Nicolas Brochec

Publications

Communication dans un congrès (7)

Automatic Hybrid Following in Real-Time Mixed Music: A Case Study with Antescofo and ipt˜ for Flute Playing Techniques Nicolas Brochec,Jean-Louis Giavitto International Computer Music Conference (ICMC 2026), May 2026, Hamburg, Germany Communication dans un congrès hal-05547946v1
Interactive Music Co-Creation with an Instrumental Technique-Aware System: A Case Study with Flute and Somax2 Nicolas Brochec,Marco Fiorini,Mikhail Malt,Gérard Assayag International Computer Music Conference (ICMC 2025), Jun 2025, Boston (MA), United States Communication dans un congrès hal-05061669v1
Introducing EG-IPT and ipt~: a novel electric guitar dataset and a new Max/MSP object for real-time classification of instrumental playing techniques Marco Fiorini,Nicolas Brochec,Joakim Borg,Riccardo Pasini New Interfaces for Musical Expression (NIME 2025), Jun 2025, Canberra, Australia. ⟨10.5281/zenodo.15205644⟩ Communication dans un congrès hal-05061680v1
リアルタイム奏法自動判別を用いたフルートとライブ・エレクトロニクスのための作品《Traversée II》の制作 Nicolas Brochec Japanese Society of Sonic Arts, May 2025, Tokyo, Japan Communication dans un congrès hal-05072222v2
Guiding Co-Creative Musical Agents through Real-Time Flute Instrumental Playing Technique Recognition Marco Fiorini,Nicolas Brochec Sound and Music Computing Conference (SMC 2024), Jul 2024, Porto, Portugal Communication dans un congrès hal-04635907v1
Microphone-based Data Augmentation for Automatic Recognition of Instrumental Playing Techniques Nicolas Brochec,Tsubasa Tanaka,Will Howie International Computer Music Conference (ICMC 2024), Jul 2024, Seoul, South Korea Communication dans un congrès hal-04642673v1
Toward Real-Time Recognition of Instrumental Playing Techniques for Mixed Music: A Preliminary Analysis Nicolas Brochec,Tsubasa Tanaka International Computer Music Conference (ICMC 2023), Oct 2023, Shenzhen, China Communication dans un congrès hal-04263718v1

Article dans une revue (1)

ミクスト音楽のためのフルート奏法自動判別手法の検討 Nicolas Brochec,Tsubasa Tanaka Japanese Society of Sonic Arts, 2022, 14 (3), pp.31-34 Article dans une revue hal-04073680v1