Xavier Greffe
Publications
Publications
Théâtres after Covid. Conference Bunka Cho (Ministry of Culture) & National Graduate Institute for Policy Studies, Tokyo2022 |
Arts in The Creative EconomyThe Conference on Creativity in the Digital Age University of Stuttgart, Sep 2021, Sttuttgart, Germany |
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The Economic Value of Museums. Conference on The Museum Economy,,The Louvre Abu DhabiThe economics of museums, Feb 2020, Abu Dhabi, United Arab Emirates |
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Le Louvre-Lens: Un musée pour un territoire créatif?L'anniversaire de Louvre-Lens: 2012-2017, Dec 2017, Lens, France |
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Are French Autographs integrated in the Global Art Market? Estimation of Hedonic Prices 1960-2005Journées de Microéconomie Appliquée 2011, Jun 2011, Sousse, Tunisia |
Maximizing The Impact of Museums for Local Development, OECDOECD. 2020 |
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L'évaluation du musée des confluencesOECD. 2018 |
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Quels designs économiques et financiers des musées face à la raréfaction des ressources publiques?[Rapport de recherche] Université Paris Descartes/CERLIS. 2015 |
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L'empreinte des monuments privés protégés: prospective régionale[Rapport de recherche] Université Paris Descartes/CERLIS et Université Paris 1 /CES. 2015 |
The future of the Museum in the XXIst century: Recent clues from FranceInternational Journal of Museum Management and Curatorship, 2017, 32 (4), p. 319 - 334 |
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The Future of the Museum in the twenty-first century: recent clues from FranceInternational Journal of Museum Management and Curatorship, 2017, 32 (4), pp.319-334. ⟨10.1080/09647775.2017.1313126⟩ |
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Autographs and the global art market: the case of hedonic prices for French autographs (1960–2005)Journal of Cultural Economics, 2016, 40 (4), pp.453-485. ⟨10.1007/s10824-015-9259-0⟩ |
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From Culture to Creativity and the Creative Economy: A New Agenda for Cultural EconomicsCity, Culture and Society, 2016, 2, ⟨10.1016/j.ccs.2015.12.008⟩ |
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L’hébergement, levier de développement des sites patrimoniaux ?Juristourisme : le mensuel des acteurs du tourisme & des loisirs [Juris tourisme], 2015, 3, pp.22-29 |
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Le patrimoine culturel en quête de pertinence économiqueJuris art etc. : le mensuel du droit et de la gestion des professionnels des arts et de la culture, 2014 |
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Intangible Cultural Heritage: Safeguarding for CreativityCity, Culture and Society, 2013 |
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Paradigmas de la patrimonio cultural : Que papel para el desarollo ?Revista de Investigación en Cultura y Desarrollo, 2013 |
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France's achievements in the Preservation of Cultural Heritage over the Past 50 YearsJournal of Cultural Heritage Management and Sustainable Development, 2012 |
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The Economic Impact of The LouvreJournal of Arts Management, Law, and Society, 2011, 41 (2), pp.121-137. ⟨10.1080/10632921.2011.573323⟩ |
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The Economic Assessment of The LouvreJournal of Arts Management, Law, and Society, 2011 |
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Les entreprises culturelles sont-elles soutenables ?Revue d'économie politique, 2010, 120 (1), pp.57-86 |
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L'économie de la culture est-elle particulière ?Revue d'économie politique, 2010, 120 (1), pp.1-34 |
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Cultural Value Logics in a Global Economy: Linking Artists and ArtisansJapanese Cultural Economics Review, 2008, 1, pp.1-9 |
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La survie des nouvelles entreprises culturelles : le rôle du regroupement géographiqueRecherches Economiques de Louvain - Louvain economic review, 2008, 74 (3), pp.327-357 |
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Artistic jobs in a Digital AgeJournal of Arts Management, Law, and Society, 2004, 34 (1), pp.79-94 |
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Are autographs integrating the global art market? The case of hedonic prices for French autographs (1960-2005)2014 |
Why and How Intangible Cultural Heritage Should Be Safeguarded?Mignosa A., Rizzo I. Handbook on the Economics of Cultural Heritage, Edward Elgar, 2013 |
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The Role of Mediated CommunitiesSantagatta Walter, Enrico Bertacchini. Common Goods in Culture, Edward Elgar Publishing, pp.124-138, 2012 |
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The Role of Mediated Communities in Producing and Sharing Digital CulturesBertacchini, Enrico; Bravo, Giangiacomo; Marrelli, Massimo; Santagata, Walter. Cultural Commons: A New Perspective on the Production and Evolution of Cultures, Elgar, pp.197-207, 2012, 978-1-78100-005-2 |
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Du mécanique au numérique : les nouvelles figures de l'artisteL'artiste, un entrepreneur ?, Les impressions nouvelles, pp.124-138, 2011 |
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Why and How Should Intangible Heritage be Safeguarded?Marco Fioravanti, Saverio Mecca. The Safeguard of Cultural Heritage. A Challenge From the Past for the Europe of Tomorrow. COST strategic workshop, July 11th- 13th, 2011, Florence, Italy, Firenze University Press, pp.172-173, 2011 |
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Artisans d’art : Les enjeux du patrimoine culturel immatérielFrançoise Benhamou et David Thesmar. Valoriser le patrimoine culturel de la France, La Documentation française, 2011 |
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Creativity: the Strategic Role of cultural LandscapesLuigi Fusco Girard, Tüzin Baycan Levent et Peter Nijkamp. Sustainable city and creativity: promoting creative urban initiatives, Ashgate, pp.199-222, 2011, 9781409420026 |
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El artista en la era digitalE. Hernadez Pavon. Economia y empleo en la cultura, Universidad de Sevilla y junta de Andalucia, pp.31-45, 2010 |
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Heritage Conservation as a Driving Force for DevelopmentHeritage and Beyond, Council of Europe, pp.101-112, 2009 |
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Le commerce en ligne des œuvres d'artXavier Greffe, Nathalie Sonnac. Culture Web - Création, contenus, économie numérique, Dalloz, pp.343-354, 2008 |
New European Cultural Enterprises in TurmoilH. Anheir, R. Isar. The Cultures and Globarization Series: The Cultural Economy, Booknet (California, USA), pp.210-222, 2008 |
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Le nouveau design institutionnel publicL'avancée des biens publics, Albin Michel, pp.143-166, 2006 |
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Les nouvelles entreprises culturelles : caractères, dynamiques et regroupementsCréation et Diversité au Miroir des Industries Culturelles, La documentation Française, pp.153-192, 2006, Coll. Questions de culture |