Nicolas Castagné
Publications
Publications
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Compagnonnage Recherche-Création sur le temps long autour des concepts et technologies de l’ACROERencontres nationales sur les recherches en musique, Ministère de la Culture, Oct 2020, Paris Conservatoire National Supérieur de Musique et de Danse, France |
Instrumentation, VR and Haptic Systems applied to scanning and micromanipulation platforms: Research and Learning aspectsMARSS 2022 - International Conference on Manipulation, Automation and Robotics at Small Scales (MARSS), Jul 2022, Toronto ON, Canada. pp.1-7, ⟨10.1109/MARSS55884.2022.9870489⟩ |
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A Topological-Geometrical Pipeline for 3D Cracking-like Phenomena13th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications, Jan 2018, Funchal, Portugal. pp.207-214 |
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Visual Representation in GENESIS as a tool for Physical Modeling, Sound Synthesis and Musical CompositionNew Interfaces for Musical Expression 2015, May 2015, Baton Rouge, United States. pp.195-200 |
Haptics Processing Unit Software Architecture for Transportable High Dynamics Force-Feedback CouplingEuroHaptics Conference, UPMC et EuroHaptics Society, Jun 2014, Versailles, France. pp.8 |
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A NEW MODELING PIPELINE FOR PHYSICS-BASED TOPOLOGICAL DISCONTINUITIES: THE DYNAME PROCESS12th International Symposium on Smart Graphics, Aug 2014, Tapeï, Taiwan. pp.178-181, ⟨10.1007/978-3-319-11650-1_18⟩ |
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Exploring the Role of Dynamic Audio-Haptic Coupling in Musical Gestures on Simulated InstrumentsEuroHaptics Conference, UPMC et EuroHaptics Society, Jun 2014, Versailles, France. pp.8 |
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A NEW WAY TO MODEL PHYSICS-BASED TOPOLOGY TRANSFORMATIONS: SPLITTING MAT12th International Symposium on Smart Graphics, Aug 2014, Tapeï, Taiwan. pp.133-145 |
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Physics-Based Topology Transformations31st Computer Graphics International, Computer Graphics Society, Jun 2014, Sydney, Australia |
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MORPHO-Map: A new way to model animation of topological transformations9th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications (VISIGRAPP/GRAPP), Jan 2014, Lisbonne, Portugal. pp.288-300, ⟨10.5220/0004674002880300⟩ |
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INTERACTIVE PHYSICAL DESIGN AND HAPTIC PLAYING OF VIRTUAL MUSICAL INSTRUMENTSInternational Computer Music Conference, Aug 2013, Perth, Australia. pp.108-115 |
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A MODELLER-SIMULATOR FOR INSTRUMENTAL PLAYING OF VIRTUAL MUSICAL INSTRUMENTS16th International Conference on Digital Audio Effects, Sep 2013, Maynooth, Ireland |
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A Virtual Reality Platform for Musical Creation10th International Symposium on Computer Music Multidisciplinary Research, Oct 2013, Marseille, France |
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The CORDIS Audio Haptic Real Time Platform for Musical Creation with Instrumental InteractionHAID 2012 - 7th International Workshop on Haptics and Audio Interaction Design, Aug 2012, Lund, Sweden. pp.31-34 |
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Genesis 3 - Plate forme pour la création musicale à l'aide des modèles physiques CORDIS-ANIMAJIM' 09 - 14èmes Journées d'Informatique Musicale, Apr 2009, Grenoble, France. pp.161-170 |
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G3: GENESIS Software Environment UpdateICMC 2009, Aug 2009, Montreal, Canada. pp.407-410 |
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A Summary of Formats for Streaming and Storing Music-Related Movement and Gesture Data4th International Conference on Enactive Interfaces 2007, Nov 2007, Grenoble, France. pp.125-128 |
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Panel: the Need of Formats for Streaming and Storing Music-Related Movement and Gesture DataInternational Computer Music Conference 2007, Aug 2007, Copenhague, Denmark. pp.13-16 |
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Mimesis : Interactive interface for mass-interaction modelingInternational Conference on Computer Animation and Social Agents, 2006, Geneve, Switzerland. pp.177-186 |
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Musical gesture and motion format in VR multisensory contextMusic and Gesture, 2006, Manchester, United Kingdom. pp.[11] |
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A Basic Gesture and Motion Format for Virtual Reality Multisensory ApplicationsGRAPP 2006 - International Conference on Computer Graphics Theory and Applications, Feb 2006, Setúbal, Portugal. pp.349-356 |
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Towards a multi-layer architecture for multi-modal rendering of expressive actions2nd International Conference on Enactive Interfaces, 2005, Gênes, Italy. pp.[7] |
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Computer platforms for hard-real time and high quality ergotic multisensory systems2nd International Conference on Enactive Interfaces, 2005, Gênes, Italy. pp.[10] |
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A Goals-Based review of physical ModellingInternational Computer Music Conference, 2005, Barcelone, Spain. pp.343-346 |
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From action to sound : a challenging perspective for hapticsWorld Haptics Conference 2005, 2005, Pise, Italy. pp.[5] |
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Some criteria for evaluating physical modeling schemes in the context of music creationInternational Symposium on Musical Acoustics, 2004, Nara, Japan. pp.4 |
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ERGOS: Multi-degrees of Freedom and Versatile Force-Feedback PanoplyEuroHaptics 2004, Jun 2004, Munich, Germany |
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The GENESIS environment : physical modeling as a language to be practiced by musiciansInternational Congress on Acoustics, 2004, Kyoto, Japan. pp.4 |
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The mass-interaction scheme as a musical language : the GENESIS environmentInternational Symposium on Musical Acoustics, 2004, Nara, Japan. pp.4 |
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Haptics in Computer Music : a Paradigm ShiftEuroHaptics 2004 -, Jun 2004, Munich, Germany. pp.422-425 |
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Physically-based modeling and music vs. physical modeling and acousticsInternational Congress on Acoustics 2004, 2004, Kyoto, Japan. pp.4 |
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Metabolic emergent auditory effects by means of physical particle modeling : the example of musical sand6th international conference on Digital Audio Effects 2003, 2003, Londres, United Kingdom. pp.4 |
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A Physically-Based Particle Model of Emergent Crowd BehaviorsGraphicon 2003 - 13th International Conference on Computer Graphics, Sep 2003, Moscou, Russia. pp.1-9 |
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Physically-Based Particle Simulation and Visualization of Pastes and GelsGraphicon 2003 - 13th International Conference on Computer Graphics, Sep 2003, Moscou, Russia. pp.589 |
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Artistic creation and computer interactive multisensory simulation force feedback gesture transducers2003 Conference on New Interfaces for Musical Expression, 2003, Montréal, Canada. pp.235-246 |
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10 criteria for evaluating physical modelling schemes for music creationDAFx03, 2003, Londres, United Kingdom. 7 p |
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GENESIS : a Friendly Musician-Oriented Environment for Mass-Interaction Physical ModelingICMC 2002 - International Computer Music Conference, Sep 2002, Gothenburg, Sweden. pp.330-337 |
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L'environnement GENESIS : créer avec les modèles physiques masse-interactionJournées d'Informatique Musicale, May 2002, Marseille, France |
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Creating music by means of 'physical thinking' : the musician oriented genesis environmentDigital Audio Effects (DAFX-02), 2002, Hamburg, Germany. pp.169-174 |
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L'environnement GENESIS: créer avec les modèles physiques masse-interactionJournées d'informatique musicale 2002, 2002, Marseille, France. pp.10 |
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Physical modeling synthesis : balance between realism and computing speedProceedings of the COST G-6 conference on the digital audio effects (DAFX-00), 2000, Verone, Italy. pp.6 |
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Synthèse de sons par modèles physiques dans l'environnement CORDIS-ANIMA. Caractérisation et exploration des potentialités de la spatialité des structures vibrantes.Journées d'Informatique Musicale, 1998, La Londe, France. pp.8 |
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Compagnonnage Recherche-Création sur le temps long autour des concepts et technologies de l’ACROEChristophe d’Alessandro and Achille Davy-Rigaux and Christophe Pirenne and Solène Bellanger and Sylvie Pébrier and Julie Rosenkranz and Florence Roy and Mickaël Robert-Gonçalves (dir.). Recherches en musique Actes des Rencontres nationales sur les recherches en musique, Collegium Musicæ de l'Alliance Sorbonne Université, pp.171-177, 2023, Collection MusiqueS & Interdisciplinarité, ⟨10.25836/rnrm.2020.19⟩ |
The MSCI Platform. A framework for the Design and Simulation of Multisensory Virtual Musical InstrumentsStefano Papretti and Charalampos Saitis. Musical Haptics, Springer, pp.151-169, 2018 |
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A Virtual Reality Platform for Musical Creation: GENESIS-RTLNCS, 8905, Springer International Publishing, pp.346-371, 2014, Sound, Music and Motion |
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Mapping, in digital musical instrumentsEnaction and enactive interfaces : a handbook of terms, Enactive Systems Books, pp.191-192, 2007 |
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Physically-based modelling techniques for sound and synthesisEnaction and enactive interfaces : a handbook of terms, Enctive Systems Books, pp.244-245, 2007 |
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Mapping and control vs. Instrumental interactionEnaction and enactive interfaces : a handbook of terms, Enactive Systems Books, pp.189-190, 2007 |
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Physically-based modellingEnaction and enactive interfaces : a handbook of terms, Enactive Systems Books, pp.237-238, 2007 |
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Physically-based modelling techniquesEnaction and enactive interfaces : a handbook of terms, Enactive Systems Books, pp.238-240, 2007 |
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Auditory feedback in VR and HCIEnaction and enactive interfaces : a handbook of terms, Enactive Systems Books, pp.18-19, 2007 |
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Multimodal (multisensory) integration, in technologyEnaction and enactive interfaces : a handbook of terms, Enactive Systems Books, pp.209-211, 2007 |
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Mapping, in human-computer systemsEnaction and enactive interfaces : a handbook of terms, Enactive System Books, pp.192-194, 2007 |
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InterfaceEnaction and enactive interfaces : a handbook of terms, Enactive Systems Books, pp.159-161, 2007 |
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Physically-based modelling techniques for multisensory simulationEnaction and enactive interfaces : a handbook of terms, Enactive Systems Books, pp.242-244, 2007 |
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THE PHYSICS NETWORKS SCRIPTING LANGUAGE TO DESIGN MASSES-INTERACTIONS PHYSICAL MODELS FOR ARTS17th Sound and Music Computing Conference, 2020, Proceedings of the 17th Sound and Music Computing Conference, 2020 |
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CRÉATIVITÉ INSTRUMENTALE CRÉATIVITÉ AMBIANTE#AST 2015 Créativité Instrumentale et Créativité Ambiante, 2012, Enactive Systems Books, 978-2-9530856-1-7 |
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Enaction and Enactive Interfaces: A Handbook of TermsAnnie Luciani; Claude Cadoz; Nicolas Castagné; Armen Khatchatourov. 2017, Enactive Systems Books, Annie Luciani, 978-2-9530856-0-0 |
Créativité instrumentale - Créativité ambianteEnactive Systems Book - ACROE. 2012, 978-2-9530856-1-7 |
Lutherie virtuelle et interaction instrumentaleTraitement du Signal, 2015, 32 (4/2015), pp.391-416 |
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Force-feedback interaction with a neural oscillator model: for shared human-robot control of a virtual percussion instrumentEURASIP Journal on Audio, Speech, and Music Processing, 2012, pp.14 |
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Le concept du NanoLearner : Les mains dans le Nanomonde de l'Université vers le grand publicJournal sur l'enseignement des sciences et technologies de l'information et des systèmes, 2011, 9, pp.0014. ⟨10.1051/j3ea/2010017⟩ |
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Technologies logicielles de la modélisation, de la simulation et de l'interaction multisensorielles instrumentales pour la créationModélisation et simulation. Grenoble INP, Université de Grenoble, 2014 |
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GENESIS, un environnement pour la création musicale à l'aide de modèles physiques particulairesModélisation et simulation. Institut national polytechnique de Grenoble, 2002. Français. ⟨NNT : ⟩ |