Madelena Gonzalez
Présentation
Liste des publications Ouvrages scientifiques (monographies)
2005 Direction d’ouvrages collectifs et d’actes de colloques ou congrès
2024
[2] - Bradford, Richard, Madelena Gonzalez and Kevin De Ornellas, Wiley-Blackwell Companion to Literary Evaluation, Chichester : John Wiley and Sons Ltd., 2024. [3] -Gonzalez, Madelena et Helen Landau, Au-delà de la barrière de la langue. Trois conversations sur le théâtre multilingue et le théâtre en langue minoritaire, Avignon : EUA, 2024. 2022
[4] - Gonzalez, Madelena et Helen Landau, Le théâtre à l’ère du numérique : convergences et paradoxes, Avignon : ÉUA, 2022. 2020
[5] – Bradford, Richard, Madelena Gonzalez, Stephen Butler, James Ward and Kevin De Ornellas (eds), The Wiley Blackwell Companion to Contemporary British and Irish Literature, Chichester : Wiley Blackwell, 2020 (deux volumes, 874 pages).
[6] – Baverstock, Alison, Richard Bradford and Madelena Gonzalez (eds), Contemporary Publishing and the Culture of Books, London: Routledge, 2020 (333 pages). 2015
[7] – Gonzalez, Madelena and René Agostini (eds), Aesthetics and Ideology in Contemporary Literature and Drama, Newcastle upon Tyne: Cambridge Scholars Press, 2015 (335 pages). 2012 2010
[9] – Gonzalez, Madelena and Patrice Brasseur (eds), Authenticity and Legitimacy in Minority Theatre: Constructing Identity, Newcastle upon Tyne: Cambridge Scholars Press, 2010 (348 pages).
[10] – Gonzalez, Madelena and Marie-Odile Pittin-Hédon (eds), Generic Instability and Identity in the Contemporary Novel, Newcastle upon Tyne: Cambridge Scholars Press, 2010 (241pages). 2008 Contributions à des actes de colloques ou à des ouvrages collectifs
2024
[13] - Gonzalez, Madelena et Camille Habault, « ‘Des artistes de silicium’? IA et robots sur le devant de la scène : technicité et créativité dans le théâtre contemporain en Europe », Intelligence artificielle, Culture et Médias, Véronique Guèvremont, Colette Brin (eds), Laval : Presses de l’Université Laval, 2024, pp. 55-71.
[14]– Gonzalez, Madelena, “The Algorithm of Beauty: Aesthetic Judgement as a Science”, A Companion to Literary Evaluation, Bradford, Richard, Madelena Gonzalez and Kevin De Ornellas (eds), Croydon: John Wiley and Sons Ltd, 2024, pp. 120-134. 2023
[15]– Gonzalez, Madelena, “Reinventing Europe from the Margins: Theatre on the Periphery”, Contested Communities: Small, Minority and Minor Literatures in Europe, Sarah Avens, Kate Averis, Margaret Littler, Godela Weiss-Sussex (eds), Oxford: Legenda, 2023, pp. 187-201. 2020
[16]– Gonzalez, Madelena, “Global Literature and the Death of the Novel: Rushdie in Retro-Perspective”, The Wiley Blackwell Companion to Contemporary British and Irish Literature, Richard Bradford, Madelena Gonzalez, Stephen Butler, James Ward and Kevin De Ornellas (eds), Chichester: Wiley Blackwell, 2020, pp. 781-792.
[17] – Gonzalez, Madelena, “The Uncommon Wealth of Art. Poetic Progress as Resistance to the Commodification of Culture in United States of Banana”, On the Writings of Giannina Braschi. Poets, Philosophers, Lovers, Frederick Luis Aldama and Tess O’Dwyer (eds), Pittsburgh: Pittsburgh University Press, 2020, pp. 23-31. 2018
[18] – Gonzalez, Madelena, “Disappearing into the Front Page. The Case of Salman Rushdie and the Postmodern Memoir”, A Companion to Literary Biography, Richard Bradford (ed.), Oxford; Chichester: Wiley-Blackwell, 2018, pp. 291-307. 2017
[19] – Gonzalez, Madelena, “Salman Rushdie, The Satanic Verses (1988)”, The English Novel 1900-2000: Text and Theory, Christoph Reinfandt (ed.), Berlin; Boston: De Gruyter, 2017, pp. 403-423. 2016
[20] – Gonzalez, Madelena, « À la recherche d’une voix, mais laquelle? L’esthétique du doute et l’aporie comme mode d’existence dans la trilogie Du sang au soleil de Nuruddin Farah », Les littératures de la Corne d’Afrique. Regards croisés, Paola Cabot-Ranzini (ed.), Paris : Karthala, 2016, pp. 107-138. 2015
[21 – Gonzalez, Madelena, “The Return of the Real in Art and Politics—Putting Ideals into Practice”, Aesthetics and Ideology in Contemporary Literature and Drama, Madelena Gonzalez and René Agostini (eds), Newcastle upon Tyne: Cambridge Scholars Press, 2015, pp. xi-xxviii. 2012
[22] – Gonzalez, Madelena, “Minority Theatre in the Age of Globalization”, Minority Theatre on the Global Stage: Challenging Paradigms from the Margins, Madelena Gonzalez and Hélène Laplace-Claverie (eds), Newcastle upon Tyne: Cambridge Scholars Press, 2012, pp. ix-xxiv.
[23] – Gonzalez, Madelena, “Screening the Novel: The Novel as Screen: The Aesthetics of the Visual in Salman Rushdie’s Fury”, Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders, Ana Mendes (ed.), New York: Routledge, Taylor and Francis, 2012, pp. 182-201. 2011
[24] – Gonzalez, Madelena, “At Home in Theory? Teaching one’s Way through the Theory at Home”, Teaching Theory, Richard Bradford (ed.), Houndmills: Palgrave Macmillan, 2011, pp. 127-145. 2010
[25] – Gonzalez, Madelena, “The Construction of Identity in Minority Theatre”, Authenticity and Legitimacy In Minority Theatre: Constructing Identity, Madelena Gonzalez and Patrice Brasseur (eds), Newcastle upon Tyne: Cambridge Scholars Press, 2010, pp. ix-xxix.
[26] – Gonzalez, Madelena and Julien Bringuier, Post 9/11 Fiction: A Journey through the Desert of the Real”, Generic Instability and Identity in the Contemporary Novel, Madelena Gonzalez and Marie-Odile Pittin-Hédon (eds),Newcastle upon Tyne: Cambridge Scholars Press, 2010, pp. 220-237.
[27] – Gonzalez, Madelena, “The Identity of the Contemporary Novel: Generic Hybridity”, Generic Instability and Identity in the Contemporary Novel, Madelena Gonzalez and Marie-Odile Pittin-Hédon (eds), Newcastle upon Tyne: Cambridge Scholars Press, 2010, pp. vii-xi. 2009 2008
[30] – Gonzalez, Madelena, “Angela Carter’s The Bloody Chamber: A World Transformed by Imagination and Desire—Adventures in Anarcho-Surrealism”, A Companion to the British and Irish Short Story, Cheryl Alexander Malcolm and David Malcolm (eds), Oxford: Wiley-Blackwell, 2008, pp. 507-515.
[31] – Gonzalez, Madelena, « Avant-propos », Théâtre des minorités : Mises en scène de la marge à l’époque contemporaine, Patrice Brasseur et Madelena Gonzalez (eds), Paris : L’Harmattan, 2008, pp. 9-13. 2007 2006 2004 2003 2001 2000 1998 1996 1994 Articles dans des revues à comité de lecture
2015
[43] – Garson, Cyrielle and Madelena Gonzalez, “ ‘What a Carve up!’ The Eclectic Aesthetics of Postmodernism and the Politics of Diversity in some examples of Contemporary British Verbatim Theatre”, Études britanniques contemporaines 49 (2015) : http://ebc.revues.org/2685 2014
[44] – Gonzalez, Madelena, “United States of Banana (2011), Elizabeth Costello (2003) and Fury (2001): Portrait of the Writer as the ‘Bad Subject’ of Globalisation”. Études britanniques contemporaines 46 (juin 2014) : http://ebc.revues.org/1092
[45] – Gonzalez, Madelena, “20th-21st Century British Literature: Recent Critical Trends: Global Studies/Postcolonial Studies”, Études britanniques contemporaines 46 (juin 2014) : http://ebc.revues.org/1092 2008
[46] – Gonzalez, Madelena, “‘Pourquoi y a–t-il Baudrillard plutôt que rien ?’ The Reception and Perception of Jean Baudrillard in France”, French Cultural Studies 19.3, 2008: pp. 287-303.
[47] – Gonzalez, Madelena, “Artistic ‘Fury’ in the Information Age: Nostalgia for the Real”, Information, Communication and Society 11.6, 2008: pp. 765-780.
[48] – Gonzalez, Madelena, “The Aesthetics of Post-Realism and the Obscenification of Everyday Life: The Novel in the Age of Technology”, Journal of Narrative Theory 38.1 (Winter 2008): pp. 111-133. 2007 2002
[51] – Gonzalez, Madelena, “Sacred Orgasm and Profane Pæan: The Obscene Paradox of the Postmodern Baroque: Salman Rushdie’s The Ground Beneath Her Feet”, Études britanniques contemporaines 23, (décembre 2002) : pp. 71-90. 1995 1993
[53] – Gonzalez, Madelena, “Midnight’s Children by Salman Rushdie: A Voyage from Singularity to Multiplicity or, How to Make a Half Whole”, Le groupe et l’individu dans le monde, Lez Valenciennes 15, 1993, pp. 197-201. Comptes rendus de lectures
2011
[54] – Gonzalez, Madelena, Modernité en transit/Modernity in Transit (eds., Richard Dubé, Pascal Gin, Walter Moser, Alvaro Pires), Comparative Literature Studies, 50.3 (2013): pp. 546-548. 2008 2004 2003 2021
[59] – Gonzalez, Madelena, “The Science of Sardines and Donuts: Giannina Braschi’s Imaginary Solutions to the Problem of Globalisation in United States of Banana”, Across Borders: “Pataphysics” in a Transmedial and Transnational Perspective, American Comparative Literature Association, 8-11 avril, 2021 2017
[60] – Gonzalez, Madelena, « Esthétique (s), valeur (s) et réputation (s) dans le domaine de la littérature anglophone à l’ère de la mondialisation et de la société numérique », Valeur(s) et reconnaissance du numérique, Colloque interdisciplinaire (ÉA 4277, ÉA 3788, UMR 8562), Université d’Avignon, 19-20 juin 2017.
2015
[61] – Gonzalez, Madelena, “The Case of Minority Theatre in the Era of Globalization”, Interpreting Communities. Minority Writing in European Literary Fields, Institute of Modern Languages Research, Université de Londres, Université de Cambridge, Grande-Bretagne, 29-30 octobre 2015.
2014
[62] – Gonzalez, Madelena, “The Uncommon Wealth of Art: Poetic Progress as Resistance to the Commodification of Culture in United States of Banana (Giannina Braschi, 2011)”, Uncommon Wealths: Riches and Realities (15th Triennial Conference of EACLALS), Université d’Innsbruck, Autriche, 14-18 avril 2014.
2006
[63] – Gonzalez, Madelena, “Salman Rushdie’s Fury and the Poetics of Simulacra: Nostalgia for the Real”, Université de Swansea, Grande-Bretagne, 4-6 septembre 2006. 2005
[1] – Gonzalez, Madelena, Fiction after the Fatwa: Salman Rushdie and the Charm of Catastrophe, Amsterdam-New York, NY: Rodopi, 2005 (80,000 mots, 262 pages).
[8] – Gonzalez, Madelena and Hélène Laplace-Claverie (eds), Minority Theatre on the Global Stage: Challenging Paradigms from the Margins, Newcastle upon Tyne: Cambridge Scholars Press, 2012 (407 pages).
[11] – Brasseur, Patrice et Madelena Gonzalez (eds), Théâtre des minorités : Mises en scène de la marge à l’époque contemporaine, Paris : L’Harmattan, 2008 (242 pages).
2006
[12] – Gonzalez, Madelena and Francine Tolron (eds), Translating Identity and the Identity of Translation, Newcastle upon Tyne: Cambridge Scholars Press, 2006 (221 pages).
[28] – Gonzalez, Madelena, “Two Solitudes: Writing a French Novel in English : The Aesthetics of Minority Literature”, L’Écho de nos classiques, Bonheur d’occasion et Two Solitudes en traduction, Agnès Whitfield (ed.), Ottawa : Editions David, 2009, pp. 291-309.
[29] – Gonzalez, Madelena, « Castorf ressuscite Céline : pacte diabolique ou ‘déconstruction burlesque’ : les paradoxes de l’adaptation théâtrale », Autour du texte théâtral : Analyses de spectacles et témoignages du travail de mise en scène, Edoardo Esposito (ed.), Paris : L’Harmattan, pp. 17-28.
[32] – Gonzalez, Madelena, “Salman Rushdie’s Midnight’s Children: The Epic of the Broken (Post?)-Modern World”, World Literature: Contemporary Postcolonial and Post-Imperial Literatures, Nilufer. E. Bharucha, (ed.), New Delhi: Prestige Books, 2007, pp. 105-117.
[33] – Gonzalez, Madelena, “Towards a Contemporary Poetics of Translation”, Translating Identity and the Identity of Translation, Madelena Gonzalez and Francine Tolron (eds), Newcastle upon Tyne: Cambridge Scholars Press, 2006, pp. vii-x.
[34] – Gonzalez, Madelena, “East, West: The Dislocation of Culture”, Konversionen. Fremderfahrungen in ethnologischer und interkultereller Perspektive, Iris Därmann, Steffi Hobuss, Ulrich Lölke (eds), Amsterdam-New York, NY: Rodopi, 2004, pp. 99-121.
[35] – Gonzalez, Madelena, « Le Sourire du jaguar : fiction ou propagande ? Rushdie à rebours », Lignes de fuite : récits de voyage de la littérature anglophone, Jean Viviès (ed.), Aix-en-Provence : Publications de l’Université de Provence, 2003, pp. 197-217.
[36] – Gonzalez, Madelena, « ‘The Silence of Photography’ and the Cacophony of Orpheus, or the Impossible Memoirs of a Failed Artist: Reflections on Truth in The Ground Beneath Her Feet », La vérite en littérature : détection, confession, parabole, Max Duperray (ed.), Paris : Mallard Editions, 2003, pp. 165-176.
[37] – Gonzalez, Madelena, “Night Train by Martin Amis: A Suicide Ride into the Underworld: Abuse as a Mode of Existence », Fenêtres sur l’obscur : Littérature et cinéma du domaine anglo-saxon, Max Duperray (ed.), Aix-en-Provence : Publications de l’Université de Provence, 2001, pp. 113-126.
[38] – Gonzalez, Madelena, “ ‘New Ways to Be Beautiful’: The Search to Escape Identity in The Moor’s Last Sigh”, Flight from Certainty : The Dilemma of Identity and Exile, Anne Luyat and Francine Tolron (eds), Amsterdam-New York, NY: Rodopi, 2001, pp. 100-111.
[39] – Gonzalez, Madelena, “The Moor’s Last Sigh by Salman Rushdie: Marginal Alternatives : The Reconstruction of Identity through the Carnival of Indetermination”, Subverting Masculinity: Hegemonic and Alternative Versions of Masculinity in Contemporary Culture, Russell West and Frank Lay (eds), Amsterdam-New York, NY: Rodopi, 2000, pp. 129-143.
[40] – Gonzalez, Madelena, “The Cliché as Subversion in The Satanic Verses”, Le cliché, Gilles Mathis (ed.), Toulouse : Presses Universitaires du Mirail, 1998, pp. 279-300.
[41 – Gonzalez, Madelena, “Time’s Arrow by Martin Amis: A Terminal Fiction?”, Fiction & Entropy, Max Duperray (ed.), Aix-en-Provence : Publications de l’Université de Provence, 1996, pp. 119-133.
[42] – Gonzalez, Madelena, “The Birth of Revolt through Historiographic Metafiction in Salman Rushdie’s Midnight’s Children and The Satanic Verses”, Historicity & Metafiction in the Contemporary British and Irish Novel, Max Duperray (ed.), Aix-en-Provence : Publications de l’Université de Provence, 1994, pp. 197-206.
[49] – Gonzalez, Madelena, “A Ghost of a Fiction: Fury and the Poetics of Simulacra”, Études britanniques contemporaines 34 (juin 2008) : pp. 145-159.
[50] – Gonzalez, Madelena, “One Big Happy Family? Redefining World Literature in an Age of Global Capitalism: The Boundaries of the Exotic”, Études britanniques contemporaines 32 (juin 2007) : pp. 1-15.
[52] – Gonzalez, Madelena, “Defining Postmodernism”, Les Annales du Monde Anglophone 1.2 (octobre 1995) : pp. 49-59.
[55] – Gonzalez, Madelena, Salman Rushdie : l’écriture transportée (Catherine Pesso-Miquel), Études britanniques contemporaines 34 (juin 2008) : pp. 227-229.
[56] – Gonzalez, Madelena, Métatextualité et métafiction : théorie et analyses (ed., Laurent Lepaludier), Études britanniques contemporaines 26 (décembre 2004) : pp. 200-201.
[57] – Gonzalez, Madelena, Postmodern Times: A Critical Guide to the Contemporary (eds, Thomas Carmichael and Alison Lee), E-rea 1 (hiver 2003).
Autres
Communications sans actes
2023
[58] – Gonzalez, Madelena, « L’algorithme de la beauté », Mathématiques, littérature et arts, Collège de France, 13-14 octobre, 2023.
[64] – Gonzalez, Madelena, “Post-realist Aesthetics and the Obscenification of Everyday Life: Writing as Technology, Yellow Dog (Martin Amis, 2003), Fury (Salman Rushdie, 2001), Dorian: An Imitation (Will Self, 2002), The Powerbook (Jeanette Winterson, 2000)”, The 21st Century Novel: Reading and Writing Contemporary Fiction, Université de Lancaster, Grande-Bretagne, 2-3 septembre 2005.
Publications
Publications
« L’algorithme de la beauté »Mathématiques, littérature et arts, Collège de France, Laurence Dahan-Gaida; Odile Chatirichvili; Cindy Gervolino, Oct 2023, Paris, France |
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8 février 2020 : “Making Art Count: The Aesthetic and its Uses in the Digital Age. Some Reflections on Theatre and the Novel”, (conférencière invitée).“ ‘The Work of Art in the Post-Human Age’ – The Preservation/Eradication of Memory in the Artefact”, Liverpool Hope University and TATE Liverpool Symposium:, Feb 2020, Liverpool United Kingdom, United Kingdom |
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« Esthétique (s), valeur (s) et réputation (s) dans le domaine de la littérature anglophone à l’ère de la mondialisation et de la société numérique »Valeur(s) et reconnaissance du numérique, Jun 2017, Avignon, France |
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“The Case of Minority Theatre in the Era of Globalization”Interpreting Communities. Minority Writing in European Literary Fields, Oct 2015, London, United Kingdom |
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“The Uncommon Wealth of Art: Poetic Progress as Resistance to the Commodification of Culture in United States of Banana (Giannina Braschi, 2011)”Uncommon Wealths: Riches and Realities (15th Triennial Conference of EACLALS), Apr 2014, Innsbruck, Austria |
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“Salman Rushdie’s Fury and the Poetics of Simulacra: Nostalgia for the Real”Engaging Baudrillard, Sep 2006, Swansea, United Kingdom |
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“Post-realist Aesthetics and the Obscenification of Everyday Life: Writing as Technology, Yellow Dog (Martin Amis, 2003), Fury (Salman Rushdie, 2001), Dorian: An Imitation (Will Self, 2002), The Powerbook (Jeanette Winterson, 2000)”The 21st Century Novel: Reading and Writing Contemporary Fiction, Sep 2005, Lancaster, United Kingdom |
“The Algorithm of Beauty: Aesthetic Judgement as a Science”A Companion to Literary Evaluation, John Wiley and Sons Ltd, pp.120-134, 2024 |
|
‘Des artistes de silicium’? IA et robots sur le devant de la scène : technicité et créativité dans le théâtre contemporain en Europe »Presses de l’Université Laval,. Intelligence artificielle, Culture et Médias, pp.55-71., 2024 |
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“Reinventing Europe from the Margins: Theatre on the Periphery”Legenda. Contested Communities: Small, Minority and Minor Literatures in Europe, Legenda,, pp.187-201., 2023 |
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“Global Literature and the Death of the Novel: Rushdie in Retro-Perspective”Richard Bradford; Madelena Gonzalez; Stephen Butler; James Ward; Kevin De Ornellas. The Wiley Blackwell Companion to Contemporary British and Irish Literature,, Wiley Blackwell, pp.781-792, 2020 |
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“The Uncommon Wealth of Art. Poetic Progress as Resistance to the Commodification of Culture in United States of Banana”Frederick Luis Aldama; Tess O'Dwyer. On the Writings of Giannina Braschi. Poets, Philosophers, Lovers, Pittsburgh University Press, pp.23-31, 2020 |
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“Disappearing into the Front Page. The Case of Salman Rushdie and the Postmodern Memoir”Richard Bradford. A Companion to Literary Biography, Wiley-Blackwell, pp.291-307, 2018 |
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“Salman Rushdie, The Satanic Verses (1988)”Christoph Reinfandt. The English Novel 1900-2000: Text and Theory, De Gruyter, pp.403-423, 2017 |
|
« À la recherche d’une voix, mais laquelle? L’esthétique du doute et l’aporie comme mode d’existence dans la trilogie Du sang au soleil de Nuruddin Farah »Paola Cabot-Ranzini. Les littératures de la Corne d’Afrique. Regards croisés, Karthala, pp.107-138, 2016 |
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“The Return of the Real in Art and Politics—Putting Ideals into Practice”Madelena Gonzalez; René Agostini. Aesthetics and Ideology in Contemporary Literature and Drama, Cambridge Scholars Press, pp.xi-xxviii, 2015 |
|
“Minority Theatre in the Age of Globalization”,Madelena Gonzalez; Hélène Laplace-Claverie. Minority Theatre on the Global Stage: Challenging Paradigms from the Margins, Cambridge Scholars Press, pp.ix-xxiv, 2012 |
|
“Screening the Novel: The Novel as Screen: The Aesthetics of the Visual in Salman Rushdie’s Fury”Ana Mendes. Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders, Routledge; Taylor and Francis, pp.182-201, 2012 |
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“At Home in Theory? Teaching one’s Way through the Theory at Home”Richard Bradford. Teaching Theory, Palgrave Macmillan, pp.127-145, 2011 |
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“The Identity of the Contemporary Novel: Generic Hybridity”Madelena Gonzalez; Marie-Odile Pittin-Hédon. Generic Instability and Identity in the Contemporary Novel, Cambridge Scholars Press, pp.vii-xi, 2010 |
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“Post 9/11 Fiction: A Journey through the Desert of the Real”Marie-Odile Pittin-Hédon. Generic Instability and Identity in the Contemporary Novel, Cambridge Scholars Press, pp.220-237, 2010 |
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“The Construction of Identity in Minority Theatre”Madelena Gonzalez; Patrice Brasseur. Authenticity and Legitimacy In Minority Theatre: Constructing Identity, Cambridge Scholars Press, pp.ix-xxix, 2010 |
|
“Two Solitudes: Writing a French Novel in English : The Aesthetics of Minority Literature”Agnès Whitfield. L’Écho de nos classique, Bonheur d’occasion et Two Solitudes en traduction, Editions David, pp.291-309, 2009 |
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« Castorf ressuscite Céline : pacte diabolique ou ‘déconstruction burlesque’ : les paradoxes de l’adaptation théâtrale »Edoardo Esposito. Autour du texte théâtral : Analyses de spectacles et témoignages du travail de mise en scène, L'Harmattan, pp.17-28, 2009 |
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« Avant-propos »Patrice Brasseur; Madelena Gonzalez. Théâtre des minorités : Mises en scène de la marge à l’époque contemporaine, L'Harmattan, pp.9-13, 2008 |
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“Angela Carter’s The Bloody Chamber: A World Transformed by Imagination and Desire—Adventures in Anarcho-Surrealism”Cheryl Alexander Malcolm; David Malcolm. A Companion to the British and Irish Short Story, Wiley-Blackwell, pp.507-515, 2008 |
|
“Salman Rushdie’s Midnight’s Children: The Epic of the Broken (Post?)-Modern World”Nilufer. E. Bharucha. World Literature: Contemporary Postcolonial and Post-Imperial Literatures, Prestige Books, pp.105-117, 2007 |
|
“Towards a Contemporary Poetics of Translation”Madelena Gonzalez; Francine Tolron. Translating Identity and the Identity of Translation, Cambridge Scholars Press, pp.vii-x, 2006 |
|
“East, West: The Dislocation of Culture”Iris Därmann; Steffi Hobuss; Ulrich Lölke. Konversionen. Fremderfahrungen in ethnologischer und interkultereller Perspektive, Rodopi, pp.99-121, 2004 |
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« ‘The Silence of Photography’ and the Cacophony of Orpheus, or the Impossible Memoirs of a Failed Artist: Reflections on Truth in The Ground Beneath Her Feet »Max Duperray. La vérite en littérature : détection, confession, parabole, Mallard Editions, pp.165-176, 2003 |
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« Le Sourire du jaguar : fiction ou propagande ? Rushdie à rebours »Jean Viviès. Lignes de fuite : récits de voyage de la littérature anglophone, Publications de l’Université de Provence, pp.197-217, 2003 |
|
“Night Train by Martin Amis: A Suicide Ride into the Underworld: Abuse as a Mode of Existence »Max Duperray. Fenêtres sur l’obscur : Littérature et cinéma du domaine anglo-saxon, Publications de l’Université de Provence, pp.113-126, 2001 |
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“ ‘New Ways to Be Beautiful’: The Search to Escape Identity in The Moor’s Last Sigh”Anne Luyat; Francine Tolron. Flight from Certainty : The Dilemma of Identity and Exile, Rodopi, pp.100-111, 2001 |
|
“The Moor’s Last Sigh by Salman Rushdie: Marginal Alternatives : The Reconstruction of Identity through the Carnival of Indetermination”Russel West; Frank Lay. Subverting Masculinity: Hegemonic and Alternative Versions of Masculinity in Contemporary Culture, Rodopi, pp.129-143, 2000 |
|
“The Cliché as Subversion in The Satanic Verses”Gilles Mathis. Le cliché, Presses Universitaires du Mirail, pp.279-300, 1998 |
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“Time’s Arrow by Martin Amis: A Terminal Fiction?”Max Duperray. Fiction & Entropy, Publications de l’Université de Provence, pp.119-133, 1996 |
|
“The Birth of Revolt through Historiographic Metafiction in Salman Rushdie’s Midnight’s Children and The Satanic Verses”Max Duperray. Historicity & Metafiction in the Contemporary British and Irish Novel, Publications de l’Université de Provence, pp.197-206, 1994 |
Modernité en transit/Modernity in Transit2013, pp.546-548 |
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Salman Rushdie : l’écriture transportée2008, pp.227-229 |
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Métatextualité et métafiction : théorie et analyses2004, pp.200-201 |
|
Postmodern Times: A Critical Guide to the Contemporary2003 |