Everardo Reyes
- Laboratoire Paragraphe (PARAGRAPHE)
- Université Paris 8 (UP8)
Publications
Publications
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The Next 50 Years: collecting and sharing community messagesSA '24: SIGGRAPH Asia 2024 Art Papers, ACM SIGGRAPH Asia, Dec 2024, Tokyo, Japan. pp.1-4, ⟨10.1145/3680530.3695441⟩ |
Les frontières des sémiosphères numériquesActes du 5ème colloque international sur les frontières numériques, Imad Saleh; Samuel Szoniecky; Malek Ghenima, Jun 2023, Hammamet, Tunisie. pp.399-412 |
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Existences numériques : vivant, art et technologie Digital existences: living, art, and technologyExistences collectives : Perspectives sémiotiques sur la sociabilité animale et humaine, Everardo Reyes; Pauline Hachette; Denis Bertrand, Oct 2022, Saint-Denis, France |
The Visio Journal: history and discussion of an ongoing digitization project13ème congrès de l’Association Internationale de Sémiotique Visuelle /International Association for Visual Semiotics, Association Internationale de Sémiotique Visuelle /International Association for Visual Semiotics, Sep 2023, Bogota, France |
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Media visualization of SIGGRAPH Art ShowsCultural Data Analytics Conference 2023 / CUDAN 2023, Dec 2023, Tallinn, Estonia |
Semiobots, platfospheres, and sign experiments: New challenges in understanding digital communication15th World Congress of Semiotics :Semiotics in the Lifeworld, Aug 2022, Thessaloniki, Greece |
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TABLE-RONDE : MÉDIATECTUREIBSIC - Image Beyond the Screen International Conference Conférence video mapping, Oct 2021, Wallers-Arenberg, France |
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EUR ArTeC: Networking for Art, Science, Technology, and Humanities through Hydrology of MediaInternational Symposium on Electronic Art (ISEA), Oct 2020, Montreal, Canada |
Living on the WebWS.3 2020: International conference on Web Studies, Oct 2020, Hammamet, Tunisia. pp.1-2, ⟨10.1145/3423958.3423968⟩ |
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ACM SIGGRAPH Art Papers Programs 2019-2020International Symposium on Electronic Art (ISEA 2019), Jun 2019, Gwangju, South Korea |
Algunas prácticas de programación artísticaCiclo de conferencias Secuencia II, Animation et art numérique, Universidad Siglo XXI, Jul 2017, Toluca, México |
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Visualizing cultural data setsNew Perspectives in the Digital Humanities Conference, May 2017, Londres, United Kingdom |
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Visualization Models and Supports for Cultural Data SetsColloquium Visualization Strategies for the Digital Humanities, Sep 2017, Zurich, Switzerland |
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A distant reading of Greimas’ Dictionnaire13th World Congress of Semiotics (IASS), Jun 2017, Kaunas, Lithuania |
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Mapping transparency issues in design and technology. Wikipedia Case Study.Interface Politics Conference, Apr 2016, Barcelone, Spain |
From scientific images to Cultural Analytics11th Statutory Conference of the International Association for Visual Semiotics (AISV/IASV), Sep 2015, Liège, Belgium |
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Motion structures: aesthetics of spatial and temporal transformations7th international celebration of interactive media art re-new 2013, Oct 2013, Copenhague, Denmark |
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Towards normalization in e-learning for collaborative work environmentsConférence "L'information numérique et les enjeux de la société de l'Information", Tunis, 14-16 avril 2005, Nov 2005 |
Using Multimedia in E-Learning, a New Role for Teachers?IFIP World Computer Congress, TC 3, 2004, Boston,, United States |
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USING MULTIMEDIA IN E-LEARNING, A NEWIFIP TC3 Technology Enhanced Learning Workshop (Tel'04), World Computer Congress, 2004, Toulouse, France, France |
Existences collectives. Perspectives sémiotiques sur les formes de sociabilité animale et humaineExistences collectives Perspectives sémiotiques sur les formes de sociabilité animale et humaine, Fabula. Colloques en ligne, 2023 |
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DTUC '20: Proceedings of the 2nd International Conference on Digital Tools & Uses CongressACM, 2020, 978-1-4053-7753-9. ⟨10.1145/3423603⟩ |
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WS.3 2020: Proceedings of the 3rd International Conference on Web StudiesWS.3 2020: International conference on Web Studies, Hammamet, France. ACM, 2020, ⟨10.1145/3423958⟩ |
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DTUC '20: Proceedings of the 2nd International Conference on Digital Tools & Uses CongressDTUC '20: Digital Tools & Uses Congress, Virtual Event Tunisia, France. ACM, 2020, ⟨10.1145/3423603⟩ |
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Seeing through the web: tools, practices, and impactsACM SIGWEB in-cooperation. 2nd edition of the international conference on Web Studies, 2018, 978-1-4503-6438-6/18/10 |
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DTUC '18: Proceedings of the 1st International Conference on Digital Tools & Uses CongressACM Press, 2018, 978-1-4503-6451-5. ⟨10.1145/3240117⟩ |
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Archiving and Questioning Immateriality5th Computer Art Congress [CAC.5], europia productions, 2016, 979-10-90094-23-9 |
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Web Studies. Proceedings of the 1st. international congress2010 |
Special issue on Web StudiesInternational Journal of Design Sciences and Technology, 2023 |
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Existences collectives, 2022, 9782370590145 |
What makes an Image? Inscriptions, digital spaces and forms2020 |
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Faire image : inscriptions, espaces et formes numériques2020 |
The Image-Interface: Graphical Supports for Visual InformationJohn Wiley & Sons, Inc.; ISTE, 2017 |
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Designing Interactive Hypermedia SystemsJohn Wiley & Sons, Inc., 2017 |
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Design de systèmes hypermédia interactifs2017, 978-1-78405-264-5 |
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Emerging forms of computer art: making the digital sense. Proceedings of the 2nd International Computer Art Congress (CAC.2)Europia, 2008, 978-2-909285-45-6 |
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Sémiotique et culture numérique : systèmes d'information comme terrain d'analyseAmir Biglari. La Sémiotique et ses horizons, L'Harmattan, pp.413-426, 2025, 978-2-336-51499-4 |
Cultural and citizen engagement - A cross-disciplinary and cross-cultural participatory design learning caseFrancesca Spigarelli; Louise Kempton; Lorenzo Compagnucci. Entrepreneurship and digital humanities: the role of university in shaping the future of labour, Edward Elgar Publishing, pp.167 - 183, 2024, 978-1-03533-185-7 |
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PréfaceLes futurs de l’université : Personnalisation, modularisation, hybridation, pp.7, 2023, 978-2-37059-015-2 |
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Visualité urbaine et dispositifs techniques : une approche hydrologique-artistiqueAnne Beyaert-Geslin. L'urbanité de l'art. Questions sémiotiques, PULIM, pp.253-266, 2023, 978-2-84287-870-2 |
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Vers une cartographie de réseaux émotionnelsPresses universitaires Savoie Mont Blanc. Cartographies sensibles, pp.194-215, 2023, 9782377410804 |
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Messages vers le futurLauren Lee McCarthy; Casey Reas. 20th Anniversary Community Catalog, The Processing Foundation, pp.765, 2022, 978-0-9998813-2-3 |
“Introduction”Octaviana Bibliothèque numérique Paris 8. What Makes an Image? Inscriptions, digital spaces and forms,, pp.1-12, 2020 |
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Design by disruptionMorehshin Allahyari; Daniel Rourke. The 3D Additivist Cookbook, The Institute of Network Cultures, pp.65-66, 2016, 978-94-92302-10-6 |
L'hypermédia au service du travail collaboratifLes hypermédias : conception et réalisation, 2005 |
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De l'hypertexte à l'hypermédiaHypermedias : conception and production, 2005, 2-7462-1037-1 |
Research Project - HOM -Hydrology of Media2024 |
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Driss Ablali et Éric Bertin (éds.) Sociabilités numériques, Louvain-la-Neuve, Academia/L’Harmattan, 20202021 |
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Viande(s). Stéréotypies sémiotiques et inquiétudes culturelles2019 |
L’interface et ses médiations politiques : Alexander Galloway, The Interface Effect, Polity Press, 20122013 |
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Superquadratics Animation2013 |
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L’image-interface : Approche sémio-technique des objets hypermédiaSciences de l'information et de la communication. Paris VIII - Vincennes à Saint-Denis, 2019 |
Poèmes Stein graphiques2014 |