Solvi Ystad
Publications
Publications
Toward an Adaptive Cochlear Filter Bank Using Learnable Empirical Mode DecompositionCFA 2025 - 17e Congrès Français d'Acoustique, Institut ∂'Alembert, Apr 2025, Paris, France |
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Influence of Late Reverberation and Echoes on Rhythmic Drum PlayingThe 17th International Symposium on Computer Music Multidisciplinary Research, Nov 2025, Londres (Grande Bretagne), United Kingdom. ⟨10.5281/zenodo.17498178⟩ |
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Bouba, Kiki, and the Movement Between: Toward A Sensorimotor Hypothesis of Sound-Shape Cross-modal Correspondences17th International Symposium on Computer Music Multidisciplinary Research, Nov 2025, Londres, United Kingdom. ⟨10.5281/zenodo.17497860⟩ |
Influence du Retour Sonore sur le jeu RythmiqueCFA 2025 - 17e Congrès Français d'Acoustique, Société Française d'Acoustique (SFA), Apr 2025, Paris, France |
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Exploring Individualization of Sound Stimuli17th International Symposium on Computer Music Multidisciplinary Research, Nov 2025, London, United Kingdom. ⟨10.5281/zenodo.17497303⟩ |
Calibration de la décomposition en Modes Empiriques par apprentissage des paramètres d’interpolationCFA 2025 - 17e Congrès Français d'Acoustique, Société Française d'Acoustique (SFA), Apr 2025, Paris, France |
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A perceptually-based method for vibration compressionEurohaptics 2024, Université de Lille, France, Jun 2024, Lille, France |
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Principled probing of foundation models in the auditory modalityNeurIPS 2024 Workshop on Behavioral Machine Learning, Dec 2024, Vancouver (BC), Canada |
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Analyse Interdisciplinaire de la Synthèse InstrumentaleJournées d'Informatique Musicale 2023, Association Française d'Informatique Musicale - Université Paris 8, May 2023, Paris, France |
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Perceptual Evaluation of Adaptative Higher Order Ambisonics Rendering2023 International Conference on Immersive and 3D Audio (I3DA), Sep 2023, Bologna, Italy |
Caractérisation perceptive des distorsions spatiales de sources sonores réparties au sein d’édifices patrimoniaux16ème Congrès Français d'Acoustique, CFA2022, Société Française d'Acoustique; Laboratoire de Mécanique et d'Acoustique, Apr 2022, Marseille, France |
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Eyes-Off Your Fingers: Gradual Surface Haptic Feedback Improves Eyes-Free Touchscreen InteractionCHI '22: CHI Conference on Human Factors in Computing Systems, Apr 2022, New Orleans, United States. pp.1-10, ⟨10.1145/3491102.3501872⟩ |
Évaluation perceptive de systèmes de son 3D en présence de perturbations16ème Congrès Français d'Acoustique, CFA2022, Société Française d'Acoustique; Laboratoire de Mécanique et d'Acoustique, Apr 2022, Marseille, France |
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Audio-Tactile Perception of RoughnessCMMR2021, Music in the IA Era, Keiji Hirata, Satoshi Tojo, Tetsuro Kitahara, Nov 2021, Tokyo, Japan. pp.303 |
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A TECHNOLOGICAL PLATFORM FOR ANALYZING AND IMPROVING MUSICIANS' SOUND-GESTURE INTERACTIONSe-Forum Acousticum 2020, Dec 2020, Lyon, France. ⟨10.48465/fa.2020.0972⟩ |
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Space & sound characterisation of small-scale architectural heritage: an interdisciplinary, lightweight workflowIMEKO TC-4 International Conference on Metrology for Archaeology and Cultural Heritage, Oct 2020, Trento, Italy. pp.263-268 |
Interior sonification of Zero emission vehicles : strategy proposal and impact on driver’s perceptionForum Acousticum 2020, Dec 2020, Lyon (en ligne ), France |
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Machines that listen: towards a machine listening model based on perceptual descriptorsComputer Music Multidisciplinary Research 2019, Oct 2019, Marseille, France |
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Interferometric Tribometer for Wide -Range/High-Bandwidth Measurement of Tactile Force InteractionIEEE World Haptics Conference 2019, Jul 2019, Tokyo, Japan |
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Zero-Emission Vehicles Sonification Strategy Based on Shepard-Risset Glissando14th International Symposium on Computer Music Multidisciplinary Research, Oct 2019, Marseille, France |
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A phenomenological approach to investigate the pre-reflexive contents of consciousness during sound productionComputer Music Multidisciplinary Research - CMMR2019, Oct 2019, Marseille, France |
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Perception of the object attributes for sound synthesis purposesComputer Music Multidisciplinary Research 2019, Oct 2019, Marseille, France |
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Sound and Texture SynthesizerInternational Workshop on Haptic and Audio Interaction Design - HAID2019, Mar 2019, Lille, France |
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An evidence of the role of the cellists' postural movements in the score metric cohesion14th International Symposium on Computer Music Multidisciplinary Research, Oct 2019, Marseille, France |
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On the Influence of Non-Linear Phenomena on Perceived Interactions in Percussive InstrumentsInternational Symposium on Computer Music Multidisciplinary Research 2019, Laboratoire PRISM, Oct 2019, Marseille, France. pp.629-640 |
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A Real-time Synthesizer of Naturalistic Congruent Audio-Haptic TexturesCMMR 2019: 14th International Symposium on Computer Music Multidisciplinary Research, Oct 2019, Marseille, France |
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An evidence of the role of the cellists’ postural movements in the score metric cohesionCMMR 2019 (Computer Music Multidisciplinary Research), Oct 2019, MARSEILLE, France. pp. 954-966 |
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MusiDance : Effets thérapeutiques du son et de la musique sur les personnes en situation de dépendanceHandicap 2018 - 10ème Conférence Handicap 2018, Jun 2018, Paris, France |
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Timbre semantics through the lens of crossmodal correspondences: a new way of asking old questionsInternational Symposium on Universal Acoustical Communication 2018, Oct 2018, Sendai, Japan |
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Assessing sound perception through vocal imitations of sounds that evoke movements and materialsComputer Music Multidisciplinary Research (CMMR2017), Sep 2017, Matosinhos, Portugal |
Sonification Strategies for Dynamic Guidance Tasks: Example with a Driving GameComputer Music Multidisciplinary Research 2017 "Music Technology with Swing", Sep 2017, Matosinhos, Portugal |
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Sound Selection for Gesture Sonification and Manipulation of Virtual ObjectsICASV - 19th international Conference on Acoustics, Sound and Vibration, Feb 2017, Melbourne, Australia |
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Hearing gestures and drawing sounds: Auditory and multisensory perception of biological movements15th Annual Auditory Perception, Cognition, and Action Meeting, Nov 2016, Boston, United States |
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When hearing biological movements reveals embodied motor properties: a new paradigm to study relations between gestures and soundsThe Sensorimotor Theory of Perception and Consciousness: Developments and Open Questions -- ASSC Satellite Workshop, Jul 2015, Paris, France |
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Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor DisordersSOUND, MUSIC, AND MOTION, 2014, Unknown, Unknown Region. pp.246-255, ⟨10.1007/978-3-319-12976-1_16⟩ |
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Controlling a non linear friction model for evocative sound synthesis applicationsInternational Conference on Digital Audio Effects (DAFx), Sep 2013, Maynooth, Ireland. pp.XX |
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An intuitive synthesizer of sustained interaction sounds10th International Symposium on Computer Music Multidisciplinary Research (CMMR), Oct 2013, MARSEILLE, France. pp.1045 - 1050 |
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Handwriting Movement Sonification for the Rehabilitation of Dysgraphia10th International Symposium on Computer Music Multidisciplinary Research (CMMR) - Sound, Music & Motion - 15 - 18 oct. 2013 - Marseille, France, Oct 2013, Marseille, France. pp.200-208 |
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Exploring the usability of sound strategies for guiding task: toward a generalization of sonification designProc. of the 10th International Symposium on Computer Music Multidisciplinary Research, Oct 2013, Marseille, France |
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Navigating in a space of synthesized interaction-sounds: rubbing, scratching and rolling sounds16th International Conference on Digital Audio Effects (DAFx), Sep 2013, Maynooth, Ireland. pp.202 - 209 |
Are electric and hybrid vehicles too quiet for drivers?Inter-Noise 2013, Sep 2013, Innsbruck, Austria. pp.3081-3090 |
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Synchronizing Gestures with Friction Sounds: Work in Progress10th International Symposium on Computer Music Multidisciplinary Research (CMMR) - Sound, Music & Motion - 15 - 18 oct. 2013 - Marseille, France, Oct 2013, Marseille, France. pp.190 - 199 |
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How does interior car noise alter driver's perception of motion? Multisensory integration in speed perceptionAcoustics 2012, Apr 2012, Nantes, France |
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Sonifying drawings: characterization of perceptual attributes of sounds produced by human gesturesAcoustics 2012, Apr 2012, Nantes, France |
Perceptual optimization of audio representations based on time-frequency masking data for maximally-compact stimuli.45th International Conference on Applications of Time-Frequency Processing in Audio, Mar 2012, Helsinki, Finland |
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The ERBlet transform, time-frequency masking and perceptual sparsity2nd Workshop of the Signal Processing Lab of Brno University of Technology, Oct 2012, Brno, Czech Republic |
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Rolling sound synthesis : work in progress9th International Symposium on Computer Music Modeling and Retrieval (CMMR), Jun 2012, London, United Kingdom. pp.257-264 |
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From shape to sound: sonification of two dimensional curves by reenaction of biological movementsMusic and Emotions - 9th International Symposium on Computer Music Modeling and Retrieval (CMMR), 19-22 June, London, 2012, Jun 2012, Londres, United Kingdom. pp.XX |
Dissimilarity test modelisation applyied to interior car sound perception.AES 45th International Conference on Applications of Time-Frequency Processing in Audio, Mar 2012, Helsinki, Finland |
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Motor noise influence on acceleration perception in a dynamic driving simulatorAcoustics 2012, Apr 2012, Nantes, France |
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Perceptual differences between sounds produced by different continuous interactionsAcoustics 2012, Apr 2012, Nantes, France |
The way timbre shapes musical preference: a clarinet performance case studyPerformance Studies Network (PSN) International Conference, Jul 2011, Cambridge, United Kingdom |
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On the potentiality of abstract sounds in perception researchComputer Music Modeling and Retrieval (CMMR), Jun 2010, Málaga, Spain. pp.207- 219 |
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Masquage auditif temps-fréquence avec des stimuli de forme GaussienneActes du 10ème Congrès Français d'Acoustique, Lyon, France, CD-ROM (6 pages), Apr 2010, Lyon, France |
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Caractérisation des variations de timbre du bruit moteur dans l'habitacle d'une automobile par application d'un modèle auditif10ème Congrès Français d'Acoustique, Apr 2010, Lyon, France |
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Towards the timbre modeling of interior car soundInternational Conference on Auditory Display, May 2009, Copenhague, Denmark. pp.31-35 |
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Thinking the sounds: an intuitive control of an impact sound synthesizerInternational Conference on Auditory Display (ICAD'09), May 2009, Copenhague, Denmark. pp.119-124 |
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Additivity of auditory masking using Gaussian-shaped tonesAcoustics'08, ASA, Jun 2008, Paris, France. ⟨10.1121/1.2934613⟩ |
Auditory masking using gaussian-windowed stimuli.Acoustics'08, Jun 2008, Paris, France. pp.3568 |
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Exploration of timbre variations in music performanceAcoustics'08, Jun 2008, Paris, France |
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Relations between acoustic parameters and perceptual properties: an apporach by regression tree applied to car door closure sounds.Acoustics '08, Jun 2008, Paris, France. pp.CD-ROM |
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Towards a synthesis tool using 'evocation' as control parametersAcoustics'08, Jun 2008, Paris, France |
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Perception of impacted materials: sound retrieval and synthesis control persepctivesCMMR2008, May 2008, Copenhague, Denmark. pp.1-8 |
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Timbre control of a real-time percussive synthesizer19th International Congress on Acoustics, Sep 2007, Madrid, Spain |
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The effect of timbre in clarinet interpretationInternational Computer Music Conference, Aug 2007, Copenhague, France |
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Car door closure sounds: characterization of perceptual properties through analysis-synthesis approach19th International Congress on Acoustics, Sep 2007, Madrid, Spain. pp.CD-ROM |
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Perceptual Categorization of Moving Sounds For Synthesis ApplicationsInternational Computer Music Conference, Aug 2007, Copenhagen, Denmark. pp.69-72 |
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Perceptual analyses of action-related impact soundsEuronoise 2006, May 2006, Tampere, Finland. pp.CD-ROM |
An acoustical and cognitive approach to the semiotics of sound objects9th International Conference on Music Perception and Cognition, Aug 2006, Bologna, Italy. pp 1862 |
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Consistency of timbre patterns in expressive music performance9th International Conference on Digital Audio Effects, Sep 2006, Montréal, Canada. pp.19-25 |
Timbre variation as an attribute of naturalness in clarinet playThird International Symposium (CMMR 2005), Sep 2005, Pisa, Italy. pp.45-53 |
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Relationship between sound classification of xylophone-like bars and wood species propertiesThirtheenth International Congress on Sound and Vibration (ICSV13), Jul 2006, Vienne, Austria. pp.CD-ROM |
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Sound fluctuation as an attribute of naturalness in clarinet play2005, pp.210-218 |
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Vers une approche acoustique et cognitive de la sémiotique des objets sonoresJournées USTS, 2005, Nantes, France |
Synthesis and perceptual manipulation of percussive sounds2005, pp.335-338 |
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On the relative influence of even and odd harmonics in clarinet timbre2005, pp.351-354 |
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Towards a Better Understanding of the Relationship Between the Clarinet Timbre and the Playing2004 |
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A cognitive approach to piano timbre2004 |
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An FMR study of the neural basis of song perceptionConference on Interdisciplinary Musicology, 2004, Graz, France |
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Influence of rythmic ; melodic and semantic violations in language and music on the electrical activity in the brain2003 |
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Effets de l'écoute binaurale de sons en mouvement sur l'état psychique de l'auditeurJournée Perception Sonore 2023, Nov 2023, Paris, France |
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Evaluation of a congruent auditory feedback for Motor Imagery BCIInternational BCI meeting, May 2018, Asilomar, United States. |
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Towards congruent BCI feedbackJJC-ICON'2018 - Journée Jeunes Chercheurs en Interfaces Cerveau-Ordinateur et Neurofeedback, Apr 2018, Toulouse, France |
Auditory Perception of Biological Movements: an evidence of cognitive specifities from sound synthesis15th International Multisensory Research Forum (IMRF), Jun 2014, Amsterdam, Netherlands. |
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When visual circles become acoustic ellipses: sounds evoking accelerations modify visuo-motor coupling with biological motions15th International Multisensory Research Forum (IMRF), Jun 2014, Amsterdam, Netherlands |
Music and Sound Generation in the IA EraSølvi Ystad; Richard Kronland-Martinet; Tetsuro Kitahara; Keiji Hirata; Mitsuko Aramaki. Springer, Lecture Notes in Computer Science, 15236, 492 p., In press, 978-3-032-02041-3 |
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Music in the AI EraSpringer International Publishing, 13770, 2023, Lecture Notes in Computer Science, Ronan Nugent, 978-3-031-35382-6. ⟨10.1007/978-3-031-35382-6⟩ |
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Perception, Representations, Image, Sound, Music 14th International Symposium, CMMR 2019, Marseille, France, October 14–18, 2019, Revised Selected PapersRichard Kronland-MartinetSølvi YstadMitsuko Aramaki. Springer, Cham, 12631, pp.726, 2021, Lecture Notes in Computer Science, Ronan Nugent, 978-3-030-70209-0. ⟨10.1007/978-3-030-70210-6⟩ |
Music Technology with Swing 13th International Symposium, CMMR 2017 Matosinhos, Portugal, September 25–28, 2017 Revised Selected PapersM. Aramaki, M.E.P. Davies, R. Kronland-Martinet, S. Ystad. Springer Nature, Lecture Notes in Computer Science (11265), pp.676, 2018, Music Technology with Swing, Alfred Hofmann, 978-3-030-01691-3 |
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From sounds to music and emotionsLecture Notes in Computer Science, pp.502, 2013, 978-3-642-41247-9. ⟨10.1007/978-3-642-41248-6⟩ |
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Speech, sound and music processing: embracing research in IndiaS. Ystad, M. Aramaki, R. Kronland-Martinet, K. Jensen, S. Mohanty. Springer Verlag Berlin Heidelberg, pp.235, 2012, Lecture Notes in Computer Science, A. Hofmann, 978-3-642-31979-2 |
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Exploring Music ContentsS. Ystad, M. Aramaki, R. Kronland-Martinet, K. Jensen. Springer - LNCS, pp.361, 2011, Lecture Notes in Computer Science, Alfred Hofmann, 978-3-642-23125-4. ⟨10.1007/978-3-642-23126-1⟩ |
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Auditory displayS. Ystad, M. Aramaki, R. Kronland-Martinet, K. Jensen. Springer Verlag Berlin Heidelberg, pp.493, 2010, Lecture Notes in Computer Sciences, Alfred Hofmann |
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Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and MusicS. Ystad, R. Kronland-Martinet, K. Jensen. Springer Berlin Heidelberg, 5493, pp.284, 2009, Lecture Notes in Computer Science, Alfred Hofmann, ISBN: 978-3-642-02517-4 (Print) 978-3-642-02518-1 (Online) |
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Genesis of meaning in sound and musicSpringer Verlag Berlin Heidelberg, pp.285, 2009 |
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Computer Music Modelling and RetrievalR. Kronland-Martinet, S. Ystad, K. Jensen. Springer Berlin Heidelberg, 4969, pp.505, 2008, Lecture notes in computer science, Alfred Hofmann, ISBN: 978-3-540-85034-2 (Print) 978-3-540-85035-9 (Online) |
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Sense of SoundsSpringer Verlag Berlin Heidelberg, pp.508, 2008 |
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Computer music modeling and retrievalSpringer Verlag Berlin Heidelberg, pp.275, 2006 |
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How Would You Reproduce a Synthetic Sound of an Ellipse in Water ? A Phenomenological Investigation of Pre-reflexive Contents of ConsciousnessRichard Kronland-Martinet Sølvi Ystad Mitsuko Aramaki. Perception, Representations, Image, Sound, Music, 14th International Symposium, CMMR 2019, Marseille, France, October 14–18, 2019, Revised Selected Papers, 12631, pringer Nature Switzerland AG, pp.726, 2021, Lecture Notes in Computer Science, 978-3-030-70209-0. ⟨10.1007/978-3-030-70210-6⟩ |
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Zero-Emission Vehicles Sonification Strategy Based on Shepard-Risset GlissandoRichard Kronland-MartinetSølvi YstadMitsuko Aramaki. Perception, Representations, Image, Sound, Music Perception, Representations, Image, Sound, Music, 14th International Symposium, CMMR 2019, Marseille, France, October 14–18, 2019, Revised Selected Papers, 12631, Springer Nature Switzerland AG 2021, pp.726, 2021, Lecture Notes in Computer Science, 978-3-030-70209-0. ⟨10.1007/978-3-030-70210-6⟩ |
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Timbre from Sound Synthesis and High-level Control PerspectivesKai Siedenburg; Charalampos Saitis; Stephen McAdams; Arthur N. Popper; Richard N. Fay. Timbre: Acoustics, Perception, and Cognition, 69, Springer Nature, pp.361-389, 2019, Springer Handbook of Auditory Research Series (SHAR), 978-3-030-14831-7. ⟨10.1007/978-3-030-14832-4_13⟩ |
Exploration of Sonification Strategies for Guidance in a Blind Driving GameTechnology with Swing, Revised papers of the CMMR2017, 2018 |
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Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and MaterialsMusic Technology with Swing, Revised papers of the CMMR2017, 2018 |
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Eluding the Influence of Postural Constraints on Cellists' Bowing Movements and Timbral QualityBridging People and Sound, 2017 |
Assessing the Influence of Constraints on Cellists’ Postural Displacements and Musical ExpressivityR. Kronland-Martinet, M. Aramaki, S. Ystad. Music, Mind, and Embodiment, 9617, Springer, pp.21-41, 2016, LNCS, 978-3-319-46281-3. ⟨10.1007/978-3-319-46282-02⟩ |
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Prospective view on sound synthesis BCI control in light of two paradigms of cognitive neuroscienceEduardo Reck Miranda, Julien Castet and Benjanim Knapp. Guide to Brain-Computer Music Interfacing, Springer Verlag Berlin Heidelberg, pp.61-87, 2014, 978-1-4471-6584-2. ⟨10.1007/978-1-4471-6584-2_4⟩ |
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Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor FeaturesSound, Music and Motion, 2014 |
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Handwriting Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor DisordersAramaki M., Derrien O., Kronland-Martinet R., Ystad S. Sound Music and Motion, Springer International Publishing, pp.246-255, 2014, Lecture Notes in Computer Science (8905), 978-3-319-12975-4 |
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Intuitive control of rolling sound synthesisM. Aramaki, M. Barthet, R. Kronland-Martinet, S. Ystad. From sounds to music and emotions, Springer-Verlag Heidelberg, pp.99 - 109, 2013, Lecture Notes in Computer Science, 978-3-642-41247-9. ⟨10.1007/978-3-642-41248-6_6⟩ |
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Reenacting sensorimotor features of drawing movements from friction soundsFrom Sounds to Music and Emotions, Springer-Verlag Berlin Heidelberg, pp.130-153, 2013, Lecture Notes in Computer Science, 978-3-642-41248-6. ⟨10.1007/978-3-642-41248-6_8⟩ |
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Perceptual control of environmental sound synthesisS. Ystad, M. Aramaki, R. Kronland-Martinet, K. Jensen, S. Mohanty. Speech, sound and music processing: embracing research in India, Springer Verlag Berlin Heidelberg, pp.172-186, 2012, Lecture Notes in Computer Science, 978-3-642-31979-2 |
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Auditory time-frequency masking: psychoacoustical data and application to audio representationsS. Ystad, M. Aramaki, R. Kronland-Martinet, K. Jensen, S. Mohanty. Speech, sound and music processing: embracing research in India, Springer Verlag Berlin Heidelberg, pp.146-171, 2012, Lecture Notes in Computer Science, 978-3-642-31979-2 |
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Abstract sounds and their applications in audio and perception researchSølvi Ystad, Mitsuko Aramaki, Richard Kronland-Martinet, Kristoffer Jensen. Exploring music contents, Springer Verlag Berlin Heidelberg, pp.176-187, 2011, Lecture Notes in Computer Science, 978-3-642-23125-4 |
Imagine the sounds: anintuitive control of an impact sound synthesizerYstad, Aramaki, Kronland-Martinet, Jensen. Auditory display, Springer Berlin / Heidelberg, pp.408-422, 2010, Lecture Notes in Computer Sciences |
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Towards timbre modeling of sounds inside accelerating carsYstad, Aramaki, Kronland-Martinet, Jensen. Auditory Display, Springer Verlag/Heidelberg, pp.377-392, 2010, Lecture Notes in Computer Science |
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Timbre characteristics of interior car soundAuditory display, Springer Verlag Berlin Heidelberg, pp.377-391, 2010, Lecture Notes in Computer Science |
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Perception of impacted materials: sound retrieval and synthesis control perspectivesYstad, Kronland-Martinet, Jensen. Computer music modeling and retrieval: genesis of meaning in sound and music, Springer Berlin / Heidelberg, pp.134-146, 2009, Lecture Notes in Computer Science, ⟨10.1007/978-3-642-02518-1_9⟩ |
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Timbre perception of sounds fromimpacted materials: behavioral, electrophysiological and acoustic approachesYstad, Kronland-Martinet, Jensen. Computer music modeling and retrieval: genesis of meaning in sound and music, Springer Berlin / Heidelberg, pp.1-17, 2009, Lecture Notes in Computer Science, ⟨10.1007/978-3-642-02518-1_1⟩ |
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Vers une approche acoustique et cognitive de la sémiotique des objets sonoresEmmanuelle Rix; Marcel Formosa. Vers une sémiotique générale du temps dans les arts, Delatour, pp.79-90, 2008, Musique/sciences |
Improving musical expressiveness by time-varying brightness shapingKronland-Martinet, Ystad, Jensen. Computer music modeling and retrieval: sense of sounds, Springer Berlin / Heidelberg, pp.313-336, 2008, Lecture Notes in Computer Science, ⟨10.1007/978-3-540-85035-9_22⟩ |
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Semiotics of sounds evoking motions: categorization and acoustic featuresKronland-Martinet, Ystad, Jensen. Computer music modeling andretrieval: sense of sounds, Springer Berlin / Heidelberg, pp.139-158, 2008, Lecture Notes in Computer Science, ⟨10.1007/978-3-540-85035-9_9⟩ |
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Timbre variations as an attribute of naturalness in clarinet playKronland-Martinet, Voinier, Ystad. Computer music modeling and retrieval, Springer Berlin / Heidelberg, pp.45-53, 2006, Lecture Notes in Computer Science, ⟨10.1007/11751069_4⟩ |
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Perceptive and cognitive evaluation of a piano synthesis modelLecture Notes in Computer Sciences, LNCS 3310, Springer Verlag Berlin Heidelberg, pp.232-245, 2005, LNCS 3310 |
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The clarinet timbre as an attribute of expressivenessUffe Kock Wiil. Computer Music Modeling and Retrieval, 3310, Springer Verlag, pp.246-259, 2005, Lecture Notes in Computer Science, 978-3-540-24458-5. ⟨10.1007/978-3-540-31807-1_19⟩ |
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How do you reproduce a synthetic sound of an ellipse in water ? A phenomenological investigation of pre-reflexive contents of consciousness.In press |
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Vers le sens des sons: Modélisation sonore et contrôle haut niveauAcoustique [physics.class-ph]. Université de la Méditerranée - Aix-Marseille II, 2010 |