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Partially fluorinated derivatives as a powerful tool for the restoration of blanched easel paintings
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Neural Network Simulation of Original Colors in Friedrich's Abbey Among Oak Trees featuring Discoloured
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Influence of the painting medium on the alteration process of smalt in oil paintings studied using combined K and Co K-edge XANES
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Myriam Eveno
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Damaris Zurbach
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Kristina Mösl
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Marine Cotte
et al.
Applied physics. A, Materials science & processing, 2024, SR2A - Synchrotron radiation and neutrons in Art and Archaeology 2023, 130 (11), pp.781. ⟨10.1007/s00339-024-07943-4⟩
Article dans une revue
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Efficiency of combined MA-XRF and CXRF to give nondestructive insights about changes of a historical painting
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Myriam Eveno
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Thomas Calligaro
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Colourless Powdered Glass as a Drier for Red Lakes: On the Influence of Composition and Particle Size
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Odile Majérus
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Daniel Caurant
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Article dans une revue
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X-ray and Infrared Microanalyses of Mona Lisa ’s Ground Layer and Significance Regarding Leonardo da Vinci’s Palette
Victor Gonzalez
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Gilles Wallez
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Elisabeth Ravaud
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Myriam Eveno
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Ida Fazlic
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Article dans une revue
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Synthesis of novel partially perfluorinated C-glycosides and their application in blanching easel painting restoration
Yuqing Zhang
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Myriam Eveno
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Florian Gallier
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Mara Camaiti
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Article dans une revue
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Influence of the addition of crushed glass on the physical and chemical properties of lead white oil paint
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Alexandre Pierre
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Elisabeth Ravaud
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Yannick Melinge
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Odile Majérus
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Article dans une revue
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A multimodal study of smalt preservation and degradation on the painting "Woman doing a Libation or Artemisia" from an anonymous painter of the Fontainebleau School
Clément de Mecquenem
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Myriam Eveno
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Matthias Alfeld
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Ruven Pillay
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Eric Laval
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Article dans une revue
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Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints
Alessa A. Gambardella
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Marine Cotte
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Wout de Nolf
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Kokkie Schnetz
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Rob Erdmann
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Article dans une revue
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Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints
Alessa A. Gambardella
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Marine Cotte
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Wout de Nolf
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Rob Erdmann
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Article dans une revue
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Microchemical analysis of Leonardo da Vinci’s lead white paints reveals knowledge and control over pigment scattering properties
Victor Gonzalez
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Selwin Hageraats
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Gilles Wallez
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Myriam Eveno
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Article dans une revue
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Unraveling the Composition of Rembrandt's Impasto through the Identification of Unusual Plumbonacrite by Multimodal X‐ray Diffraction Analysis
Victor Gonzalez
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Marine Cotte
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Gilles Wallez
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Annelies van Loon
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Wout de Nolf
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Article dans une revue
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Synchrotron-based high angle resolution and high lateral resolution X-ray diffraction reveals lead white pigment qualities in Old Masters paintings
Victor Gonzalez
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Gilles Wallez
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Thomas Calligaro
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Marine Cotte
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Wout de Nolf
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Article dans une revue
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Synchrotron-based high angle resolution and high lateral resolution X-ray diffraction reveals lead white pigment qualities in Old Masters paintings
Victor Gonzalez
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Gilles Wallez
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Thomas Calligaro
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Marine Cotte
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Wout de Nolf
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Article dans une revue
hal-04065483v1
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Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers
Daniela Comelli
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Alessia Artesani
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Austin Nevin
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Sara Mosca
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