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Eugene O’Neill and the Reinvention of Theatre AestheticsMcFarland & Company, Inc, Publishers, 267 p., 2019, 978-1-4766-7728-6
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hal-02438443
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Eugene O’Neill : un dramaturge novateurMax Milo / L'entretemps, 93 p., 2019, (Les Points dans les poches), 978-2-315-00885-8
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hal-02438465
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Perspectives on Contemporary Irish Theatre. Populating the StagePalgrave Macmillan, 301 p., 2017, 978-3-319-59709-6
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halshs-02450777
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Music and the Irish Imagination. Like a Language That We Could All UnderstandPresses universitaires de Caen, 274 p., 2013, (Symposia), 978-2-84133-429-2. ⟨10.4000/books.puc.7072⟩
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hal-02432630
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Drama Reinvented: Theatre Adaptation in Ireland (1970-2007)P.I.E. Peter Lang, 29, 302 p., 2012, (Dramaturgies), 978-90-5201-800-3
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hal-02450953
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L'adaptation théâtrale en Irlande de 1970 à 2007Presses Universitaires de Caen, 334 p., 2010, (Quæstiones), 978-2-84133-355-4. ⟨10.4000/books.puc.431⟩
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hal-02450968
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Regards sur l’intime en IrlandePresses universitaires de Caen, 243 p., 2008, (Symposia), 978-2-84133-298-4. ⟨10.4000/books.puc.851⟩
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hal-02484733
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The Plays of Thomas Kilroy. A Critical StudyMcFarland, 204 p., 2007, 978-0-7864-2797-0
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halshs-02445019
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Le Théâtre de Thomas KilroyPresses Univesitaires de Caen, 112 p., 2001, (Littérature irlandaise. Théâtre), 978-2-84133-137-6. ⟨10.4000/books.puc.164⟩
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hal-02477346
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Du dire à l'être. Tensions identitaires dans la littérature nord-américainePresses Universitaires de Caen, 151 p., 2000, 2-84133-099-0
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hal-02484703
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George Bernard Shaw, un dramaturge engagéPresses Universitaires de Caen, 228 p., 1998, (Symposia), 978-2-84133-045-4. ⟨10.4000/books.puc.986⟩
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hal-02484696
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La Femme Noire américaine. Aspects d’une crise d’identitéPresses Universitaires de Caen, 117 p., 1997, 978-2-84133-016-4
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hal-02484686
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Struggle, Defeat or Rebirth. Eugene O’Neill’s Vision of HumanityMcFarland & Co Inc, 293 p., 1997, 978-0-7864-2419-1
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halshs-02445016
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A Dark Rosebud on the Irish Stage: Ailis Ni Riain’s Tallest Man in the WorldAnne Étienne; Thierry Dubost. Perspectives on Contemporary Irish Theatre: Populating the Stage, Palgrave Macmillan, pp.99-111, 2017, 978-3-319-86682-6
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hal-02439926
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Marina Carr, l’adolescence d’une dramaturgie féminine ?Bertrand Cardin; Sylvie Mikowski. Écrivaines irlandaises ∙ Irish Women Writers, Presses universitaires de Caen, pp.203-219, 2014, (Symposia), 978-2-84133-484-1. ⟨10.4000/books.puc.7148⟩
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hal-02439938
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The Importance of Being Earnest : liminalités conjugalesPascal Aquien; Xavier Gudicelli. The Importance of Being Earnest d’Oscar Wilde, Presses de la Sorbonne, pp.181-198, 2014, (Mondes anglophones Questions d'agrégation), 978-2-84050-959-2
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hal-02477403
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O’Neill’s Choric Designs in The Iceman ComethSteven F. Bloom. Eugene O’Neill, Salem Press, pp.155-172, 2013, (Critical Insights), 978-1-4298-3727-9
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hal-02439950
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The Woman Who Walked into Doors Set to Music and StagedMusic and the Irish Imagination: Like a Language We Could All Understand, Presses Universitaires de Caen, pp.209-226, 2013, (Symposia), 978-2-84133-429-2. ⟨10.4000/books.puc.7100⟩
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hal-02439951
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The metamorphoses of Enrico IV, or Kilroyandello’s HenryThierry Dubost. Drama Reinvented. Theatre Adaptation in Ireland (1970-2007), 29, P.I.E. Peter Lang, pp.235-253, 2012, (Dramaturgies), 978-90-5201-800-3
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hal-02439963
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The Movie Man: The Failure of Aesthetics?Michael Y. Bennett; Benjamin D. Carson. Eugene O’Neill’s One-Act Plays: New Critical Perspectives, Palgrave Macmillan, pp.67-80, 2012, 978-0-230-33981-1
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hal-02439956
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You Are the Irish Kitchen Maid, Are You not?Eileen J Hermann; Robert Dowling. Eugene O’Neill and His Early Contemporaries. Bohemians, Radicals, Progressive and the Avant-Garde, McFarland, pp.95-109, 2011, 978-0-7864-4557-8
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hal-02477386
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Home away from Home: Greed in Marco MillionsJames Fisher. To Have or Have Not. Essays on Commerce and Capital in Modernist Theatre, McFarland & Company, pp.131-142, 2011, 978-0-7864-4717-6
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hal-02439967
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Les métamorphoses d’Enrico IV, ou Henry de KilroyandelloThierry Dubost. L'adaptation théâtrale en Irlande de 1970 à 2007, Presses Universitaires de Caen, pp.253-273, 2010, (Quæstiones), 978-2-84133-355-4. ⟨10.4000/books.puc.476⟩
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hal-02477384
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Homage to Carthaginia : échos scéniques de Bloody Sunday dans CarthaginiansYann Bevant; Anne Goarzin. Bretagne et Irlande : Pérégrinations. Mélanges à Jean Brihault, TIR; Publication du CRBC Rennes 2, pp.113-132, 2009, 978-2-917681-03-9
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hal-02477377
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Irish and Irish AmericansRobert M. Dowling. Critical companion to Eugene O'Neill : a literary reference to his life and work, Facts on File, pp.629-637, 2009, (Facts on file library of American literature), 0-8160-6675-2
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hal-02477382
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“A kiss is not just a kiss”. Les affleurements de l’intime dans Observe the Sons of Ulster Marching Towards the SommeThierry Dubost; Anne-Catherine Lobo. Regards sur l’intime en Irlande, Presses Universitaires de Caen, pp.225-238, 2008, (Symposia), 978-2-84133-298-4. ⟨10.4000/books.puc.879⟩
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hal-02477363
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We shall eat. We shall drink" Thirst or Eugene O’Neill’s Raft of the MedusaElisabeth Angel-Perez; Alexandra Poulain. Hunger on the Stage, Cambridge Scholars Publishing, pp.212-226, 2008, 9781847185952
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hal-02477372
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<em>The Famine</em> de Hubert O’Grady. Un mélodrame ou le tragique à l’épreuve d’un baume guérisseurBertrand Cardin; Claude Fierorbe. Irlande, écriture et réécritures de la Famine, Presses Universitaires de Caen, pp.101-114, 2007, (Symposia), 978-2-84133-289-2. ⟨10.4000/books.puc.572⟩
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hal-02470486
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Politics in Paratextual and Textual Elements in FencesBárbara Ozieblo; María Dolores Narbona-Carrión. Codifying the National Self: Spectators, Actors and the American Dramatic Text, 17, Peter Lang, pp.201-214, 2006, (Études anglophones ; Série: Dramaturgies), 978-90-5201-028-1
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hal-02477355
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Irish Disconnections with the Former British Empire: Thomas Kilroy’s Adaptation of The SeagullMarc Maufort; Franca Bellarsi. Crucible of Cultures: Anglophone Drama at the Dawn of the New Millenium, 4, Presses interuniversitaires européennes-Peter Lang, pp.151-62, 2002, (Dramaturgies), 9052019827
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hal-02470440
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Two Trains Running, ou le corps féminin déchiréNicole Vigouroux-Frey. Genre et identité dans le théâtre anglophone, Presses universitaires de Rennes, pp.109-119, 2001, (Le spectaculaire), 9782868476067. ⟨10.4000/books.pur.1434⟩
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hal-02478723
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Melting away : fusion impossible dans Conversations with my FatherAlice Mills; Thierry Dubost. Du Dire à l'être. Tensions identitaires dans la littérature nord-américaine, Presses Universitaires de Caen, pp.97-116, 2000, 978-2-84133-099-7
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hal-02470419
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Les voies de la vérité dans Milliards flottants [Buoyant Billions]Thierry Dubost; Paul Brennan. G. B. Shaw : un dramaturge engagé, Presses Universitaires de Caen, pp.99-118, 1998, 978-2-84133-045-4. ⟨10.4000/books.puc.1006⟩
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hal-02470395
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Alayio ou Beneatha ? Esquisse d'une nouvelle définition de soi dans A Raisin in the SunThierry Dubost; Alice Mills. La Femme noire américaine, aspects d’une crise d’identité, Presses Universitaires de Caen, pp.93-107, 1997, 9782841330164
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hal-02470372
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Masques et Miroirs dans A Touch of the PoetJosette Leray. Miroirs et masques dans le monde anglo-saxon, Presses Universitaires de Caen, pp.151-162, 1996, 2-84133-081-8
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hal-02470352
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