David Roche
- Institut universitaire de France (IUF)
- Université Paul-Valéry - Montpellier 3 (UPVM)
- Représenter, Inventer la Réalité, du Romantisme au XXIe siècle (RIRRA 21)
Domaines de recherche
Compétences
Publications
Publications
Disease and Anti-Naturalism in Raymond Carver's “Fat” and “A Small, Good Thing” and David Lynch's Blue VelvetMaladie : Représentations dans la littérature et dans les Arts Visuels, 2005, United States. pp.159-73 |
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David Cronenberg : une mission utopiqueSAES, 2002, Metz, France. pp.163-84 |
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The Death of the Subject in David Lynch's Lost Highway and Mulholland DrivePoetics of the Subject, 2003, France. http://erea.revues.org/index432.html |
Qui a peur du grand méchant liquide vert ? Matérialisation du malsain chez John CarpenterMélanie Boissonneau, Gaspard Delon, Quentin Mazel et Thomas Pillard. John Carpenter, Au-delà de l’horreur, Presses Universitaires de Bordeaux, 2023 |
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Subjectivity and Cinematic Space in Blade Runner 2049Jeri English and Marie Pascal. Refocus: The Films of Denis Villeneuve, Edinburgh University Press, pp.161-77, 2023, 978-1474497381 |
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Mettre à jour le canon : Carmilla, Dracula et le docteur Jekyll en eaux troubles (1970-1973)Gilles Menegaldo, Mélanie Boisseneau, Anne-Marie Paquet-Deyris. Hammer, laboratoire de l'horreur moderne ?, Le Visage Vert, pp.411-35, 2022 |
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Westerns from an Aboriginal Point of View or Why the Australian Western (Still) Matters: The Tracker (Rolf de Heer, 2002) and Sweet Country (Warwick Thornton, 2017)Hervé Mayer; David Roche. Transnationalism and Imperialism: Endurance of the Global Western Film, Indiana University Press, pp.279-98, 2022 |
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“Shallow Focus Composition and the Poetics of Blur in The Handmaid’s Tale (Hulu, 2017–).”Shannon Wells-Lassagne and Fiona McMahon. "Adapting Margaret Atwood: The Handmaid's Tale and Beyond”, Palgrave Macmillan, pp.127-42, 2022 |
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“She’s a Whole Lotta Woman”: Jackie Brown and Pam Grier’s Star Image in Jackie Brown (1997)Marianne Kac-Vergne; Julie Assouly. From the Margins to the Mainstream: Women in Film and Television, Bloomsbury, pp.133-46, 2022 |
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Le « Méta » ou l’expérience spectatorielle. Le cas de Fenêtre sur courFrédéric Cavé. (d’)Après Hitchcock, The Searchers Edition, pp.397-409, 2022 |
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The Political Complications of Revamping the Hammer Canon: The Vampire Lovers (Baker, 1970), Dr. Jekyll & Sister Hyde (Baker, 1971), Dracula A.D. 1972 (Gibson, 1972) and The Satanic Rites of Dracula (Gibson, 1973)Mélanie Boissonneau; Anne-Marie Paquet-Deyris; Gilles Menegaldo. Dark Recesses in the House of Hammer, Peter Lang, pp.83-102, 2021 |
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From Sarah Connor 2.0 to Sarah Connor 3.0: Women Who Kill in the Terminator FranchiseWomen Who Kill: Gender and Sexuality in Films and Series of the Post-feminist Era, Bloomsbury Publishing Plc, 2020, ⟨10.5040/9781350150799.0013⟩ |
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IntroductionCristelle Maury and David Roche. Women Who Kill: Gender and Sexuality in Film and TV Series of the Postfeminist Era, Bloomsbury, 2020, 9781350115590 |
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Illness as Metonymical Metaphor and the Poetics of Lovesickness in ‘Away from Her’ (Sarah Polley, 2006)Héliane Ventura. Love-sickness from Plato to Alice Munro, Edizioni ETS, pp.91-106, 2020, 978-8846756879 |
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Afterword: Women Who Kill after MetooCristelle Maury et David Roche. Women WHo Kill in Film and Series of the Postfeminist Era, Bloomsbury, 2020, 9781350115590 |
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L’esthétique du temps dans Twin PeaksTwin Peaks Mark Frost et David Lynch À l’intérieur du rêve, Bord de l'eau, pp.17-35, 2019 |
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Spielberg's Poetics of HorrorSteven Spielberg, Hollywood Wunderkind & Humanist, Presses universitaires de la Méditerranée, pp.91-125, 2018, 978-2367812649 |
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Introduction: Adapting Adaptation Studies to Comics StudiesComics and Adaptation, , 2018, 9781496803375 |
Lignes de Faille dans Under the Skin (Jonathan Glazer, 2013) : Une esthétique du « monstrueux »Jean-François Chassay, Hélène Machinal, Myriam Marrache-Gouraud. Signatures du monstre, PU Rennes, pp.285-301, 2017 |
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Gibsons, Vinyl & First Editions: Gothic Fetishism in Only Lovers Left AliveEster Heboyan. Les variations Jarmusch, Artois Presses Université, pp.119-32, 2017 |
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« Introduction : Adapter les théories de l’adaptation à la bande dessinée »Bande dessinée et Adaptation (Littérature, cinéma, TV), Presses universitaires Blaise Pascal (PUBP), 2015, Littératures, 978-2-84516-682-0 |
(In)stability of Point of View in When a Stranger Calls and Eyes of a StrangerWickham Clayton. Style and Form in the Hollywood Slasher, Palgrave Macmillan, 2015 |
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The Limits of Hypermasculinity: Intimacy in American Science Fiction Films of the 1980sIntimacy in Cinema, McFarland, pp.119-132, 2014 |
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Mad Narrators & Sadomasochistic Narration in The Blair Witch Project (Daniel Myrick & Eduardo Sánchez, 1999) & Paranormal Activity (Oren Peli, 2007)Nathalie Jaeck, Clara Mallier, Arnaud Schmitt, Romain Girard. Les narrateurs fous / Mad Narrators, Maison des Sciences de l'Homme d'Acquitaine, pp.319-34, 2014 |
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Bastard Remakes: Homage and Betrayal in "Dawn of the Dead" (Zack Snyder, 2004) and "Halloween" (Rob Zombie, 2007)Sébastien Lefait and Philippe Ortoli. In Praise of Cinematic Bastardy, Cambridge Scholars, pp.136-45, 2012 |
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More or Less American: Sergio Leone's Vision of America in 'Once Upon a Time in the West' (1968)Gilles Menegaldo. Europe et Hollywood à l'écran : regards croisés / European and Hollywood CInema: Cultural Exchanges, Michel Houdiard, pp.358-74, 2012 |
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L'« Horreur viscérale » de David Cronenberg, ou l'horreur de l'« anti-nature »Anne-Marie Paquet-Deyris. Les Cinémas de l'horreur : Les maléfiques. CinémAction 136, Editions Charles Corlet, pp.141-49, 2010, CinémAction |
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Quentin Tarantino's Death Proof (2007): Subverting Gender through Genre or Vice Versa?Maria del Mar Azcona and Celestino Deleyto. Generic Attractions: New essays on film genre criticism, Michel Houdiard, pp.337-53, 2010 |
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The Blues of David LynchRaphaëlle Costa de Beauregard. Cinéma et couleur, Michel Houdiard, pp.447-59, 2009 |
(De)constructing Lolita as ‘Sexual ObjectLolita, roman de Vladimir Nabokov (1955) et film (1962) de Stanley Kubrick, Ellipses, pp.171-82, 2009 |
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Raymond Carver : Where I'm Calling FromJ. P. Pouvelle. Guide de la literature américaine, Ellipses, pp.355-8, 2008 |
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“Mise en Cadre” of the Social Drama in Joe Wright's Pride & Prejudice (2005)Laurent Bury et Dominique Sipière. Pride and Prejudice : Le roman de Jane Austen et le film de Joe Wright, Ellipses, pp.231-9, 2006 |
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Comment Hollywood figure l'intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Drive (2001) et Inland Empire (2006)2010 |