Giuseppe Sofo
Publications
Publications
|
|
La Traduction indisciplinée : Itinéraires et détours d’une approche théorique indisciplinée de la traductionLes Cahiers FoReLLIS – Formes et Représentations en Linguistique, Littérature et dans les arts de l'Image et de la Scène, 2025, L’original en question. Langues et traduction en contexte intermédial, 2025 (1) |
|
|
Earth of Dark Names. Adventure and adventurers, narration and narrators in Stevenson and ConradLoxias, 2016, Doctoriales XIII, 54 |
Translating Tempests: A Reading of Aimé Césaire's Une Tempête in Translation.Text&Presentation, 2014 |
|
Carnival of arts: Teatro, arti visive e performative, e carnevale caraibicoIl Tolomeo : Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais, 2014, pp.153-157 |
|
Della bellezza e della danza.Asimmetrici Arcipelaghi. Scrittori Caraibici Contemporanei., 2014 |
|
Carnival of arts: Teatro, arti visive e performative, e carnevale caraibico.Il Tolomeo : Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais, 2014 |
|
Disrupting Literature: Reading Rushdie through RushdieBarnolipi, 2013, II (5), pp.27-41 |
|
Alla scoperta del mondo, una lingua alla voltaAfrica e Mediterraneo, 2013, 79, pp.93-94 |
|
History of the(ir) Voice(lessness): Jamaican language(s) in Alecia McKenzie's Short Stories.Riding the wave of Resistance, 2013 |
|
History of the(ir) Voice(lessness): Jamaican language(s) in Alecia McKenzie's Short StoriesNew Afrikan Journal of Culture, Politics, and Consciousness, 2013, Riding the Wave of Resistance. Proud Flesh, 7 |
|
On the Wings of MythAltre Modernità, 2013, 10-11, pp.141-152 |
|
Disrupting Literature: Reading Rushdie through Rushdie.Barnolipi, 2013 |
|
Il continente nudo.Il paese nudo, 2013 |
|
Forged From the Love of LibertyGli spazi della musica, 2013, 2.1 |
(Ri)costruire la memoria dell'arcipelago. I Caraibi tra scrittura, riscrittura e traduzione.eminario “Remembering Otherwise: Riflessioni su trauma e memoria”, 2014, Bologne, Italy |
|
Errore creatore: un nuovo sguardo sull'errore in traduzione.II seminario sulla traduzione “Tradurre lingue, linguaggi e culture”, 2014, L'Aquila, Italy |
|
Translating Wor(l)ds: Re-reading the Misreading”Dickinson College, Carlisle, PA, USA, 2014, Carlisle, United States |
|
“Errore creatore: un nuovo sguardo sull'errore in traduzione”II seminario sulla traduzione “Tradurre lingue, linguaggi e culture”, , Università degli Studi dell'Aquila, 2014, Aquila, Italy |
|
La citation à théâtre entre réécriture et traduction.Colloque international “Le citationnisme au théâtre : réécriture, allusion ou citation véritable?”, 2014, Avignon, France |
|
“(Ri)costruire la memoria dell'arcipelago. I Caraibi tra scrittura, riscrittura e traduzione”Seminario “Remembering Otherwise: Riflessioni su trauma e memoria”, , Facoltà di Lingue e letterature straniere, Università di Bologna, 2014, Bologne, Italy |
|
(Re)Writing and (Re)Translating Drama”38th Comparative Drama Conference,, Stevenson University, 2014, Baltimore, United States |
|
(Re)Writing and (Re)Translating Drama.38th Comparative Drama Conference, Stevenson University, 2014, Owings Mills, United States |
|
Circulant Humanities: Humanity is in movement, humanities in movement.GCfE, 8th annual conference, “'Travelling Europe': Interdisciplinary Perspectives on Place and Space”,, Mar 2014, Birmingham, United Kingdom |
|
“Circulant Humanities: Humanity is in movement, humanities in movement”Graduate Centre for Europe, 8th annual conference, “'Travelling Europe': Interdisciplinary Perspectives on Place and Space”,, 2014, Birmingham, United Kingdom |
|
“La citation à théâtre entre réécriture et traduction”Colloque international “Le citationnisme au théâtre : réécriture, allusion ou citation véritable?”, , Université d'Avignon et des Pays de Vaucluse, 2014, Avignon, France |
|
“Erreur, créateur: La notion d'erreur en traduction”Université Populaire d'Avignon, 2013, Avignon, France |
|
Writing, Rewriting and Translation.16th ACLALS Conference “'The current unbroken / the circuits kept open': Connecting Cultures and the Commonwealth”, Aug 2013, Sainte-Lucie, Saint Lucia |
|
“Writing, Rewriting and Translation”16th ACLALS Conference “'The current unbroken / the circuits kept open': Connecting Cultures and the Commonwealth”, 2013, Sainte-Lucie, Saint Lucia |
|
Erreur, créateur: La notion d'erreur en traduction.Université Populaire d'Avignon, 2013, Avignon, France |
|
“Homelessness and Homeboundness in Alecia McKenzie's and Velma Pollard's Short StoriesJournée d'étude “Migrations et productions artistiques dans les Amériques”, , Université d'Avignon et des Pays de Vaucluse, 2013, Avignon, France |
|
“Disrupting Literature: Reading Rushdie Through Rushdie”International Conference “Salman Rushdie in the 21st Century: 'Swallowing a World'”, Faculdade de Letras, Universidade de Lisboa, 2013, Lisboa, Portugal |
|
Homelessness and Homeboundness in Alecia McKenzie's and Velma Pollard's Short Stories.Journée d'étude “Migrations et productions artistiques dans les Amériques”, 2013, Avignon, France |
|
(Re)Writing and (Re)Translating the Myth: Analysing Derek Walcott's Italian Odyssey.3rd International Center for Myth Studies Conference “Translating Myth”, 2013, Colchester, United Kingdom |
|
Disrupting Literature: Reading Rushdie Through Rushdie.International Conference “Salman Rushdie in the 21st Century: 'Swallowing a World'", 2013, Lisbonne, Portugal |
|
“(Re)Writing and (Re)Translating the Myth: Analysing Derek Walcott's Italian Odyssey”3rd International Center for Myth Studies Conference “Translating Myth”, Center for Myth Studies, University of Essex, 2013, Colchester, United Kingdom |
|
“Reality's a Stage: Staging (Over)Reality in Michel Vinaver's 11 September 2001”ICTT Conference “Esthétique(s) et idéologie(s) dans l'art contemporain, théâtral ou autre / Aesthetics and Ideology in Contemporary Literature and Drama”, , Université d'Avignon et des Pays de Vaucluse, 2013, Avignon, France |
|
Reality's a Stage: Staging (Over)Reality in Michel Vinaver's 11 September 2001.ICTT Conference “Esthétique(s) et idéologie(s) dans l'art contemporain, théâtral ou autre / Aesthetics and Ideology in Contemporary Literature and Drama”, 2013, Avignon, France |
|
Scrivere in silenzio: La traduzione come viaggio verso un altro sé.seminario “Il traduttore: 'passator cortese' dell'intercultura”, 2013, L'Aquila, Italy |
|
The Double Passage: Translation of Postcolonial Literature as Return Voyage From the Middle Passage3rd International Translation Conference “Translation: New Destinations”,, Yildiz Technical University, 2013, Istanbul, Turkey |
|
“Scrivere in silenzio: La traduzione come viaggio verso un altro sé”seminario “Il traduttore: 'passator cortese' dell'intercultura”, Università degli Studi dell'Aquila, 2013, Aquila, Italy |
Roberto Magini, The World Above2014 |
|
Roberto Magini, Rome... on foot2013 |
|
Loup, Nseka, Mopaya2012 |
|
Tracce: Das Neue Italienischlehrmittel für Deutschsprachige2012 |
|
H. F. Blanc, Cloaca2011 |
|
A. Césaire, Una Tempesta2011 |
L'amore non si conosce, ma si raccontaT. Colombi, Tua, Marguerite Yourcenar, Zandonai, 2014 |
|
Della bellezza e della danzaAsimmetrici Arcipelaghi. Scrittori Caraibici Contemporanei, cascio editore, 2014 |
|
Riscrivere la Storia attraverso le storieRoland Rugero, Vivi!, Socrates (2ème édition), 2013 |
|
Una nuova voce e nuovi occhiRoland Rugero, Vivi!, Socrates, 2013 |
|
Il continente nudoErnest Pépin, Il paese nudo, Kolibris, 2013 |
|
Una Tempesta postcolonialeA. Césaire, Una Tempesta, pp.113-117, 2011 |
Trinidad & Tobago. Carnevale, fango e colori2011 |
|
Quest’alba radioattiva2011 |