David Bousquet
Publications
Publications
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Cultural Diversity and Popular Music in the UKE-rea - Revue électronique d’études sur le monde anglophone, 2025, 22.2, ⟨10.4000/144q2⟩ |
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Avant-proposAmnis - Revue de civilisation contemporaine, Europe/Amériques, 2024, 3, ⟨10.4000/amnis.8558⟩ |
IncluKIT (Inclusive Intercultural Communication - KIT)Mainzer Kontaktstudium Geographie, 2024, 23, pp.62-69 |
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Judith Misrahi-Barak, Entre Atlantique et océan Indien : Les voix de la Caraïbe anglophoneMiranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2022, 26, ⟨10.4000/miranda.50868⟩ |
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Innovations, Reinvented Politics and Representative DemocracyJournal of Contemporary European Studies, 2022, 30 (3), pp.582-583. ⟨10.1080/14782804.2022.2053824⟩ |
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Peuple et populisme, identité et nation. Quelle contribution à la paix ? Quelles perspectives européennes ?ET-Studies, 2022, 13 (1), pp. 173-175 |
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Scammer’s Yard: the crime of Black repair in JamaicaEthnic and Racial Studies, 2022, 45 (8), pp.1558-1560. ⟨10.1080/01419870.2021.1948583⟩ |
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Entretien avec Claude Chastagner au sujet de son livre Des barrios aux bayous : Musique populaire et identités aux États-Unis (Presses Universitaires de Bordeaux, 2022)Transatlantica. Revue d'études américaines/American Studies Journal, 2022, 2, ⟨10.4000/transatlantica.19693⟩ |
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From Ivory Tower to Social Arena :Language and Intercultural Communication, 2021, 21 (6), pp.711-716. ⟨10.1080/14708477.2021.1999096⟩ |
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Dis poem is still not written." A Study of Diamesic Variation in Jamaican Dub PoetryRecherches Anglaises et Nord Americaines, 2020, Internal Variation: A Special Focus on Diamesic Variation, 53, pp.57-67. ⟨10.4000/ranam.718⟩ |
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Staging American Nights : Représentations de l’intime et mises en scène de la nuit aux AmériquesMiranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2020, Staging American Nights : Représentations de l’intime et mises en scène de la nuit aux Amériques, 20, https://journals.openedition.org/miranda/22874. ⟨10.4000/miranda.24086⟩ |
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« It Dread Inna Inglan », une chronique des luttes des Antillais au Royaume-Uni dans les poèmes de Linton Kwesi JohnsonHommes et migrations, 2019, Londres et ses migrations, 2019/3 (N°1326), pp.26-34 |
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Conscious Entertainment: Commitment in the Reggae Lyrics of Clinton Fearon and ProtojeCommonwealth Essays and Studies, 2016, Commitment, 38 (1), pp.67. ⟨10.4000/ces.4964⟩ |
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Softening upon Adsorption in Microporous Materials: A Counterintuitive Mechanical ResponseJournal of Physical Chemistry Letters, 2015, 6 (21), pp.4265-4269. ⟨10.1021/acs.jpclett.5b01965⟩ |
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Dis poem shall call names names": Naming in reggae culture, the example of dub poetryCommonwealth Essays and Studies, 2013, 36 (1), pp.45-55. ⟨10.4000/ces.5274⟩ |
The French sound system boom in the 21st century between authenticity and innovation8th Global Reggae Conference, Institute of Caribbean Studies, Unversity of the West Indies, Feb 2024, Kingston, Jamaica |
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Studying reggae/dancehall sound systems in French academiaEmbodied Methodologies, University of the West Indies; University of Aberdeen; Goldsmiths, University of London, Dec 2024, En ligne, France |
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IncluKITSIETAR Europa Congress, SIETAR Europa, Jun 2024, Lille, France |
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Borders in Jamaican Popular MusicCongrès de la SAES, Atelier Musique et Culture(s) Anglophone(s), SAES, May 2024, Nancy, France |
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IncluKITSIETAR France Symposium, SIETAR France, Jun 2023, Montpellier, France |
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Reggae Beyond Borders: Fault Lines in Jamaican Popular MusicCongrès de la SAES, Atelier Musique et Culture(s) Anglophone(s), Jun 2022, Clermont-Ferrand, France |
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Inna de Yard: Capturing the Soul of Jamaican Music7th Global Reggae Conference, Institute of Caribbean Studies, Reggae Studies Unit, University of the West Indies, Feb 2022, Kingston, Jamaica |
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The Roots and Routes of Reggae: Textual, Cultural and Physical Mobility in Jamaican Popular MusicBlack Mobilities in the Atlantic World, Institute for Black Atlantic Research, University of Central Lancashire, Jan 2022, Preston, United Kingdom, United Kingdom |
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Critical approaches to cultural identities in the public sphere: Assessing and reducing the gap between academic and public discourses8th European Communication Conference (ECREA), Sep 2021, Braga, Portugal |
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Reggae Revival: the many rebirths of Jamaican popular musicCongrés de la SAES, Atelier Musique et Culture Anglophone, Jun 2021, Tours, France |
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‘Word Sound Have Power’: Poetics and Politics in Afro-Caribbean Poetry and Popular MusicSéminaire CECILLE Poïétique et politique / Politique de la littérature, Oct 2021, Lille, France |
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From exception to rule: Dub and the birth of electronic musicCongrés de la SAES, Atelier Musique et Culture Anglophone, Jun 2019, Aix en Provence, France |
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“Reggae Ambassadors”: The Growing Importance of France in Reggae’s Global Economy6th Global Reggae Conference, Feb 2019, Kingston, Jamaica |
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Doing (No) Good? Specialist and non-Specialist Perspectives on Applied InterculturalismIALIC 2018 – THE 'GOOD' INTERCULTURALIST, Fred Dervin, Aug 2018, Helsinki, France |
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ʺDis poem is still not writtenʺ: A study of diamesic variation in Afro‐Caribbean oraliterary poetryInternal Variation, Dec 2018, Strasbourg, France |
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“Whey Mi Belang”: Borders of Class, Race and Gender in Reggae Lyrics and Afro-Caribbean Oral TextsNegotiating, Subverting, Reconfiguring Borders in the English-Speaking World, Oct 2018, Strasbourg, France |
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“Don’t Call Us Immigrants”: The Musical and Political Legacy of Reggae in the UKWindrush (1948) and Rivers of Blood (1968): Legacy and Assessment, May 2018, Amiens, France |
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Rebel Music": Reggae's Revolutionary EthosCongrés de la SAES, Atelier Musique et Culture Anglophone, Jun 2018, Nanterre, France |
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Word Sound Have Power : enjeux éthiques dans la poésie jamaïcaine et anglo-jamaïcaine d'inspiration rastafarienneLa littérature antillaise sous l’angle du rapport Esthétique et Ethique, Mar 2017, Bordeaux, France |
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“Silence in Our Screams”: The Aesthetics Of Silence in Dub and Reggae PoetryAu bord des mots : Formes et expressions du silence dans la poésie des Amériques, Mar 2017, Toulouse, France |
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“A Modern Slave Song:” Reggae Music and the Memory of SlaveryTraces and Memories of Slavery in the Atlantic World, Dec 2016, Montpellier, France |
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Le reggae et les scènes musicales alternatives britanniques : influences et confluencesCongrès de la SAES, Atelier Musique et Culture Anglophone, Jun 2016, Lyon, France |
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Reggae Outernational: Borders and Trans/national Identity In Jamaican Popular MusicBorders and areas of contact in Anglophone cultures, literatures, and art, Nov 2016, Strasbourg, France |
Challenging the dichotomy of (anti-)essentialismFred Dervin. The Routledge Handbook of Critical Interculturality in Communication and Education, Routledge, pp.347-361, 2024, ⟨10.4324/9781003513940⟩ |
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Studio One Presents Burning SpearEric Doumerc. Burning Spear, APS Books, 2023 |
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Head to Head ClashEric Doumerc. I-Roy, APS Books, 2022 |
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Reggae Outernational: Borders and Trans/National Identity in Jamaican Popular MusicReading(s) / across / Borders, Brill / Rodopi; Leiden & Boston, pp.209-229, 2020 |
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Don't Call Us Immigrants": The musical and political legacy of reggae in BritainWindrush (1948) and Rivers of Blood (1968): Legacy and Assessment, Routlegde, pp.135-149, 2020 |
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“Sometimes I Wanda/Who Will Translate/Dis/Fe de Inglish?” Strategies for Transcribing Jamaican Creole in the Dub Poems of Linton Kwesi Johnson and Benjamin ZephaniahNo Dialect Please, You're a Poet, Routledge, pp.165-178, 2019, 9780429289996 |
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“A Modern Slave Song:” Reggae Music and the Memory of SlaveryTraces and Memories of Slavery in the Atlantic World, Routledge, pp.281-294, 2019, 9780367321277 |
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Bass Culture: The Politics of Authenticity in the World of Jamaican Sound SystemsThe Déjà-Vu and The Authentic: Reprise, Recycling and Recuperating in Anglophone Literature and Culture, Cambridge Scholars Publishing, pp.117-124, 2012, 978-1-4438-3929-7 |
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Poet and the Roots: Authenticity in the works of Linton Kwesi Johnson and Benjamin ZephaniahThe Aesthetics of Authenticity: Medial Constructions of the Real, Transcript Verlag, pp.187-206, 2012, 978-3-8394-1757-7 |
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Désobéissance civile, espaces militants et pratiques collaboratives. Approches croisées Europe/AmériquesAmnis - Revue de civilisation contemporaine, Europe/Amériques, 3, 2024, ⟨10.4000/amnis.8557⟩ |
Staging American Nights: Représentations de l’intime et mises en scène de la nuit aux AmériquesMiranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 20, 2020, Staging American Nights: Représentations de l’intime et mises en scène de la nuit aux Amériques |
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Silences croisés contemporainsTextes & Contextes, 14.1, 2019 |
La retorica populista juega con las emociones2023 |
Emotions, stratégies politiques et engagement citoyenAcademia, pp.245, 2022 |