Catherine Delyfer
Publications
Publications
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Forms of Intermediality in British PortraitureInterfaces : image, texte, language, 51, 2024, ⟨10.4000/122dy⟩ |
Studies in Walter Pater and AestheticismStudies in Walter Pater and in Aestheticism, Double issue 9 and 10, 2024 |
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Victorian and Edwardian Interiors (Colloque SFEVE Université Toulouse Jean Jaurès, 27 et 28 janvier 2022) ; Failles (60e congrès de la SAES Université Clermont-Auvergne, 2-4 juin 2022)Cahiers Victoriens et Edouardiens, 97 Printemps, 2023, ⟨10.4000/cve.12589⟩ |
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Victorian and Edwardian InteriorsCahiers Victoriens et Edouardiens, 97 (1), 2023, ⟨10.4000/cve.12589⟩ |
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The New Woman and HumourCahiers Victoriens et Edouardiens, 96, 2022, Cahiers victoriens et édouardiens, ⟨10.4000/cve.11608⟩ |
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Cross-Dressing in Fact and FictionE-rea - Revue électronique d’études sur le monde anglophone, 16 (2), 2019, ⟨10.4000/erea.7213⟩ |
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Female suffrage in British Art, Literature and HistoryCaliban : French journal of English studies, 62, 2019, Female suffrage in British art, literature and history, ⟨10.4000/caliban.6793⟩ |
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MiscellanyCahiers Victoriens et Edouardiens, 73 Printemps, 2015, ⟨10.4000/cve.2162⟩ |
Clubs and Dissidence - MiscellanyCahiers Victoriens et Edouardiens, 81 (Printemps), s.p., 2015 |
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Female AestheticismCahiers Victoriens et Edouardiens, 74, 282 p., 2011 |
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MiscellanyLuc Bouvard et Catherine Delyfer. Cahiers Victoriens et Edouardiens, 73, 265 p., 2011 |
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Texte et image à l'époque victorienneCahiers Victoriens et Edouardiens, 64, 344 p., 2006 |
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Actes de colloquesCahiers Victoriens et Edouardiens, 55, 270 p., 2002 |
The Legacy of Sensation FictionResearch seminar on Sensation, Lene Oestermark-Johansen, Apr 2024, Cophenhague, Denmark |
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Dwelling with Birds in Vernon Lee's Essays2024 European Society for the Study of English, ESSE, Aug 2024, Lausanne, Switzerland |
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Re-Dressing Oscar Wilde’s Fairy Tales: a Transnational Approach to Illustrated Editions of 'A House of Pomegranates' in the 20th and 21st centuriesConference on "Furthering Transnational Neo-Victorianisms in an Entangled World", organized by Rosario Arias, Universidad de Malaga, May 2023, Malaga, Spain |
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A Dress of One’s Own : Craft Transmission and Ecopolitics for Girls in Jessie M. King's 'Cinderella' (1924)Congrès SAES 2023 - Transmission(s), Université de Rennes, Jun 2023, Rennes, France |
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‘Voices of nature and the soul’: Fowl Sensations and Ideas in Aesthetic Paintings by Spartali Stillman and De MorganInternational Walter Pater Society Conference, organized by Elisa Bizzotto, IUAV University of Venice, Jul 2022, Venise, Italy |
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Livre d’art, livre d’exception ?Congrès SAES 2019, Aix-Marseille Université (LERMA), Jun 2019, Aix-en-Provence, France |
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Sketching in black and whiteCongrès de la Société des Anglicistes de l'Enseignement Supérieur, Bordeaux 8-10 mai 2009, 2009, Bordeaux, France |
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The Lay Figure Speaks"Artistry and Industry : Representations of Creative Labour in Literature and the Visual Arts c. 1830-1900", Exeter, juillet 2008, 2008, Exeter, United Kingdom |
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Les monstres de Beardsley et le grotesque darwinienCongrès de la SAES [Société Française d'Etudes Victoriennes et Edouardiennes], Paris XIII, mai 2004, 2004, Paris, France |
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An Indian artist looks at women's questsWomen's creativity conference, Marquette University, Milwaukee (WI, USA), 2002, Milwaukee, United States |
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Self-representation and self-construction in Anita Desai's novelsColloque "Image, Texte, Langage", Paris, juin 1999, 1999, Paris, France |
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La vision en sphères séparées dans l'Angleterre des années 1890SAES, Rennes, mai 1998, 1998, Rennes, France |
Cosmopolitan Romance and Feminist Aestheticism in Lucas Malet's Adrian Savage (1911)Jane Ford and Alexandra Gray eds. Lucas Malet, Dissident Pilgrim: Critical Essays, Routledge, pp.109-126, 2019, 9780367661939 |
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Re-writing Myths of Creativity: Pygmalionism, Galatea Figures, and the Revenge of the Muse in Late Victorian Literature by WomenHolly Laird ed. The History of British Women's Writing, 1880-1920, Palgrave Macmillan UK, pp.97-110, 2016, ⟨10.1057/978-1-137-39380-7_8⟩ |
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Gleeson Jospeh William White (1851-1898)Lorraine Janzen Kooistra and Dennis Denisoff. The Yellow Nineties Online, Ryerson University, 2012 |
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New Woman Fiction, Gender and EmpireChristine Reynier. Cross-Cultural Encounters between the Mediterranean and the English-Speaking Worlds : the Dynamics of Differences, 4, Peter Lang, pp.149-162, 2011 |
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Lucas Malet's Subversive Late-GothicRuth B. Anolik. Diagnosing Demons : Illness and Disability in the Gothic Imagination, McFarland Publishers, pp.80-96, 2010 |
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“The Politics of (In)visibility and (In)audibility in Vernon Lee’s Miss Brown (1884)”C. Reynier and J-M Ganteau (eds). Autonomy and Commitment in Twentieth-Century British Literature, PULM, pp.31-42, 2010 |
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“Lucas Malet’s Subversive Late-Gothic: Humanizing the Monster in The History of Sir Richard Calmady”Ruth B. Anolik (ed.). Demons of the Body and Mind: Essays on Disability in Gothic Literature, McFarland Publishers, pp.80-96, 2010 |
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« ‘Dialogue sur la Moralité de la Poésie’ (1881) : Vernon Lee critique esthétique »Dir. Christine Reynier, Collection "Essais sur l'Art". Les Grands mouvements littéraires anglo-américains, Michel Houdiard, pp.43-71, 2009 |
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Dialogue sur la moralité de la poésieChristine Reynier. Les Grands mouvements littéraires anglo-américains, 1, Houdiard, pp.44-71, 2009 |
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Vernon Lee critique esthétiqueEtudes des pays anglophones (Montpellier). Les grands mouvements littéraires anglo-américains, M. Houdiard, pp.65-71, 2009 |
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The Politics of (In)visibility and (In)audibility in Vernon Lee's Miss BrownChristine Reynier; Jean-Michel Ganteau. Autonomy and Commitment in Twentieth-Century British Literature, 5, Presses universitaires de la Méditerranée, pp.31-42, 2007 |
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Sensation, Impersonality and Disinterestedness in Beardsley‘s Representation of the BodyChristine Reynier; Jean-Michel Ganteau. Impersonality and emotion in Twentieth-century British literature, Université Montpellier III, pp.15-26, 2006 |
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Impersonality and Disinterestedness in Aubrey Beardsley's Representation of the BodyChristine Reynier et Jean-Michel Ganteau. Impersonality and Emotion in Twentieth-Century British Arts, 2, Presses universitaires de la Méditerranée, pp.15-23, 2006 |
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Nature, contre-nature et supernature dans "The Portrait of a LadyClaudine Verley. The Portrait of a Lady : Henry James et Jane Campion, Ellipses, pp.68-77, 1998 |
Reconnecting Aestheticism and Modernism : continuities, revisions, speculationsRoutledge, 210 p., 2017 |
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Aesthetic Lives: 'New Experience, New Subjects of Poetry, New Forms of ArtRivendale Press, 2013, 9781904201236 |
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Art and Womanhood in Fin-de-Siècle WritingPickering & Chatto, 208 p., 2011 |
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Tex's French Grammar1999 |
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La muse renaissante1999 |
La filiation de l'homme et la sélection liée au sexe / Charles DarwinLa filiation de l'homme et la sélection liée au sexe, 1999, 825 p |
Enjeux idéologiques du discours sur les arts décoratifs en Angleterre : étude de The Studio Magazine (1893-1900)Art et histoire de l'art. Université Bordeaux Montaigne, Bordeaux, FRA., 1998. Français. ⟨NNT : ⟩ |