Ariella Aïsha Azoulay
Publications
Publications
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Ce que l’histoire potentielle fait à l’histoire des mondes coloniauxL'Année du Maghreb, 2024, 32, ⟨10.4000/13615⟩ |
A letter to my beloved children – IJournal of Visual Culture, 2022, 21 (1) |
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Errata in retro-prospectThe A-line – a Journal of Progressive Thought, 2020, 2 (3) |
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The Imperial Condition of Photography in Palestine: Archives, Looting and the Figure of the InfiltratorVisual Anthropology Review, 2017, 33 (1) |
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Actions, Non-Actions, Interactions, and So On and So ForthJournal of Visual Culture, 2016, 15, pp.25-28 |
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Between Nuremberg and Jerusalem: Hannah Arendt’s Tikkun OlamDifferences, 2016, 27 (1), pp.48-93 |
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Arendt’s guidelines for a fictionalized cinematic portraitDifferences, 2015, 26 (2), pp.121-131 |
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What are Human Rights?Comparative Studies of South Asia, Africa and the Middle East, 2015, 35 (1), pp.8-20 |
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Photographic Conditions: Looting, Archives, and the Figure of the ‘Infiltrator’Jerusalem Quarterly, 2015, 61, pp.6-22 |
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Palestine as Symptom, Palestine as Hope: Revising Human Rights DiscourseCritical Inquiry, 2014, 40 (4) |
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Potential HistoryCritical Inquiry, 2013, 39 (3), pp.548-574 |
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A Tour of the Museum of Regime-Made DisastersHumanity, 2013, 4 (3), pp.345-364 |
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Revolution.” Political Concepts: A Critical LexiconThe New School, 2012, 2 |
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Outside The Political Philosophy Tradition, and Still Inside Tradition: Two Traditions of Political PhilosophyConstellations, 2011, 18 (1) |
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Getting rid of the distinction between the aesthetic and the politicalTCS Annual Review, 2011, 7 (8) |
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Declaring the State of Israel: Declaring a State of WarCritical Inquiry, 2011, 37 (2), pp.265-285 |
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Archive.” Political Concepts: A Critical LexiconThe New School e-journal, 2011, 1 |
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De-prostitution Through Five Historical DocumentsTheory and Criticism, 2010, Vol 36 |
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The Absent Philosopher-Prince: Thinking Political Philosophy with Olympe de GougesRadical Philosophy, 2009, 158, pp.36-47 |
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The Tradition of the OppressedQui Parle: Literature, Philosophy, Journal of Critical Theory University of Berkley, 2008, 16 (2), pp.73-96 |
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Female TraumaTrauma and Memory: Subjective & Collective Experiences, 2008, pp.49-64 |
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Citizens of DisasterQui Parle: Literature, Philosophy, Journal of Critical Theory University of Berkley, 2005, Vol. 15 (2), pp.105-138 |
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The Ethics of the SpectatorAfterimage: The Journal of Media and Cultural Criticism, 2005, 3 (2) |
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The Loss of Critique and the Critique of ViolenceCardozo Arts and Entertainment Law Journal, 2005 |
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A Moment of Silence Please, The Disaster Would Like to Say SomethingThe journal of culture and the unconscious, 2002, 2 (1) |
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An Alien Woman/A Permitted Woman: on JM Coetzee's DisgraceScrutiny, 2002, 7 (1) |
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The Contraction of Being: Deleuze after BadiouUmbr(a) a journal of the unconscious, 2001 |
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You didn’t see anything in Hiroshima(a) the journal of culture and the unconscious, 2000, 1, pp.1-9 |
Aïm Deüelle Lüski and Horizontal PhotographyLeuven University Press ; Cornell University Press, 2017, 978-90-5867-949-9 |
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Historia Potencial Y Otros Ensayost-e-eoria, 2015, 9786079651916 |
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Civil Imagination: A Political Ontology of PhotographyVerso, 2012, 9781784783013 |
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The One-State Condition: Occupation and Democracy in Israel/PalestineStanford University Press, 2012, 978-0804775922 |
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From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950Pluto Press, 2011, 978-0745331690 |
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The Civil Contract of PhotographyZone Books, 2008, 9781890951894 |
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Act of State – Photographed History of the Occupation 1967-2007Etgar, 2008, 978-965-911-0-6-1-2 |
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Death’s Showcase: The Power of Image in Contemporary DemocracyMIT Press, 2001, 978-0262511339 |
Les ruines doivent être habitées pour pouvoir être réparésContre l’antisémitisme et ses instrumentalisations, La Fabrique, 2024, 978-2358722872 |
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Striking Against Empire – Ariella Aïsha Azoulay in conversation with Nnenna OnnohaOwned by Others, K. Verlag, 2024, 978-3-947858-39-2 |
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Ending World War II: The Visual Literacy Class in Cold War Human RightsCold War Camera, Duke University Press, 2023, 978-1-4780-1859-9 |