Christine REYNIER
Présentation
Christine Reynier is Professor Emerita at the Université de Montpellier Paul-Valéry where she taught Victorian, Edwardian and Modernist literature, was responsible for the research center EMMA (Etudes Montpelliéraines du Monde Anglophone) and then, the Doctoral School 58.
She has published on the fiction, short fiction and non-fiction of major modernist writers as well as on neglected ones, and is also interested in the connections between nineteenth- and early twentieth-century literature.
Her focus on ethics and aesthetics has led her to publish on Virginia Woolf as well as Leslie Stephen and G.E. Moore, Sylvia Townsend Warner, Vita Sackville-West, Rebecca West, Winifred Holtby and Daphne du Maurier.
Pursuing her gradual remapping of the literature of the period, she is currently investigating the role of materiality in the fiction and non fiction of the first half of the twentieth century .
Publications
Publications
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‘Modernist Non-fictional Narratives and Beyond’E-rea (Revue électronique d’études sur le monde anglophone), 2023, 21 (1), ⟨10.4000/erea.16813⟩ |
1.‘Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)’Etudes Anglaises, 2022, 75 (3), pp.312-329 |
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The Exceptional Grandeur of Small Objects: Paul Scott’s CeramicsPolysèmes, 2020, 24, ⟨10.4000/polysemes.8177⟩ |
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The Women’s Land Army (1944): Vita Sackville-West’s Non-Fictional Wartime WritingE-rea - Revue électronique d’études sur le monde anglophone, 2020, 17.2, ⟨10.4000/erea.9721⟩ |
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Leslie de Bont, Le modernisme singulier de May SinclairE-rea - Revue électronique d’études sur le monde anglophone, 2020, 18.1, ⟨10.4000/erea.10141⟩ |
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Introduction: “We Are Also hospital" Modernist Non-fictional Narratives of War and Peace (1914-1950)E-rea - Revue électronique d’études sur le monde anglophone, 2020, 15.2, ⟨10.4000/erea.6168⟩ |
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IntroductionCahiers Victoriens et Edouardiens, 2019, 89 Spring, ⟨10.4000/cve.5050⟩ |
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Lise Jaillant, Cheap Modernism. Expanding Markets, Publishers’ Series and the Avant-GardeÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2019, 56, ⟨10.4000/ebc.7073⟩ |
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Michael Robertson. The Last Utopians. Four Late Nineteenth-Century Visionaries and their LegacyCahiers Victoriens et Edouardiens, 2019, 89 Spring, ⟨10.4000/cve.5668⟩ |
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Introduction. The Transformative Power of the Arts in Victorian and Edwardian Culture and SocietyCahiers Victoriens et Edouardiens, 2019, 89 |
Cahier spécial AtonementÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2018 |
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Modernist Non-fictional Narratives: Rewriting Modernism: IntroductionE-rea - Revue électronique d’études sur le monde anglophone, 2018, 15.2, ⟨10.4000/erea.6168⟩ |
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Joseph Conrad’s The Rover (1923) as A Tale of Post-War ReconstructionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2018, 54, ⟨10.4000/ebc.4260⟩ |
Joseph Conrad's The Rover (1923) as a Tale of Post-War ReconstructionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2018, 54, s.p |
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Introduction : Modernist Non-fictional Narratives: Rewriting ModernismE-rea - Revue électronique d’études sur le monde anglophone, 2018, 15 (2), s.p |
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Beyond cinema: Daphne du Maurier's intermedial experiments in "The Little Photographer" (1952)Short Fiction in Theory & Practice, 2018, 8 (1-2), pp.89-97. ⟨10.1386/fict.8.1-2.89_1⟩ |
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Bare Lives. IntroductionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2017, 53, ⟨10.4000/ebc.3728⟩ |
Theorising the Modernist Short Story with Woolf (and Agamben) as an Art of Empowering ‘Poverty’Journal of The Short Story in English / Les Cahiers de la nouvelle, 2015, 64, pp.137-153 |
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Susan Jones, Literature, Modernism & Dance (Oxford: Oxford University Press, 2013)Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2015, s.p. ⟨10.4000/ebc.2320⟩ |
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Exploring the Modernist State of England Novel by Women Novelists : Rebecca West, Radclyffe Hall and Winifred HoltbyÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2015, 49, n.p. ⟨10.4000/ebc.2635⟩ |
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Theorizing the Modernist Short Story with Woolf (and Agamben) as an Art of Empowering "PovertyJournal of The Short Story in English / Les Cahiers de la nouvelle, 2015 |
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Re-framing the Modernist Short Story: IntroductionJournal of The Short Story in English / Les Cahiers de la nouvelle, 2015 |
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Exploring the Modernist State of England Novel by Women Novelists: Rebecca West, Radclyffe Hall and Winifred HoltbyÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2015, ⟨10.4000/ebc.2635⟩ |
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West's World. The Extraordinary Life of Dame Rebecca West by Lorna GibbCercles : Revue Pluridisciplinaire du Monde Anglophone, 2014 |
Lorna Gibb, "West’s World: The Extraordinary Life of Dame Rebecca West" (Basingstoke: Palgrave Macmillan, 2013)Cercles : Revue Pluridisciplinaire du Monde Anglophone, 2014, s.p |
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Musing in the Museums of Ford's ProvenceWord and Image, 2014, 30 (1), pp.57-63. ⟨10.1080/02666286.2013.771933⟩ |
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Virginia Woolf’s Ethics and Victorian Moral PhilosophyPhilosophy and Literature, 2014, 38 (1), pp.128-141. ⟨10.1353/phl.2014.0009⟩ |
Virginia Woolf's Ethics and Victorian Moral Philosophy?Philosophy and Literature, 2014, 38 (1), pp.128-141 |
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Notes on Sontag" / Philip Lopate. Princeton University Press, 2009In-between : Essays & Studies in Literary Criticism, 2013, pp.101-104 |
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The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2013, 45, ⟨10.4000/ebc.683⟩ |
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The Outrageousness of Outrage: Daphne du Maurier's "Monte VeritàÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2013, 45, s.p. ⟨10.4000/ebc.683⟩ |
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Martin Hipsky (éd.), Modernism and the Women’s Popular Romance in Britain, 1885-1925Cahiers Victoriens et Edouardiens, 2012, 76 Automne, pp.180-183. ⟨10.4000/cve.561⟩ |
Listening In. Broadcasts, Speeches, and Interviews by Elizabeth BowenCercles : Revue Pluridisciplinaire du Monde Anglophone, 2011 |
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Jessica Feldman, Victorian Modernism. Pragmatism and the Varieties of Aesthetic ExperienceCahiers Victoriens et Edouardiens, 2011, 74 Automne, pp.252-255. ⟨10.4000/cve.1426⟩ |
Virginia Stephen (Woolf) et le rire comme horizonÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2011, 40 (juin), pp.5-18 |
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Jessica Feldman. Victorian Modernism. (2002)Cahiers Victoriens et Edouardiens, 2011, pp.252-255 |
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Virginia Stephen (Woolf) et le rire comme horizonÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2011, 40, pp.5-18. ⟨10.4000/ebc.2365⟩ |
People, Places, ThingsCercles : Revue Pluridisciplinaire du Monde Anglophone, 2010 |
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Katerina Koutsantoni : Virginia Woolf's Common Reader.Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2010, 38, pp.171-172. ⟨10.4000/ebc.3224⟩ |
Jane Goldman, The Cambridge Introduction to Virginia Woolf, CUP, 2006Etudes Anglaises, 2009 |
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Winifred Holtby,Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2008, 33, ⟨10.4000/ebc.9451⟩ |
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Virginia Woolf’s Dischronic Art of Fiction in her EssaysÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2008, 33, ⟨10.4000/ebc.9416⟩ |
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Rosenbaum S.P. (edited and introduced by), Virginia Woolf. The Platform of TimeÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2008, 33, ⟨10.4000/ebc.9471⟩ |
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Jonathan Bloom, The Art of revision in the Short Stories of V.S. Pritchett and Wiliam Trevor.Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2008, 38, pp.230-231. ⟨10.4000/ebc.7275⟩ |
Virginia Woolf's Ethics of the Short StoryEtudes Anglaises, 2007, 60 (janvier-mars), pp.55-65 |
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Virginia Woolf's Dischronic Art of Fiction in her EssaysÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2007, 33 (décembre), pp.33-51 |
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Photography in Leonard Woolf's Political EssaysVirginia Woolf Miscellany, 2007, 72, pp.41-43 |
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Image as Text in Leonard Woolf’s ‘Quack, Quack in Politics’Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2006, 31, ⟨10.4000/ebc.12285⟩ |
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Catherine Bernard commente Mrs Dalloway de Virginia WoolfÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2006, 31, ⟨10.4000/ebc.12375⟩ |
Image as Text in Leonard Woolf's "Quack, Quack in PoliticsÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2006, 31 (novembre), pp.41-54 |
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Joseph Wiesenfarth. Ford Madox Ford and the Regiment of Women. Violet Hunt, Jean Rhys, Stella Bowen, Janice BialaCahiers Victoriens et Edouardiens, 2006, 63 Printemps, ⟨10.4000/cve.13465⟩ |
Atonement" de Ian McEwan ou le désir d'expiation d'un écrivainÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2005, 28 (juin), pp.101-114 |
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Insights into the legacy of bloomsburyCahiers Victoriens et Edouardiens, 2005, 62 (octobre), pp.13-24 |
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La clôture différée dans The WavesLes Cahiers Forell – Formes et Représentations en Linguistique et Littérature , 1996, Autour de Virginia Woolf (5), 127 - 138 p |
The Continuum of Conversation from Virginia Woolf to Jeanette Winterson (keynote lecture)In Conversation with Virginia Woolf and other Modernists. From Modernism to Contemporary Revisions of the Art of conversation, LERMA, AMU, Oct 2025, Aix-en-Provence (Aix-Marseille Université), France |
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Reappraising Leslie Stephen the Moralist in the Light of his Mountaineering EssaysLeslie Stephen: Thinking With and Against His Time, Université Sorbonne Nouvelle, Oct 2024, Paris, France |
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Orlando’s Ethical and Aesthetic Principles: Virginia Woolf’s Response to G.E. MooreVirginia Woolf's Orlando: A Biography. Affirming Liberty, Naomi Toth, Université Paris Nanterre, Oct 2024, Paris (75) et Nanterre (92), France |
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At One with the Universe: Sylvia Townsend Warner’s Ecological EssaysESSE (European Society for the Study of English), Seminar in literature: Transformations of the Environment in Victorian, Edwardian and Modernist Essays, Université de Lausanne, Suisse, Aug 2024, Lausanne ( CH), Switzerland |
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Knowledge and Experience in Leslie Stephen’s The Playground of Europe (1871)France-Berkeley seminar, University of California, Berkeley, CA, USA, Apr 2024, Berkeley, CA, USA, United States |
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‘Short Forms as Vehicles for the Transmission of Knowledge’Short Forms in the Classroom : Breaking Down Boundaries; International Conference; projet européen Short Forms Beyond Borders, Université d’Angers, Jul 2023, Angers, France |
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‘From Far from the Madding Crowd to Anderby Wold: Assessing Thomas Hardy’s Influence on Winifred Holtby’s Fiction’Hardy and Heritage, international conference ,, FATHOM, the French Association for Thomas Hardy Studies, Oct 2023, Fondation Deutsch de la Meurthe, Cité Internationale Universitaire de Paris, France |
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Virginia Woolf’s Material Intimacies, keynoteVirginia Woolf : For a Poetics and Politics of Intimacy, 11-12 mai 2023, Floriane Reviron, Université Jean Monnet, ECLLA/SEW, May 2023, St Etienne, France |
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‘Invisible Novels of the Interwar Period: The Case of Sylvia Townsend Warner’s Lolly Willowes (1926)’international seminar ‘Invisible Lives’, Alice Borrego et Héloïse Lecomte (IhRIM-ENS Lyon, EMMA, LCSP-Paris, Ludwig-Maximilians Universtät München, Duke U, NC, USA, Amsterdam School for Cultutral Analysis), Dec 2021, on line, France |
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Rebecca WestConférence, "William Hogarth in Time: Metamorphoses and Afterlives in European Literatures and Cultures", Università degli Studi, Milan, 18-20 janvier 2018., 2018, Milan, Italy |
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Abbeys and Cathedrals" et la trace de l'histoireVirginia Woolf et l'histoire, Université Sorbonne Nouvelle - Paris 3, 4 juillet 2017, 2017, Paris, France |
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Modernist Utopias and the Exposure of the Politics of Aestheticismséminaire The Politics of Aestheticism, Fondation Les Treilles, Tourtour, 2-7 octobre 2017, 2017, Tourtour, France |
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Woolf’s Silent Dialogue with Ruskin in The London Scene"Virginia Woolf and Heritage", Congrès annuel de l’Iinternational Virginia Woolf Society, Leeds, 16-19 juin 2016, 2016, Leeds, United Kingdom |
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Constructing Modernism: Virginia Woolf’s Essays in Good Housekeeping MagazineSéminaire international: “Modernist Non-Fictional Narratives of Modernism”, Galway, ESSE conference, 22-26 August 2016, 2016, Galway, Ireland |
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Beyond Cinema: Daphne du Maurier’s Intermedial Experiments in her Short StoriesColloque internationale: "The Child of the Century: Reading and Writing Short Fiction Across Media", ENSFR conference, Edge Hill, UK, 13-14 mai 2016, 2016, Grand Manchester, United Kingdom |
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L'écriture de lumière de Virginia Woolf. Hypotypose et photographie dans The London SceneJournées d'études internationales: "Autour du Tiers pictural: Thanks to Liliane Louvel", Université de Poitiers, 15 et 16 juin 2013, 2014, Poitiers, France. pp.179-193 |
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Woolf, the Monk and the World: Property, Illegitimacy and PovertyColloque international: Virginia Woolf: Writing the World, Loyola and Northwestern Universities, Chicago, 5-8 juin 2014, 2014, Chicago, United States |
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La danse comme clé de lecture du modernismeSéminaire : "Danse/Genre", Université Paris Diderot, Paris, 5 décembre 2014, 2014, Paris, France |
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Affects in Contemporary Art: Antony GormleyThe Emotions: Transdisciplinary Perspectives,Cognitive and Aesthetic Implications, Università degli Studi, Bergamo, 9 octobre 2013, 2013, Bergame, Italy |
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The Outrageousness of Outrage in Daphne du Maurier’s ‘Monte Verità’"The Age of Outrage", Université de Valenciennes, 18-19 octobre 2012, 2012, Valenciennes, France |
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Ruskinian Architecture in Woolf’s Photographic WritingsSéminaire de l'Université de Victoria, Canada, 11 octobre 2012, 2012, Victoria, Canada |
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The Mediterranean as a Waste Land"Southern Horrors. The Dark Side of the Mediterranean World Seen from Northern Europe and America, 1453-1939", Université de Nice, Nice, 19-21 avril 2012, 2012, Nice, France |
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Virginia Woolf’s Ethics and Victorian Moral Philosophy"Woolf among the Philosophers”, Collège de Philosophie Paris-Ouest Nanterre, Paris, 22-24 mars 2012, 2012, Paris, France |
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Virginia Woolf’s The London SceneJournées d’études Texte/Image "Autour du tiers pictural", Université de Poitiers, Poitiers, 15-16 juin 2012, 2012, Poitiers, France |
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On Virginia Woolf’s Essays and Some Unacknowledged Hauntings"Parallaxes. Virginia Woolf and James Joyce seventy years after", Università degli Studi, Milan (Italie), 12-14 décembre 2011, 2011, Milan, Italy |
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Mapping Ford Madox Ford’s Provence in ProvenceColloque international : "Provence and the British Imagination", Université de Provence, Aix-en-Provence, 18-20 novembre 2010, 2010, Aix-en-Provence, France. pp.193-202 |
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The obstinate resistance"of Reading in Woolf's EssaysColloque international de la Société d'Etudes Woolfiennes, Paris-Diderot - Paris VII, Paris, 27-28 juin 2008, 2008, Paris, France |
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Repression and Desire in Edward Whymper's "Scrambles among the Alps (1860-69)Conférence internationale "Unstable Zones : Self and Other in British Narratives of First Encounters", ENS de Lyon, Lyon, 22-23 mars 2007, 2007, Lyon, France |
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Contracting and Expanding the Limits of the Short Story in "A Haunted House"Woolfian Boundaries", The Sixteenth Annual International Conference on Virginia Woolf, Birmingham 22-25 June 2006, 2006, Birmingham, United Kingdom |
Orlando's Ethical and Aesthetic Principles: Virginia Woolf's Response to G.E. MooreMarie Laniel et Naomi Toth. Orlando: A Biography. Affirming Liberty, Presses Universitaires de Paris Nanterre, pp.233-244, 2025, Intercalaires, 978-2-844016-598-9 |
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Virginia Woolf's Radical Vision of RecyclingMonica Latham, Caroline Marie and Anne-Laure Rigeade. Recycling Virginia Woolf in Contemporary Art and Literature, Routledge, pp.23-35, 2022, Literary Criticism and Cultural Theory, 9781032055374. ⟨10.4324/9781003144649-1⟩ |
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“Winifred Holtby”Twentieth-Century Literary Criticism Series, 405, Gale/Cengage Learning, 2021 |
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“Rebecca West’s and David Low’s Intermedial Dialogue with William Hogarth in The Modern ‘Rake’s Progress’ (1934)”Caroline Patey, Cynthia E. Roman and Georges Letissier. Enduring Presence. William Hogarth’s British and European Afterlives, Book 2: Image into Word, Peter Lang, pp.155-169, 2021, Cutural Interactions. Studies in the Relationship between the Arts, 978-1789974744 |
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Rebecca West’s and David Low’s Intermedial Dialogue with William Hogarth in The Modern ‘Rake’s Progress’ (1934)Caroline Patey, Cynthia E. Roman and Georges Letissier. Enduring Presence. William Hogarth’s British and European Afterlives, Book 2: Image into Word, 2, Peter Lang UK, pp.155-169, 2021, Series Cultural Interactions. Studies in the Relationship between the Arts, 978-1-78997-474-4. ⟨10.3726/b17869⟩ |
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Ford Madox Ford, médiateur de la Méditerranée dans le récit de voyage Provence (1935)Reynier Christine; Thérenthy Marie-Eve. Les Médiateurs de la Méditerranée, Geuthner; MSH-M, pp.67-78, 2013 |
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Introduction: Les Médiateurs de la MéditerranéeThérenty Marie-Eve; Reynier Christine. Les Médiateurs de la Méditerranée, MSH-M; Geuthner, pp.5-22, 2013 |
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“Mapping Ford Madox Ford’s Provence in Provence”Claire Davison, Béatrice Laurent, Caroline Patey et Nathalie Vanfasse. Provence in British Literature, di/Segni, pp.193-202, 2013, 9788867051373. ⟨10.4000/books.ledizioni.785⟩ |
Les Marseillaises, entre nation et régionLes Médiateurs de la méditerranée, Geuthner, pp.161-182, 2013 |
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Virginia face à VictoriaAugustin Trapenard. Virginia Woolf, Magazine littéraire, pp.63-67, 2012 |
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Re-locating Autonomy and CommitmentJean-Michel Ganteau et Christine Reynier. Autonomy and Commitment in Twentieth-Century British Arts, Presses universitaires de la Méditerranée, pp.251-261, 2012 |
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Reading The Rash Act in the light of ProvenceDominique Lemarchal and Claire Davison-Pegon. Ford Madox Ford, France and Provence, 10, Rodopi, pp.217-228, 2011 |
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The obstinate resistance" of Reading in Woolf's EssaysCatherine Bernard. Woolf as Reader / Woolf as Critic or the Art of Reading in the Present., Presses universitaires de la Méditerranée, pp.77-88, 2011 |
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Confronting Mediterranean and English values in Clive Bell's Civilisation and Art : towards a Redefinition of FormalismChristine Reynier. Cross-Cultural Encounters between the Mediterranean and the English-Speaking World., Peter Lang, pp.181-92, 2011 |
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Autonomy and Commitment in Twentieth-Century British LiteratureChristine Reynier; Jean-Michel Ganteau. Autonomy and Commitment in Twentieth-Century British Literature, Presses universitaires de la Méditerranée, pp.9-14, 2010 |
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La Venise de Virginia WoolfChristine Reynier. Les artistes anglo-américains et la Méditerranée, 3, Michel Houdiard éd., pp.75-80, 2010 |
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Venise (1909)Christine Reynier. Les Artistes anglo-américains et la Méditerranée : "Venice" (Virginia Woolf), Michel Houdiard éd., pp.69-74, 2010 |
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Leonard WoolfEtudes des pays anglophones (Montpellier). La tradition littéraire dans les essais anglo-américains, M. Houdiard, pp.72-80, 2009 |
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Copiez-vous les uns les autresEssais sur l’art : Les Grands mouvements littéraires anglo-américains, Michel Houdiard, collection Essais sur l’art, 2009 |
De l'impressionnisme" comme première définition du modernismeEtudes des pays anglophones (Montpellier). Les grands mouvements littéraires anglo-américains, M. Houdiard, pp.106-113, 2009 |
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L'écriture d'ascèse d'un découvreur du septième continentFrédéric Regard. De Drake à Chatwin : rhétoriques de la découverte, ENS éditions, pp.185-199, 2007 |
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Virginia WoolfAndrew Maunder. The Facts On File companion to the British short story, Facts on File, pp.n.c., 2007 |
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Jeanette Winterson's cogito -Amo ergo sum - or Impersonality and Emotion RedefinedChristine Reynier; Jean-Michel Ganteau. Impersonality and emotion in Twentieth-century British literature, Service des publications de Montpellier 3, pp.299-308, 2005 |
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The Impure Art of BiographyFrédéric Regard. Mapping the self: space, identity, discourse in British auto/biography : travaux de l'Équipe SEMA, Presses de l'Université de Saint-Etienne, pp.187-202, 2003 |
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Beginning Again de Leonard Woolf ou les oxymores du soiFrédéric Regard. L'autobiographie littéraire en Angleterre, XVIIe-XXe siècles : géographies du soi, Publications de l'Université de Saint-Etienne, pp.181-194, 2000 |
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Flush (1933) et Roger Fry (1940)Frédéric Regard. La biographie littéraire en Angleterre (XVII-XXèmes siècles) : Configurations, reconfigurations du soi artistique, Publications de l'Université de Saint-Etienne, pp.141-159, 1999 |
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The Cahiers victoriens et édouardiens Celebrates Its 50th AnniversaryCahiers Victoriens et Edouardiens, 100 Automne (100), 2024, ⟨10.4000/132rk⟩ |
Revisiting the Periodical Essay (1860-1940)E-rea - Revue électronique d’études sur le monde anglophone, 20 (2), 2023 |
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Journal of the Short Story in EnglishJournal of The Short Story in English / Les Cahiers de la nouvelle, 77 (77), 2023, Journal of the SHort Story in English |
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IntroductionE-rea - Revue électronique d’études sur le monde anglophone, 20.2, 2023, ⟨10.4000/erea.16480⟩ |
The Humble Short Story/General SectionJournal of The Short Story in English / Les Cahiers de la nouvelle, n°77, 2021 |
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Modernist Non-fictional Narratives of War and Peace (1914-1950)E-rea - Revue électronique d’études sur le monde anglophone, 17 (2), 2020 |
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Short fiction as humble fictionShort Fiction in Theory & Practice, 10 (2), 2020, ⟨10.1386/fict_00022_2⟩ |
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Dossier : Modernist Non-fictional Narratives: Rewriting ModernismE-rea - Revue électronique d’études sur le monde anglophone, 15 (2), s.p., 2018 |
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Dossier: AtonementÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 55, s.p., 2018, ⟨10.4000/ebc.4442⟩ |
Bare Lives/Virginia Woolf: Becoming PhotographicÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 53, s.p., 2017 |
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The Modernist Short Story/General SectionJournal of The Short Story in English / Les Cahiers de la nouvelle, n°64, 2015 |
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Special Section: The Modernist Short StoryJournal of The Short Story in English / Les Cahiers de la nouvelle, 64, pp.21-187, 2015 |
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La Tradition littéraire anglo-américaine dans les essaisChristine Reynier. Essais sur l'art, 2009, Essais sur l'art |
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Virginia WoolfJournal of The Short Story in English / Les Cahiers de la nouvelle, 50 (spring), pp.n.c., 2008 |
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Insights into the Legacy of BloomsburyCahiers Victoriens et Edouardiens, 62 (octobre), 237 p., 2005 |
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Conversation in Virginia Woolf's WorksÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, numéro spécial de la SEW, 208 p., 2004 |
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Things in Virginia Woolf's WorksÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 18, 173 p., 1999 |
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Métamorphose et récit dans l'oeuvre de Virginia WoolfÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, numéro spécial de la SEW, 200 p., 1997 |
« WOOLF VIRGINIA - (1882-1941) », Encyclopædia Universalis [en ligne]2021 |
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Un lieu à soi, Virginia WoolfEncyclopoedia universalis, 2021 |
Leonard WoolfLa tradition littéraire dans les essais anglo-américains, 2009, pp.63-71 |
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Ford Madox FordLes grands mouvements littéraires anglo-américains, 2009, pp.95-105 |