Bénédicte Miyamoto
- CREW - Center for Research on the English-speaking World - EA 4399 (CREW)
Publications
Publications
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Materiality of Memorialisation: Mapping Migrant Women's Landmarks in EuropeOpen Research Europe, 2024, 4, pp.234. ⟨10.12688/openreseurope.18433.1⟩ |
Writing Himself into a ProfessionEighteenth-Century Life, 2024, The Manuscript Book in the Long Eighteenth Century, 48 (1), pp.6-27. ⟨10.1215/00982601-10951302⟩ |
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Memorializing Women on the Move: A register of migrant women landmarks in EuropeOpen Research Europe, 2024, 4, pp.109. ⟨10.12688/openreseurope.17052.1⟩ |
Les artistes sont la quintessence du paradigme migratoireCycnos, 2022, Penser l'altérité, 37 (1) |
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WWA Reflection: Continuing to #WriteWithAphraABO: Interactive Journal for Women in the Arts, 1640-1830 , 2021, 11 (2), pp.17. ⟨10.5038/2157-7129.11.2.1285⟩ |
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Colour-Coded Manuscript Maps in the Military EnlightenmentXVII-XVIII Revue de la Société d'études anglo-américaines des XVIIe et XVIIIe siècles , 2021, Cartes et cartographies dans le monde anglophone aux XVIIe et XVIIIe siècles, 78, ⟨10.4000/1718.8039⟩ |
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Significant Red: Watercolour and the Uses of Red Pigments in Military and Architectural ConventionsXVII-XVIII Revue de la Société d'études anglo-américaines des XVIIe et XVIIIe siècles , 2019, La Couleur, 75 |
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Significant Red: Watercolour and the Uses of Red Pigments in Military and Architectural ConventionsXVII-XVIII Revue de la Société d'études anglo-américaines des XVIIe et XVIIIe siècles , 2018, 75, ⟨10.4000/1718.1133⟩ |
Auction HousesOpen-Access DIGITENS Digital Encyclopaedia on Sociability in Europe in the Long Eighteenth Century, 2022 |
Silenced migrants: an interview with David Antonio CruzMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.45-53, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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Photographing migrants and positionality: an interview with Leslie UrenaMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.287-296, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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Business as Usual – the London Art Market and Internationalisation in the Eighteenth CenturyPresses universitaire du Midi. Art et économie - Une histoire partagée, 2021, 978-2-8107-0685-3 |
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Reflections on positionalityMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.297-305, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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Revisioning Art and migrationMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.1-31, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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Portrait of the artist as migrant: an interview with Robyn AslesonMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.166-175, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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Memorable mobilities: an interview with Axel Karlsson RixonMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.54-62, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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Empathy, migration, and art: an interview with Dieter RoelstraeteMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.35-44, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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Stories of Global Displacement: an interview with Massimiliano GioniMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.176-185, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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IntroductionBloomsbury. Art Markets, Agents and Collectors: Collecting Strategies in Europe and the United-States, 1550-1950, Bloomsbury Visual Arts, 2021, 978-1-5013-4887-7. ⟨10.5040/9781501348907.0015⟩ |
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Global and translocal: an interview with Marina GalvaniMiyamoto, B and Ruiz, M. Art and migration: Revisioning the Borders of Community, pp.155-165, 2021, Rethinking Arts Histories, 978-1-5261-4970-1 |
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The Influence of Drawing Manuals on the British Practice and Reception of Fancy PicturesLiverpool University Press. Fancy in Eighteenth-Century European Visual Culture, pp.87-104, 2020, Oxford University Studies in the Enlightenment, 9781789620030 |
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The Shape of KnowledgeForms, Formats and the Circulation of Knowledge, BRILL, pp.1-24, 2020, ⟨10.1163/9789004433670_002⟩ |
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British Buying Patterns at Auction Sales, 1780-1800The Getty Research Institute. London and the emergence of a European art market, 1780-1820, pp.35-51, 2019, 9781606065952 |
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‘Directions to Know a Good Picture’: Marketing National School Categories to the British Public in the ‘Long’ Eighteenth Century.Brill. Art Crossing Borders: The Internationalisation of the Art Market in the Age of Nation States, 1750-1914, 6, , pp. 64-98, 2019, 978-90-04-29199-7 |
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International Dealer Networks and Triangular Art Trade between Paris, Amsterdam and LondonThe Getty Research Institute. London and the Emergence of a European Art Market, 1780-1820, pp.53-65, 2019, 9781606065952 |
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Directions to Know a Good Picture’: Marketing National School Categories to the British Public in the “Long” Eighteenth CenturyJan Dirk Baetens; Lyna Dries. Art Crossing Borders The Internationalisation of the Art Market in the Age of Nation States, 1750-1914, pp.64-98, 2019, ⟨10.1163/9789004291997_004⟩ |
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Making Pictures Marketable’: Expertise and the Georgian Art MarketCharlotte Gould & Sophie Mesplède. Marketing Art in the British Isles, 1700 to the Present. A Cultural History, Routledge, pp.119-133, 2012, 978-1409436690 |
Art & Migration, Revisioning the Borders of CommunityManchester University Press, https://www.jstor.org/stable/j.ctv1p6hpcq, 2021, Rethinking Art's Histories, 978-1-5261-4971-8 |
The Politics of Shame in Artivism2021 |
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Marks in Manual2020 |
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‘Skinner, Julia. Afternoon Tea: A History. Rowman & Littlefield, 2019’2019 |
Forms, Formats and the Circulation of KnowledgeBrill. 2020, Library of the Written Word - The Handpress World,, 978-90-04-43367-0 |