Sarabeth Mullins

Identifiants chercheurs

IdHAL :

sarabeth-mullins

ORCID :

0009-0001-9723-3403

IdRef :

282446036

Publications

Article dans une revue (2)

The position of Gothic organs in Notre-Dame de Paris: An archeoacoustic simulation study C. d'Alessandro,E.K. Canfield-Dafilou,S.S. Mullins,Brian F. G. Katz Applied Acoustics, 2025, 231, pp.110506:1-10. ⟨10.1016/j.apacoust.2024.110506⟩ Article dans une revue hal-04875418v1
The Past Has Ears at Notre-Dame: Archaeoacoustic and Historically Informed Soundscape Research on the History of Paris' Cathedral Brian F. G. Katz,Sarabeth S. Mullins,Elliot K Canfield Dafilou,Antoine Weber,Mylene Pardoenet al. Journal of Anthropological and Archaeological Sciences , 2025, 11 (3), pp.1525-1544. ⟨10.32474/JAAS.2025.11.000364⟩ Article dans une revue (article de synthèse) hal-05378003v1

Communication dans un congrès (12)

Vocal onset detection and pitch segmentation in medieval choral music guided by original notational sources Samuel Bellows,Sarabeth S. Mullins,Brian F. G. Katz Asia Pacific Signal and Information Processing Association Annual Summit and Conference, Oct 2025, Shangri-la, Singapore Communication dans un congrès hal-05346461v1
Audibilité et prédication à Notre-Dame de Paris (XIIe-XIXe siècle) Béatrice Caseau,Sarabeth S Mullins,Elliot K Canfield-Dafilou Résonances Gothiques, Sep 2023, Avignon, France. pp.45-65, ⟨10.5281/zenodo.14163339⟩ Communication dans un congrès hal-04817841v1
Beneath the Louvre Pyramid: Immersive Auralisation Workflow for Evaluating Potential Acoustic Treatments David Poirier-Quinot,Sarabeth S. Mullins,Sebastien Jouan,Brian F. G. Katz Extended Reality. XR Salento 2024, Sep 2024, Lecce (ITALY), Italy. pp.209-221, ⟨10.1007/978-3-031-71710-9_15⟩ Communication dans un congrès hal-04699324v1
Le chant dans le chœur de Notre-Dame à la fin du XIIe siècle. Expérimentations et analyses Valérie Nunes-Le Page,Sarabeth S Mullins,Brian F. G. Katz,Frédéric Billiet Résonances gothiques, Sep 2023, Avignon, France. pp.27-44, ⟨10.5281/zenodo.14163337⟩ Communication dans un congrès hal-04817836v1
The Past Has Ears at Notre-Dame: Immersive Audio Experiences for Public Engagement Brian F. G. Katz,Mylène Pardoen,Jean-Marc Lyzwa,Stephanie Peichert,Cécile Croset al. AES 156th Convention, Audio Engineering Society, Jun 2024, Madrid, Spain Communication dans un congrès hal-04639402v1
Immersive Auralisations for Choral Ensembles Sarabeth S. Mullins,Brian F. G. Katz 11th International Conference on Auditorium Acoustics,, Institute of Acoustics, Sep 2023, Athens, Greece Communication dans un congrès hal-04226690v1
Can You Hear the Paintings? The Effect of Votive Offerings On the Acoustics of Notre-Dame E.K. Canfield-Dafilou,Sarabeth S. Mullins,Brian F. G. Katz Forum Acusticum 2023 - 10th Convention of the European Acoustics Association, European Acoustics Association, Sep 2023, Turin, Italy. pp.2537-2544, ⟨10.61782/fa.2023.0841⟩ Communication dans un congrès hal-04226647v1
Searching for the location of the first medieval organ in Notre-Dame de Paris via acoustic simulation Elliot Canfield-Dafilou,Sarabeth S. Mullins,Brian F. G. Katz,Christophe d'Alessandro Forum Acusticum 2023, European Acoustics Association, Sep 2023, Turin, Italy. pp.2545-2552, ⟨10.61782/fa.2023.0960⟩ Communication dans un congrès hal-04248532v1
The Development of the Early Acoustics of the Chancel in Notre-Dame de Paris: 1160–1230 Sarabeth Mullins,Elliot K Canfield-Dafilou,Brian F. G. Katz 2nd Symposium: The Acoustics of Ancient Theatres, Jul 2022, Verona, Italy. pp.1-4 Communication dans un congrès hal-03724923v1
Opening the Lateral Chapels and the Acoustics of Notre-Dame de Paris: 1225–1320 Elliot K Canfield-Dafilou,Sarabeth Mullins,Brian F. G. Katz 2nd Symposium: The Acoustics of Ancient Theatres, Jul 2022, Verona, Italy. pp.1-4 Communication dans un congrès hal-03724948v1
Virtual Notre-Dame: Preliminary results of real-time auralization with choir members Nolan Eley,Sarabeth Mullins,Peter Stitt,Brian F. G. Katz Intl Conf 3D Audio (I3DA), Sep 2021, Virtuel, Italy. ⟨10.1109/I3DA48870.2021.9610851⟩ Communication dans un congrès hal-03371677v1
Preliminary report on the effect of room acoustics on choral performance in Notre-Dame and its pre-Gothic predecessor Sarabeth Mullins,Valérie Le Page,Julien De Muynke,Elliot Canfield-Dafilou,Frédéric Billietet al. Acoustical Society of America 181 st Meeting, 2021, Seattle, United States. pp.A258-A258, ⟨10.1121/10.0008212⟩ Communication dans un congrès hal-03656066v1

Chapitre d'ouvrage (1)

Virtual Acoustic Reconstruction of Notre Dame Cathedral’s Choral Past Valérie Nunes-Le Page,Sarabeth S. Mullins,Brian F. G. Katz,Frédéric Billiet Eva Esteve Roldán; John Griffiths; Francisco José Rodilla León. Historical Resonances. Space, Senses and Early Music, 2, Brill; Fink, pp.129-150, 2024, Rostocker Hochschulschriften zu Musik und Theater, 978-3-8467-6913-3. ⟨10.30965/9783846769133_007⟩ Chapitre d'ouvrage hal-04770303v1

Autre publication scientifique (1)

Exploring cultural heritage and restoration of Notre-Dame Cathedral through acoustic digital reconstructions Sarabeth S. Mullins,Elliot K Canfield-Dafilou,Brian F. G. Katz 2023, pp.48-54 Autre publication scientifique hal-04291434v1

Thèse (1)

Voices of the past : the historical acoustics of Notre-Dame de Paris and choral polyphony Sarabeth Mullins Acoustics [physics.class-ph]. Sorbonne Université, 2024. English. ⟨NNT : 2024SORUS376⟩ Thèse tel-04879114v1