Daniel Yabut
- Institut de recherche sur la Renaissance, l'Age Classique, et les Lumières. (IRCL)
- Université Paul-Valéry - Montpellier 3 (UPVM)
- Centre National de la Recherche Scientifique (CNRS)
Publications
Publications
The Punctuation of Shakespeare and His Contemporaries in Manuscript and Print: A History and GuideBloomsbury Arden Shakespeare, In press |
‘“Julius Caesar” acted by the Mammets’: Puppets on Early Modern English Professional StagesDidier Plassard; Carole Guidicelli. Literary Writing for Puppets and Marionettes in Western Europe (17th–21st c.), PULM, In press |
|
‘Take some part in this booke and act it’: Amateur Actor’s Parts and Professional DramaAmrita Sen; Jennifer Linhart Wood. Early Modern Performance Beyond the Public Stage: Extra-Theatrical Forms and Spaces, Bloomsbury, 2025, 9781350367968 |
|
Creative Marking: Middleton’s and Crane’s Punctuation in ‘A Game at Chesse’William David Green; Anna L. Hegland; Sam Jermy. The Theatrical Legacy of Thomas Middleton, 1624–2024, Routledge, pp.26-48, 2024, 9781032556093 |
|
‘Henry V’: A Guide to Early Printed EditionsSujata Iyengar; Nathalie Vienne-Guerrin. Focus on 'Henry V': Navigating Digital Text, Performance, & Historical Resources, Scalar, 2019 |
Interview with Kimberley Sykes, theatre directorCahiers Élisabéthains : A Journal of English Renaissance Studies, In press, 117 (1) |
|
Interview with Mervyn Millar, designer and director of puppetsCahiers Élisabéthains : A Journal of English Renaissance Studies, In press, 117 (1) |
|
Shakespeare emerging from global lockdown: ‘What Country (Friends) is this?’Cahiers Élisabéthains : A Journal of English Renaissance Studies, 2022, 109 (1), pp.158-161. ⟨10.1177/01847678221139398⟩ |
|
Book review: Shakespeare's Accents: Voicing Identity in Performance by Sonia MassaiCahiers Élisabéthains : A Journal of English Renaissance Studies, 2021, 106 (1), pp.119-122. ⟨10.1177/01847678211039874c⟩ |
|
|
|
Book review: Still Shakespeare and the Photography of Performance by Sally BarndenCahiers Élisabéthains : A Journal of English Renaissance Studies, 2021, 104 (1), pp.141-145. ⟨10.1177/0184767821989561h⟩ |
Shakespeare under global lockdown: reviewsCahiers Élisabéthains : A Journal of English Renaissance Studies, 2020, 103 (1), pp.112-206. ⟨10.1177/0184767820946175⟩ |
|
|
|
Shakespeare under global lockdown: introductionCahiers Élisabéthains : A Journal of English Renaissance Studies, 2020, 103 (1), pp.101-111. ⟨10.1177/0184767820946173⟩ |
Book review: Unearthing Shakespeare: Embodied Performance and the Globe by Valerie Clayman PyeCahiers Élisabéthains : A Journal of English Renaissance Studies, 2017, 94 (1), pp.165-166. ⟨10.1177/0184767817723800c⟩ |
Revise and resubmit? The curious case of 'Callisto, or The Escapes of Jupiter’Shakespeare Association of America 2024 Annual Meeting, Shakespeare Association of America, Apr 2024, Portland (Oregon), United States |
|
Statistics, stylometrics, and Middleton’s ‘Chesse’: attempting to solve an early modern numbers gameShakespeare Association of America 2023 Annual Meeting, Shakespeare Association of America, Mar 2023, Minneapolis, United States |
|
‘Speake the Speech I pray you’: Hamlet’s advice to the playersArrêt sur ‘Hamlet’ / Scene Focus on ‘Hamlet’: The play‘s the thing, Université Paul-Valéry Montpellier 3; Université Toulouse 2 Jean-Jaurès, Feb 2023, Montpellier, France |
|
‘But do you play it according to the printed book?’ Identifying traces of playhouse provenance in early modern printed playtextsEuropean Shakespeare Research Association Conference 2023, European Shakespeare Research Association, Jul 2023, Budapest, Hungary |
|
‘[L]et your owne Discretion be your Tutor’: acting pointers from early printed and manuscript playbooksShakespeare Association of America 50th Annual Meeting, Shakespeare Association of America, Apr 2022, Jacksonville, United States |
|
Rethinking polyglossia in early modern playbooksRenaissance Society of America Virtual 2021, Renaissance Society of America, Apr 2021, Virtuel - Online, United States |
|
Acting (a)part : les rôles sous forme manuscrite dans le théâtre de la Renaissance anglaiseSéminaire transversal IRCL (XVIe–XVIIIe siècles) : Circulation des modèles et des œuvres dans l’Europe, Mar 2021, Montpellier (en ligne), France |
|
‘j dragon in Fostus’: Exploring the use of puppets in ‘Doctor Faustus’ and other early modern plays outside of Jonson’s corpusLiterary writing for puppets and marionettes in Western Europe (17th–21st centuries), PuppetPlays (European Research Council project, G.A. 835193), Oct 2021, Montpellier, France |
|
Edward Knight’s dramatic punctuationShakespeare Association of America 2019 Annual Meeting, Shakespeare Association of America, Apr 2019, Washington (District of Columbia), United States |
|
Comment aborder les livres imprimés et les manuscrits de la Renaissance comme des objets ?Conférences inaugurales de l’IRCL, Institut de recherche sur la Renaissance, l’âge Classique et les Lumières, Feb 2019, Montpellier, France |
|
‘Some necessary point in the play’: the role of punctuation in woodcuts and engravings in early modern playtextsMaking Connections: Early Modern Texts and Cultures, London Shakespeare Centre; Shakespeare’s Globe, Feb 2018, London, United Kingdom |
|
The publishing history of Shakespeare’s ‘Henriad’Shakespeare Summer School, University of Queensland; Université Paul-Valéry Montpellier 3, Jul 2018, Montpellier, France |
|
Standing upon points: the role of punctuation in early modern actors’ partsBritish Shakespeare Association 2018 Conference, British Shakespeare Association, Jun 2018, Belfast (Northern Ireland), Ireland |
Middleton’s Endgame panel discussionBeyond Shakespeare Podcast, 2024 |
|
Episode 242: This is ... 1583: A Year in TheatreBeyond Shakespeare Podcast, 2021 |