Hélène Charlery

27
Documents

Publications

Publications

Can You Sell an Intersectional Narrative in the Early 2010s? The Case of Dee Rees’s Pariah (2011)

Hélène Charlery
Revue Française d'Etudes Américaines, 2024, Mainstreaming Intersectionality in Contemporary Cinema and Television, 4 (181), pp.14-35
Article dans une revue hal-04820624 v1

Introduction: Mainstreaming Intersectionality in Contemporary Cinema and Television

Hélène Charlery , Mikaël Toulza
Revue Française d'Etudes Américaines, 2024, 4 (181), pp.3-13
Article dans une revue hal-04820617 v1

« Get him Grandpa » : féminité et blanchité dans "Get Out" de Jordan Peele (2017)

Hélène Charlery
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2022, Representing Whiteness in US Film and Television, 24, ⟨10.4000/miranda.43675⟩
Article dans une revue hal-04318614 v1

Queen of the fields': Slavery’s Graphic Violence and the Black Female Body in "12 Years a Slave" (Steve McQueen, 2013)

Hélène Charlery
Transatlantica. Revue d'études américaines/American Studies Journal, 2018, 1, ⟨10.4000/transatlantica.12453⟩
Article dans une revue hal-04318583 v1

L'action en noir et au féminin dans "New York Taxi" (Tim Story, 2004)

Hélène Charlery
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2016, 12, ⟨10.4000/miranda.8552⟩
Article dans une revue hal-04318605 v1

HBO’s Black Women Artist Biopics: "The Josephine Baker Story" and "Introducing Dorothy Dandridge

Hélène Charlery
Revue LISA / LISA e-journal, 2016, vol. XIV-n°2, ⟨10.4000/lisa.8993⟩
Article dans une revue hal-04318594 v1

Burning Mississippi: Race, Fatherhood and the South in "A Time to Kill" (1996)

Hélène Charlery
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 2011, South and Race / Staging Mobility in the United States, 5, ⟨10.4000/miranda.2343⟩
Article dans une revue hal-04318635 v1

“‘It won’t happen to you, so you can laugh’: The Spectacle of White Masculinity in Watermelon Man”

Hélène Charlery
Melvin Van Peebles Symposium, Ohio Wesleyan University, Mar 2023, Delaware, United States
Communication dans un congrès hal-04859625 v1

“(Not so) Accidentally Black and Female? Intersectionality in Ava DuVernay's I Will Follow (2010)?”

Hélène Charlery
Colloque « Minority Voices in English-Speaking Cinema and Television », Mikaël Toulza, Université de Lille, Oct 2023, Lille, France
Communication dans un congrès hal-04852891 v1

“‘To hell with it—I’m going to build my own table.’ Ava DuVernay’s activist distribution and crewing models”

Hélène Charlery
Congrès de la SAES 2023, Université de Rennes, Jun 2023, Rennes, France
Communication dans un congrès hal-04852892 v1

Discussing the Margin-Center Paradigm with Ava DuVernay's 'Middle of Nowhere

Hélène Charlery
Conférence de la SERCIA, SERCIA, Sep 2023, Aubervilliers & Paris, France
Communication dans un congrès hal-04774633 v1

“Voting Rights and Political Empowerment: an Intersectional Analysis of Mrs. America’s First Season (2020)”

Hélène Charlery
“Women Suffrage in the United States: Laws, Practices and Representations (19th-21st centuries), Université du Mans, Feb 2022, En ligne, France
Communication dans un congrès hal-04859620 v1

Don’t Believe the Hype: représentations et récits linéaires dans 13th (2016) et When They See Us (2019)

Hélène Charlery
Portraits croisés d’Afro-américains et de peuples autochtones en Amérique, UT2J CAS, Oct 2022, Toulouse, France
Communication dans un congrès hal-04853536 v1

Black feminism and complex gender identities in Ava DuVernay's Queen Sugar (S01)

Hélène Charlery
JE Feminism and TV Series, Aix-Marseille-Université-UT2J, Oct 2022, Aix (Aix-Marseille Université), France
Communication dans un congrès hal-04853535 v1

“The Representations of Black women in 21st century historical films: the case of Harriet (Kasi Lemmons, 2019)”

Hélène Charlery
Black Women’s Activism in the Americas, Annual Conference. Society for History of Women in the Americas, Jul 2022, Londres, United Kingdom
Communication dans un congrès hal-04859667 v1

“Re-presenting Rebellion on Screen: Intersectional Past and Present Agency in Harriet (Kasi Lemmons, 2019) and Antebellum (Gerard Bush and Christopher Renz, 2020)”

Hélène Charlery
Colloque international, Mise en scène de la rebellion dans les Amériques, Université Toulouse Jean Jaurès -CAS, Mar 2022, Toulouse, France
Communication dans un congrès hal-04859621 v1

Discussing Feminisms in Katia von Garnier's Iron Jawed Angels (2004)”

Hélène Charlery
Remembering Women’s Suffrage Struggles in the Atlantic World, Université Toulouse Jean Jaurès-CAS, Dec 2022, Toulouse, France
Communication dans un congrès hal-04859627 v1

In-between: Black feminism(s), workplaces and romances in Issa Rae's first season of Insecure (2016)”.

Hélène Charlery
“Researching the Influence of Feminist Film Theory on 21st Century Films and TV Series”, Université Toulouse Jean Jaurès, Nov 2021, Toulouse, France
Communication dans un congrès hal-04859664 v1

Compte rendu de lecture : Black Feminism Reimagined After Intersectionality, par Jennifer Nash

Mikaël Toulza , Hélène Charlery
Séminaire "Les Jeudis du Genre", Nov 2020, Toulouse, France
Communication dans un congrès hal-04146115 v1

“Contemporary African American Women Filmmakers and the Memory of Trauma”

Hélène Charlery
JE “African American Memories”,, Université Toulouse Jean Jaurès-CAS, Mar 2020, Toulouse, France
Communication dans un congrès hal-04859671 v1

Mainstreaming Intersectionality in Contemporary Cinema and Television

Hélène Charlery , Mikaël Toulza
Revue Française d'Etudes Américaines, 4 (181), 2024
N°spécial de revue/special issue hal-04820611 v1

Images on the Move: Circulations and Transfers in film

Hélène Charlery , Marie Bouchet , Zachary Baqué , Cristelle Maury
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 10, 2014, ⟨10.4000/miranda.6144⟩
N°spécial de revue/special issue hal-04318336 v1

Racial Bodies in Kathryn Bigelow’s "Strange Days

Hélène Charlery
Marianne Kac-Vergne; Julie Assouly. From the Margins to the Mainstream: Women in Film and Television, Bloomsbury, pp.113-132, 2022
Chapitre d'ouvrage hal-04318241 v1

‘Everybody needs to see this’ : la télévision dans les films du mouvement des droits civique

Hélène Charlery
Lawrence Aje; Nathalie Dessens; Nicolas Gachon; Anne Stefani. Regards croisés sur la (post)racialité aux États-Unis, Presses Universitaires du Midi, pp.111-132, 2021
Chapitre d'ouvrage hal-04318255 v1

‘Always Take Care of Ganja’: Intersectional and Postfeminist Contradictions in "Da Sweet Blood of Jesus" (Spike Lee, 2014)

Hélène Charlery
Cristelle Maury; David Roche. Women Who Kill: Gender and Sexuality in Film and Series of the Post-feminist Era, Bloomsbury, pp.226-242, 2020
Chapitre d'ouvrage hal-04318268 v1

Lee Daniels’ "The Butler": From the Headlines to the Front Line

Hélène Charlery
Armelle Prey; Shannon Wells-Lassagne. Adapting Ending from Book to Screen, Routledge, pp.72-85, 2019
Chapitre d'ouvrage hal-04318293 v1