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Hélène Charlery

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Documents

Publications

« Get him Grandpa » : féminité et blanchité dans "Get Out" de Jordan Peele (2017)

Hélène Charlery
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2022, Representing Whiteness in US Film and Television, 24, ⟨10.4000/miranda.43675⟩
Journal articles hal-04318614v1

'Queen of the fields': Slavery’s Graphic Violence and the Black Female Body in "12 Years a Slave" (Steve McQueen, 2013)

Hélène Charlery
Transatlantica. Revue d'études américaines/American Studies Journal, 2018, 1, ⟨10.4000/transatlantica.12453⟩
Journal articles hal-04318583v1

HBO’s Black Women Artist Biopics: "The Josephine Baker Story" and "Introducing Dorothy Dandridge"

Hélène Charlery
Revue LISA / LISA e-journal, 2016, vol. XIV-n°2, ⟨10.4000/lisa.8993⟩
Journal articles hal-04318594v1

L'action en noir et au féminin dans "New York Taxi" (Tim Story, 2004) 

Hélène Charlery
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2016, 12, ⟨10.4000/miranda.8552⟩
Journal articles hal-04318605v1

Burning Mississippi: Race, Fatherhood and the South in "A Time to Kill" (1996)

Hélène Charlery
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2011, South and Race / Staging Mobility in the United States, 5, ⟨10.4000/miranda.2343⟩
Journal articles hal-04318635v1

Images on the Move: Circulations and Transfers in film

Hélène Charlery , Marie Bouchet , Zachary Baqué , Cristelle Maury
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 10, 2014, ⟨10.4000/miranda.6144⟩
Special issue hal-04318336v1

‘Everybody needs to see this’ : la télévision dans les films du mouvement des droits civique

Hélène Charlery
Lawrence Aje; Nathalie Dessens; Nicolas Gachon; Anne Stefani. Regards croisés sur la (post)racialité aux États-Unis, Presses Universitaires du Midi, pp.111-132, 2021
Book sections hal-04318255v1

‘Always Take Care of Ganja’: Intersectional and Postfeminist Contradictions in "Da Sweet Blood of Jesus" (Spike Lee, 2014)

Hélène Charlery
Cristelle Maury; David Roche. Women Who Kill: Gender and Sexuality in Film and Series of the Post-feminist Era, Bloomsbury, pp.226-242, 2020
Book sections hal-04318268v1

Lee Daniels’ "The Butler": From the Headlines to the Front Line

Hélène Charlery
Armelle Prey; Shannon Wells-Lassagne. Adapting Ending from Book to Screen, Routledge, pp.72-85, 2019
Book sections hal-04318293v1