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Madelena Gonzalez

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Liste des publications

Publications

“ ‘What a Carve up!’ The Eclectic Aesthetics of Postmodernism and the Politics of Diversity in some examples of Contemporary British Verbatim Theatre”

Madelena Gonzalez , Cyrielle Garson
Bare Lives – Etudes Britanniques Contemporaines, 2015, 49
Journal articles hal-03272966v1

“United States of Banana (2011), Elizabeth Costello (2003) and Fury (2001): Portrait of the Writer as the ‘Bad Subject’ of Globalisation”

Madelena Gonzalez
Etudes britanniques contemporaines [en ligne] Ebc 51. Numéro "LOL", 2014, 46
Journal articles hal-03272970v1

“20th-21st Century British Literature: Recent Critical Trends: Global Studies/Postcolonial Studies”

Madelena Gonzalez
Etudes britanniques contemporaines [en ligne] Ebc 51. Numéro "LOL", 2014, http://ebc.revues.org/1092
Journal articles hal-03273017v1

“A Ghost of a Fiction: Fury and the Poetics of Simulacra”

Madelena Gonzalez
Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2008, 34, pp.145-159
Journal articles hal-03273073v1

“Artistic ‘Fury’ in the Information Age: Nostalgia for the Real”

Madelena Gonzalez
Information, Communication and Society, 2008, 11 (6), pp.765-780
Journal articles hal-03273039v1

“‘Pourquoi y a–t-il Baudrillard plutôt que rien ?’ The Reception and Perception of Jean Baudrillard in France”

Madelena Gonzalez
French Cultural Studies, 2008, 19 (3), pp.287-303
Journal articles hal-03273035v1

“The Aesthetics of Post-Realism and the Obscenification of Everyday Life: The Novel in the Age of Technology”

Madelena Gonzalez
Journal of Narrative Theory, 2008, 38 (1), pp.111-133
Journal articles hal-03273042v1

“One Big Happy Family? Redefining World Literature in an Age of Global Capitalism: The Boundaries of the Exotic”

Madelena Gonzalez
Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2007, 32, pp.1-15
Journal articles hal-03273078v1

“Sacred Orgasm and Profane Pæan: The Obscene Paradox of the Postmodern Baroque: Salman Rushdie’s The Ground Beneath Her Feet”

Madelena Gonzalez
Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2002, 23 (71-90)
Journal articles hal-03273080v1

“Defining Postmodernism”

Madelena Gonzalez
Annales du Monde Anglophone, 1995, 1 (2), pp.49-59
Journal articles hal-03273084v1

“Midnight’s Children by Salman Rushdie: A Voyage from Singularity to Multiplicity or, How to Make a Half Whole”

Madelena Gonzalez
Le groupe et l’individu dans le monde, Lez Valenciennes, 1993, 15, pp.197-201
Journal articles hal-03273091v1

Wiley-Blackwell Companion to Literary Evaluation

Madelena Gonzalez , Richard Bradford , Kevin de Ornellas
Wiley-Blackwell, 2024
Books hal-04586692v1

Le théâtre à l’ère du numérique : convergences et paradoxes

Madelena Gonzalez
Éditions universitaires d'Avignon, 2022, ⟨10.4000/books.eua.6394⟩
Books hal-04586868v1

Contemporary Publishing and the Culture of Books

Madelena Gonzalez , Alison Baverstock , Richard Bradford
Alison Baverstock; Richard Bradford; Madelena Gonzalez. Routledge, 2020
Books hal-03237695v1

The Wiley Blackwell Companion to Contemporary British and Irish Literature

Madelena Gonzalez , Richard Bradford , Stephen Butler , James Ward , Kevin de Ornellas
Richard Bradford; Madelena Gonzalez; Stephen Butler; James Ward; Kevin De Ornellas. Wiley Blackwell, 2020
Books hal-03237646v1

Minority Theatre on the Global Stage: Challenging Paradigms from the Margins

Madelena Gonzalez , Hélène Laplace-Claverie
Madelena Gonzalez; Hélène Laplace-Claverie. Cambridge Scholars Press, 2012
Books hal-03237797v1

Generic Instability and Identity in the Contemporary Novel

Madelena Gonzalez , Marie-Odile Pittin-Hedon
Madelena Gonzalez; Marie-Odile Pittin-Hédon. Cambridge Scholars Press, 2010
Books hal-03237815v1

Authenticity and Legitimacy in Minority Theatre: Constructing Identity

Madelena Gonzalez , Patrice Brasseur
Madelena Gonzalez; Patrice Brasseur. 2010
Books hal-03237808v1

Théâtre des minorités : Mises en scène de la marge à l’époque contemporaine

Madelena Gonzalez , Patrice Brasseur
Madelena Gonzalez; Patrice Brasseur. L'Harmattan, 2008
Books hal-03237836v1

Translating Identity and the Identity of Translation

Madelena Gonzalez , Francine Tolron
Madelena Gonzalez; Francine Tolron. Cambridge Scholars Press,, 2006
Books hal-03237840v1

Fiction after the Fatwa: Salman Rushdie and the Charm of Catastrophe, Amsterdam-New York, NY: Rodopi, 2005.

Madelena Gonzalez
Rodopi, 2005
Books hal-03237612v1

“The Uncommon Wealth of Art. Poetic Progress as Resistance to the Commodification of Culture in United States of Banana”

Madelena Gonzalez
Frederick Luis Aldama; Tess O'Dwyer. On the Writings of Giannina Braschi. Poets, Philosophers, Lovers, Pittsburgh University Press, pp.23-31, 2020
Book sections hal-03240013v1

“Global Literature and the Death of the Novel: Rushdie in Retro-Perspective”

Madelena Gonzalez
Richard Bradford; Madelena Gonzalez; Stephen Butler; James Ward; Kevin De Ornellas. The Wiley Blackwell Companion to Contemporary British and Irish Literature,, Wiley Blackwell, pp.781-792, 2020
Book sections hal-03240007v1

“Disappearing into the Front Page. The Case of Salman Rushdie and the Postmodern Memoir”

Madelena Gonzalez
Richard Bradford. A Companion to Literary Biography, Wiley-Blackwell, pp.291-307, 2018
Book sections hal-03240016v1

“Salman Rushdie, The Satanic Verses (1988)”

Madelena Gonzalez
Christoph Reinfandt. The English Novel 1900-2000: Text and Theory, De Gruyter, pp.403-423, 2017
Book sections hal-03240020v1

« À la recherche d’une voix, mais laquelle? L’esthétique du doute et l’aporie comme mode d’existence dans la trilogie Du sang au soleil de Nuruddin Farah »

Madelena Gonzalez
Paola Cabot-Ranzini. Les littératures de la Corne d’Afrique. Regards croisés, Karthala, pp.107-138, 2016
Book sections hal-03240025v1

“The Return of the Real in Art and Politics—Putting Ideals into Practice”

Madelena Gonzalez
Madelena Gonzalez; René Agostini. Aesthetics and Ideology in Contemporary Literature and Drama, Cambridge Scholars Press, pp.xi-xxviii, 2015
Book sections hal-03240086v1

“Screening the Novel: The Novel as Screen: The Aesthetics of the Visual in Salman Rushdie’s Fury”

Madelena Gonzalez
Ana Mendes. Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders, Routledge; Taylor and Francis, pp.182-201, 2012
Book sections hal-03242021v1

“Minority Theatre in the Age of Globalization”,

Madelena Gonzalez
Madelena Gonzalez; Hélène Laplace-Claverie. Minority Theatre on the Global Stage: Challenging Paradigms from the Margins, Cambridge Scholars Press, pp.ix-xxiv, 2012
Book sections hal-03242020v1

“At Home in Theory? Teaching one’s Way through the Theory at Home”

Madelena Gonzalez
Richard Bradford. Teaching Theory, Palgrave Macmillan, pp.127-145, 2011
Book sections hal-03242022v1

“The Construction of Identity in Minority Theatre”

Madelena Gonzalez
Madelena Gonzalez; Patrice Brasseur. Authenticity and Legitimacy In Minority Theatre: Constructing Identity, Cambridge Scholars Press, pp.ix-xxix, 2010
Book sections hal-03242023v1

“Post 9/11 Fiction: A Journey through the Desert of the Real”

Madelena Gonzalez , Julien Bringuier
Marie-Odile Pittin-Hédon. Generic Instability and Identity in the Contemporary Novel, Cambridge Scholars Press, pp.220-237, 2010
Book sections hal-03242024v1

“The Identity of the Contemporary Novel: Generic Hybridity”

Madelena Gonzalez
Madelena Gonzalez; Marie-Odile Pittin-Hédon. Generic Instability and Identity in the Contemporary Novel, Cambridge Scholars Press, pp.vii-xi, 2010
Book sections hal-03242025v1

“Two Solitudes: Writing a French Novel in English : The Aesthetics of Minority Literature”

Madelena Gonzalez
Agnès Whitfield. L’Écho de nos classique, Bonheur d’occasion et Two Solitudes en traduction, Editions David, pp.291-309, 2009
Book sections hal-03242027v1

« Castorf ressuscite Céline : pacte diabolique ou ‘déconstruction burlesque’ : les paradoxes de l’adaptation théâtrale »

Madelena Gonzalez
Edoardo Esposito. Autour du texte théâtral : Analyses de spectacles et témoignages du travail de mise en scène, L'Harmattan, pp.17-28, 2009
Book sections hal-03242028v1

« Avant-propos »

Madelena Gonzalez
Patrice Brasseur; Madelena Gonzalez. Théâtre des minorités : Mises en scène de la marge à l’époque contemporaine, L'Harmattan, pp.9-13, 2008
Book sections hal-03242033v1

“Angela Carter’s The Bloody Chamber: A World Transformed by Imagination and Desire—Adventures in Anarcho-Surrealism”

Madelena Gonzalez
Cheryl Alexander Malcolm; David Malcolm. A Companion to the British and Irish Short Story, Wiley-Blackwell, pp.507-515, 2008
Book sections hal-03242030v1

“Salman Rushdie’s Midnight’s Children: The Epic of the Broken (Post?)-Modern World”

Madelena Gonzalez
Nilufer. E. Bharucha. World Literature: Contemporary Postcolonial and Post-Imperial Literatures, Prestige Books, pp.105-117, 2007
Book sections hal-03242035v1

“Towards a Contemporary Poetics of Translation”

Madelena Gonzalez
Madelena Gonzalez; Francine Tolron. Translating Identity and the Identity of Translation, Cambridge Scholars Press, pp.vii-x, 2006
Book sections hal-03242036v1

“East, West: The Dislocation of Culture”

Madelena Gonzalez
Iris Därmann; Steffi Hobuss; Ulrich Lölke. Konversionen. Fremderfahrungen in ethnologischer und interkultereller Perspektive, Rodopi, pp.99-121, 2004
Book sections hal-03242038v1

« Le Sourire du jaguar : fiction ou propagande ? Rushdie à rebours »

Madelena Gonzalez
Jean Viviès. Lignes de fuite : récits de voyage de la littérature anglophone, Publications de l’Université de Provence, pp.197-217, 2003
Book sections hal-03242039v1

« ‘The Silence of Photography’ and the Cacophony of Orpheus, or the Impossible Memoirs of a Failed Artist: Reflections on Truth in The Ground Beneath Her Feet »

Madelena Gonzalez
Max Duperray. La vérite en littérature : détection, confession, parabole, Mallard Editions, pp.165-176, 2003
Book sections hal-03242043v1

“ ‘New Ways to Be Beautiful’: The Search to Escape Identity in The Moor’s Last Sigh”

Madelena Gonzalez
Anne Luyat; Francine Tolron. Flight from Certainty : The Dilemma of Identity and Exile, Rodopi, pp.100-111, 2001
Book sections hal-03242046v1

“Night Train by Martin Amis: A Suicide Ride into the Underworld: Abuse as a Mode of Existence »

Madelena Gonzalez
Max Duperray. Fenêtres sur l’obscur : Littérature et cinéma du domaine anglo-saxon, Publications de l’Université de Provence, pp.113-126, 2001
Book sections hal-03242045v1

“The Moor’s Last Sigh by Salman Rushdie: Marginal Alternatives : The Reconstruction of Identity through the Carnival of Indetermination”

Madelena Gonzalez
Russel West; Frank Lay. Subverting Masculinity: Hegemonic and Alternative Versions of Masculinity in Contemporary Culture, Rodopi, pp.129-143, 2000
Book sections hal-03242048v1

“The Cliché as Subversion in The Satanic Verses”

Madelena Gonzalez
Gilles Mathis. Le cliché, Presses Universitaires du Mirail, pp.279-300, 1998
Book sections hal-03242049v1

“Time’s Arrow by Martin Amis: A Terminal Fiction?”

Madelena Gonzalez
Max Duperray. Fiction & Entropy, Publications de l’Université de Provence, pp.119-133, 1996
Book sections hal-03242050v1

“The Birth of Revolt through Historiographic Metafiction in Salman Rushdie’s Midnight’s Children and The Satanic Verses”

Madelena Gonzalez
Max Duperray. Historicity & Metafiction in the Contemporary British and Irish Novel, Publications de l’Université de Provence, pp.197-206, 1994
Book sections hal-03242052v1