-Sorbonne and Sorbonne Nouvelle, 21-22 October 2016. « Discontinuity in biography: are there different Paters? » The International Walter Pater Conference, Walter Pater: Continuity and Discontinuity, Paris-Sorbonne, July 2014. « Subjective spaces in art criticism : Walter Pater’s Mona Lisa » . SAIT International Conference on « Writings on Art ». University of New Sorbonne-Paris 3. 16-17 March 2007. **Invitations to conferences and seminars.** «Perceptions of the immigration cap in the British Press from 2010 to 2012. » Values and responsibilities in a globalised world. Free LEA. Universities of Paris-Sorbonne and Marne-La-Vallée, Créteil, UPEC. 22-23 November 2013. « ‘A reality that almost amounts to illusion’ ». Texte et critique du texte, VALE. University of Sorbonne-Paris 4. February 2010.

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