Jean-Michel Ganteau
Présentation
Jean-Michel Ganteau is Professor of Contemporary British Literature at the University Paul Valéry Montpellier 3 (France) and a member of the Academia Europaea. He is the editor of the journal Études britanniques contemporaines. He is the author of four monographs: David Lodge: le choix de l’éloquence (2001), Peter Ackroyd et la musique du passé (2008) and The Ethics and Aesthetics of Vulnerability in Contemporary British Literature (2015), The Poetics and Ethics of Attention in Contemporary British Narrative (2023). He is also the editor, with Christine Reynier, of four volumes of essays: Impersonality and Emotion in Twentieth-Century British Literature (Publications Montpellier 3, 2005), Impersonality and Emotion in Twentieth-Century British Arts (Presses Universitaires de la Méditerrannée, 2007), Autonomy and Commitment in Twentieth-Century British Literature (PULM, 2010) and Autonomy and Commitment in Twentieth-Century British Arts (PULM, 2011). He has also co-edited, with Susana Onega, The Ethical Component in Experimental British Fiction since the 1960s (Cambridge Scholars Publishing, 2007), Ethics and Trauma in Contemporary Narrative in English (Rodopi, 2011), Trauma and Romance in Contemporary British Literature (Routledge, 2012), Contemporary Trauma Narratives: Liminality and the Ethics of Form (Routledge, 2014), Victimhood and Vulnerability in 21st Century Fiction (Routledge, 2017), Transcending the Postmodern. The Singular Response of Literature to the Transmodern Paradigm (Routledge, 2020), and The Poetics and Ethics of (Un-)grievability in Contemporary Anglophone Fiction (Routledge, 2022). He has published extensively on contemporary British fiction, with a special interest in the ethics of affects, trauma criticism and theory, and ethics of vulnerability and the ethics of attention, in France and abroad (other European countries, the United States), as chapters in edited volumes or in such journals as Miscelánea, Anglia, Symbolism, The Cambridge Quarterly, and so on.
Publications
Publications
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King: A Street Story and the Ethics of AttentionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2023, 65, ⟨10.4000/ebc.13994⟩ |
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The Great Chain of Vibrancy: Scalar Remanences in Contemporary Climate Change FictionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2022, 62, ⟨10.4000/ebc.11705⟩ |
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Impossible immunité et care: On the Beach de Nevil Shute.Etudes Anglaises, 2022 |
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‘If I could have given Willy my full attention this morning’Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2020, 59, ⟨10.4000/ebc.10076⟩ |
Memory into Forgetting and Vice Versa: The Creative Uses of the Munane in Jon McGregor's Reservoir 13Caliban : French journal of English studies, 2018, 60, pp.115-124 |
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Performing the Void: The Violence of the Unassimilated in Some Contemporary British NarrativesSillages Critiques, 2017, 22, s.p |
Of Wounds and secretsEtudes Anglaises, 2017, 70 (3), pp.339-353 |
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Bare Lives. IntroductionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2017, 53, ⟨10.4000/ebc.3728⟩ |
Logique de l'après-coup: Chatterton et le contemporainPolysèmes, 2017, 17, s.p |
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Innocent Abroad: Jonathan Coe's Expo 58 and the Comedy of ForgivenessAnglistik : International Journal of English Studies, 2016, 27.1, pp.19-29 |
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Dualité, rêve, fantôme : Irish Murdoch et le mensonge comme dire de véritéEsquisse(s), 2016, 11, pp.27-34 |
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Le temps éclaté : Why Be Happy When You Could Be Normal? De Jeanette WintersonSillages Critiques, 2015, 19, s.p |
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Vistas of the Humble: Jon McGregor?s FictionEtudes Anglaises, 2015, 68 (2), pp.170-82 |
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Recent British Fiction: Concluding panel of the 2013 SEAC conference. Catherine Bernard, Jean-Michel Ganteau, Vanessa Guignery, Diane LeblondÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2014, 47, ⟨10.4000/ebc.1992⟩ |
Nicholas Royle’s Quilt: The Ethics of Melancholic MourningÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2014, 47, s.p |
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Trauma and the Ethics of VulnerabilityÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2013, 45, s.p. ⟨10.4000/ebc.940⟩ |
Ruins, or, The Ethical Logic of Traumatic Capitalism, with Special Reference to Peter AckroydÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2012, 43, pp.139-152 |
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Entre mimétique du rien et réalisme traumatiqueÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2012, 42, pp.101-124 |
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Horizons de l'inassimilableÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2011, 40, pp.105-120 |
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If you like, we play detectiveEtudes Anglaises, 2011, 64.4, pp.415-426 |
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The Logic of AffectAnglia, 2011, 129 (1-2), pp.79-92. ⟨10.1515/angl.2011.007⟩ |
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Compte rendu de Ceci n'est pas une fiction. Les romans vrais de B.S. Johnson.Etudes Anglaises, 2010, 127 p |
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Peter Ackroyd's "English Music" as romance of englishness: a response to Susan AngConnotations : a journal for critical, 2009, 18.1-3, pp.276-82 |
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Présentations de LondresAnglophonia / Caliban - French Journal of English Linguistics, 2009, 19, pp.110-118 |
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This empty taleÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2008, 34, pp.129-144 |
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Anatomy of an ObsessionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2007, 33 (décembre), pp.103-114 |
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A Conflict between an Image and a ManÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2006, 31 (novembre), pp.69-81 |
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Rise from the Ground like Feathered MercurySymbolism : an international journal of critical aesthetics, 2005, 5, pp.193-221 |
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Undulatory MetamorphosesREAL : Yearbook of research in English and American literature, 2004, 20, pp.263-272 |
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Unremaindering Gothic RomanceCaliban : French journal of English studies, 2004, 15, pp.243-253 |
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Fantastic, but Truthful:Cambridge Quarterly, 2003, 32 (3), pp.225-238 |
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A Hint of the Postmodern SublimeThe European English Messenger, 2002, 11 (1), pp.26-8 |
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Eve Whose Eye Darted Contagious FireÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2001, 21, pp.35-55 |
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Compte à rebours narratifÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2001, 20, pp.61-81 |
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Re-vision as Zapping : Tibor Fischer’s <i>The Collector Collector</i>Alizés : Revue angliciste de La Réunion, 2001, Writing as Re-Vision, 20, pp.27-47 |
Du postmodernisme au romantisme : à propos de Time’s Arrow de Martin AmisÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2000, 19, pp.127-146 |
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Post-Baroque Sublime? The Case of Peter Ackroydmiscelánea, a journal of English and American Studies, 2000, 22, pp.21-44 |
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Death and Melodrama : expressivité et représentation de l’émotion chez quelques romanciers britanniques contemporainsÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 1999, 17, pp.69-90 |
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Catholic Kitsch : vers une représentation du sublime dans le roman catholique britannique contemporain et postmoderneÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 1998, 17, pp.69-90 |
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Personnages en quête de lectures : The Comforters de Muriel SparkÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 1997, 12, pp.65-82 |
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Conservatively Ever After? Clôture et représentations de la foi dans les romans de David Lodge.Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 1996, 10, pp.99-117 |
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John McGahern’s The Barracks: An Interpenetrative Catholic Novel.Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 1995, 6, pp.25-40 |
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Sea, sex and sinÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 1994, 4, pp.13-23 |
Perception and the Literature and Ethics of AttentionHandbook of Literary Criticism and Ethics, BRILL, pp.546-568, 2026, ⟨10.1163/9789004715516_025⟩ |
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The Sharpness of the Post-PastoralThe Ethics of (In-)Attention in Contemporary Anglophone Narrative, 1, Routledge, pp.238-255, 2024, ⟨10.4324/9781003463610-17⟩ |
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What Matters: Literature’s Importance in Times of CrisisThe Routledge Companion to Literatures and Crisis, 1, Routledge, pp.17-25, 2024, ⟨10.4324/9781003362883-4⟩ |
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No Continent Is an Island: Jon McGregor’s Lean Fall StandNuova Trauben. Contemporary Vulnerabilities, Nuova Trauben, pp.267-284, 2023, Strumenti letterari, 9788899312909 |
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Attention and the Ethics of Perception: Iain Sinclair's London OrbitalThe Suburbs: New Literary Perspectives, 2022 |
The Grievability of the Non-Human:Susana Onega et Jean-Michel Ganteau. The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction, Routledge, 2022, Routledge Studies in Contemporary Literature, 9781032389752 |
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The Visibility of EmbeddingsRepresenting Vulnerabilities in Contemporary Literature, 1, Routledge, pp.48-61, 2022, ⟨10.4324/9781032130323-4⟩ |
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The Visibility of Embeddings:Míriam Fernández-Santiago et Cristina Gámez Fernández. Representing Vulnerabilities in Contemporary Literature, Routledge, 2022, 9781032130316 |
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The Visibility of Survival: Even the Dogs and Jon McGregor’s Ethics of AttentionRudolf Freiburg; Gerd Bayer. The Ethics of Survival in Contemporary Literature and Culture, Springer International Publishing, pp.49-67, 2021, 978-3-030-83421-0. ⟨10.1007/978-3-030-83422-7_2⟩ |
Working-ThroughColin Davis et Hanna Mereyoja. Routledge Companion to Literature and Trauma, Routledge, 2020, 9781138494923 |
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« Problematising the Transmodern: Jon McGregor’s Ethics of Consideration. »Susana Onega et Jean-Michel Ganteau. Transcending the Posmodern: The Singular Response of Literature to the Transmodern Paradigm, Routledge, 2020, Routledge Studies in Contemporary Literature, 9780367860554 |
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« L’irresponsable responsabilité de la littérature. »Isabelle Alfandary. La Littérature sans condition, Le Bord de l'Eau, pp.201-214, 2020, 9782356877185 |
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Exposed: Dispossession and Androgyny in Contemporary British FictionDaniela Carpi. Monsters and Monstrosity. From the Canon to the Anti-Canon: Literary and Juridical Subversions, De Gruyter, pp.141-154, 2019 |
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« Resilience, Narrative Attentiveness and Care(-giving): Martin Amis’s Time’s Arrow. »Chiara Battisti et Sidia Fiorato. Law and the Humanities: Cultural Perspectives, De Gruter, 2019, Law and Literature, 9783110669633 |
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Refracting the Transmodern: Harry Parker's Anatomy of a SoldierJessica Aliaga-Lavrijsen; José María Yebra-Pertusa. Transmodern Perspectives on Contemporary Literatures in English, Routledge, pp.73-85, 2019 |
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Remembrance between Act and EventSusana Onega; Constanza del Rio; Maite Escudero Alias. Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature, Palgrave Macmillan, pp.181-200, 2018, Palgrave Studies in Cultural Heritage and Conflict, 9783319552774. ⟨10.1007/978-3-319-55278-1_8⟩ |
Entre dérive et veering: Hantise et tradition visionnaire chez Peter AckroydCaritoux Nathalie; Villard Florent. Nouvelles psychogéographies, Editions Mimésis, pp.161-175, 2017 |
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Shifting Visibilities: The Politics of Trauma and Vulnerability in Neil Bartlett's Skin LaneGanteau Jean-Michel; Onega Susana. Victimhood and Vulnerability in 21st Century Fiction, Routledge, pp.176-192, 2017 |
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He Cared: Forster, McEwan and the Ethics of AttentivenessCavalié Elsa; Mellet Laurent. Only Connect: E. M. Forster's Legacies in British Fiction, Peter Lang, pp.95-112, 2017 |
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The Powers of Vulnerability: The Restorative Uses of ElegyMartinez Alfaro Maria Jesus; Pellicer Ortin Silvia. Memory Frictions in Contemporary Literature, Palgrave Macmillan, pp.21-40, 2017 |
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Vulnerable Visibilities: Peter Ackroyd's Monstrous Victorian MetropolisKohlke Marie-Luise; Gutleben Christian. Neo-Victorian Cities: Re-Imagining Utopian and Dystopian Metropolises, Brill; Rodopi, pp.151-174, 2015 |
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Ghosts, Texts, Phantom Texts: McEwan's Saturday and Joyce's "The DeadJohanna Glaser Brigitte; Puschmann-Nalenz Barbara. Narrating Loss: Representations of Mourning, Nostalgia und Melancholia in Contemporary Anglophone Fictions, Wissenschaftlicher Verlag Trier, pp.223-238, 2014 |
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The past won't fit into memory without something left overJean-Michel Ganteau; Susana Onega. Trauma and Romance in Contemporary British Literature, Routledge, pp.17-33, 2013 |
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Vulnerable Form and Traumatic Vulnerability: John McGregor's Even the DogsSusana Onega; Jean-Michel Ganteau. Contemporary Trauma Narratives: Liminality and the Ethics of Form, Routledge, pp.89-103, 2013 |
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Non ServiamAnette Pankratz and Barbara Puschmann-Nalenz. Portraits of the Artist as a Young Thing, Carl Winter Verlag, pp.207-224, 2012 |
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La responsabilité comme travail de l'épreuveFrancoise Bort; Olivier Brossard et Wendy Ribeyrol. Figures de l'expérience dans la littérature anglophone, 1, Michel Houdiard éd., pp.136-147, 2012 |
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Mongrelization and AssimilationVanessa Guignery; Catherine Pesso-Miquel et François Specq. Hybridity: Forms and Structures in the Visual Arts, Cambridge Scholars Publishing, pp.49-58, 2011 |
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Trauma as the Negation of AutonomySusana Onega; Jean-Michel Ganteau. Ethics and trauma in contemporary British fiction, Rodopi, pp.109-130, 2011 |
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Mediterranean EnglishnessChristine Reynier. Cross Cultural Encouters between the Mediterranean and the English-Speaking Worlds., Peter Lang, pp.117-129, 2011 |
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Rituel, Spectacle et fascination catholique Arnold Bennett et l'EspagneChrisine Reynier. Essais d'écrivains, 3, Houdiard, pp.81-105, 2010 |
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In Thy Autonomy Is Thy CommitmentChristine Reynier et Jean-Michel Ganteau. Autonomy and Commitment in Twentieth-century British Literature, Presses universitaires de la Méditerranée, pp.191-201, 2010 |
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Autonomy and Commitment in Twentieth-Century British LiteratureChristine Reynier; Jean-Michel Ganteau. Autonomy and Commitment in Twentieth-Century British Literature, Presses universitaires de la Méditerranée, pp.9-14, 2010 |
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De l'allusion au commentaireJocelyn Dupont et Emilie Walezak. L'intertextualité dans le roman contemporain de langue anglaise, Presses universitaires de Perpignan, pp.123-137, 2010 |
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Portrait de l'artiste en dynamiteurEtudes des pays anglophones (Montpellier). Les grands mouvements littéraires anglo-américains, M. Houdiard, pp.147-153, 2009 |
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Camping the NationEnglishness revisited, Cambridge Scholars, pp.97-108, 2009 |
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Objections de l'artEtudes des pays anglophones (Montpellier). La tradition littéraire dans les essais anglo-américains, M. Houdiard, pp.163-171, 2009 |
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Peter Ackroyd and the Logic of Impersonal ImitationChristine Reynier; Jean-Michel Ganteau. Impersonality and emotion in Twentieth-century British literature, Service des publications de Montpellier 3, pp.239-249, 2006 |
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Violence Biting Its Own TailAlain-Philippe Durand; Naomi Mandel. Novels of the contemporary extreme, Continuum, pp.132-142, 2006 |
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‘Hearts Object’: Jeanette Winterson and the Ethics of Absolutist RomanceSusana Onega; Christian Gutleben. Refracting the Canon in Contemporary British Literature and Film, Rodopi, pp.164-179, 2004, Postmodern Studies, 978-90-420-1050-5 |
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London: The Biography, or, Peter Ackroyd’s Sublime GeographiesSusana Onega; John Stotesbury. London in Literature: Visionary Mappings of the Metropolis, Carl Winter, pp.211-231, 2002, 978-3-8253-1407-1 |
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‘Belonging to Their Own Kind’Christiane d'Haussy. Quand religions et confessions se regardent, Didier Erudition, pp.209-222, 1998, 978-2-86460-330-6 |
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Excursion to Hell’Bernard Gilbert. La Société anglaise en guerre, septembre 1939 - août 1945, Editions du Temps, pp.75-91, 1996, 978-2-84274-004-7 |
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Working Through: From Historical Definitions to Literary AppropriationsNorthwestern University - Sorbonne Nouvelle Summer Institute 2025, Isabelle Alfandary, Jun 2025, Paris Université Sorbonne Nouvelle, France |
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Climate Change Fiction: A Brief Presentation.Journée de diffusion de la recherche, Anne Crémieux, Apr 2024, Montpellier, France |
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Présentation de l'ouvrage The Poetics and Ethics of Attention in Contemporary British Narrative Séminaire "Surveillance Imaginings" (PACT/VALE)Surveillance Imaginings, Cécile Beaufils; Claire Wrobel, Mar 2024, Paris Sorbonne, France |
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Neo-historical Fiction, Material Realism and the Poetics of the InventoryTHE (NEO-)HISTORICAL IN BRITISH LITERATURE AND VISUAL ARTS (20TH-21ST CENTURIES), Armelle Parey, Oct 2024, Caen, France |
What Matters: Attention as Orientation in Contemporary British NarrativeDIS/ORIENTATIONS AND DIS/ENTANGLEMENTS IN CONTEMPORARY LITERATURE AND CULTURE, Sep 2022, Malaga, Spain |
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Introduction: The Ethics and Poetics of AttentionEuropean Society for the Study of English Conference 2022 Mainz - Seminar 40, Aug 2022, Mayence, Germany |
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Attention and the Post-Pastoral: Melissa Harrison’s At Hawthorn Time16th ESSE Conference, ESSE, Aug 2022, Mayence, Germany |
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Towards an Ecology of Attention: Considering Human and Environmental Vulnerabilities (Embeddings, Embodiments, Interdependences)INTERFACES Representing Human and Environmental Vulnerability in the Fourth Industrial Revolution, Jun 2022, Grenade, Spain |
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Fiction climatique et déni/denialHumanEnvi: le déni, May 2022, Montpellier, France |
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Non-Human Grievability: Ian McEwan's Machines like Me1th ESSE CONFERENCE, ESSE, Aug 2021, Lyon, France |
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Care, vulnérabilité, littératureLes Formes de l'empathie: arts et langages, Angela Biancofiore et Clément Barniaudy, Nov 2020, Université Paul-Valéry Montpellier 3 – Site Saint-Charles, France |
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Ethics as Perceptive Attention in Iris Murdoch's The Nice and the GoodIris Murdoch and the Ethical Imagination : Legacies, Camille Fort; Marie Laniel, Oct 2019, Amiens, France |
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The Great Chain of Vibrancy: Cynan Jones's The Long DryRenaissances Congrès SAES, Université de Tours, Jun 2019, Tours, France |
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A "not-knowing knowledge": Narrative Attentiveness and Care(-giving)« Story-telling and Resilience: The Function of Literature in the Overcoming of Trauma”, Academia Europaea, Susana Onega, Sep 2017, Budapest, Hungary |
Dissonant identities": Corps, récit et jugement vulnérables dans Dans Leno and the Limehouse Golem de Peter AckroydGenres/Genre dans la littérature anglaise et américaine, Université Paris-Est-Créteil, 21-23 novembre 2013, 2016, Paris, France. pp.124-139 |
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Writing Trauma and Violence in Contemporary British LiteratureUVIC seminar - Department of English, Steven Ross, Oct 2015, Victoria (B.C.), Canada |
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« Risque et vulnérabilité : quelques romans britanniques contemporains. »Séminaire Vortex, Université Paris 3, Isabelle Alfandary; Marc Porée, Mar 2014, Paris Université Sorbonne Nouvelle, France |
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Of Ramps and Selections: The Persistence of Trauma in Julian Barnes's A History of the World in 10 ½ ChaptersColloque Beyon Trauma, Université de Saragosse, 31 mars - 2 avril 2011, 2014, New-York, United States. pp.194-206 |
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« Le roman britannique contemporain : entre tradition visionnaire et esprit des lieux. »Banquet du Livre de Printemps, Bruno Bondu, May 2013, Lagrasse, France |
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« Trauma, Care, Vulnérabilité. »Séminaire ARTE, VALE, Université Paris Sorbonne, Marc Amfreville, Nov 2013, Paris ( France), France |
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Mémoire narrative et mémoire traumatiqueSéminaire ARTE, Université Paris 4, 11 janvier 2013, 2013, Paris, France |
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Spectral Presence and the Logic of Vulnerability in Nicholas Royle’s QuiltColloque "Elizabeth Bowen-Nicholas Royle Week", Université Lille 3, Lille, 15 décembre 2012, 2012, Lille, France |
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Limit-Case Trauma NarrativesESSE conference, Istanbul, 4-8 septembre 2012, 2012, Istanbul, Turkey |
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Ruins, or, The Ethical Logic of Traumatic Capitalism, with Special Reference to Peter AckroydColloque de la SAIT et de la SEAC, Université de Londres, Londres, 4-5 novembre 2011, 2012, Londres, United Kingdom. pp.139-152 |
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Entre mimétique du rien et réalisme traumatiqueCongrès de la SAES, Paris, Universités Paris 3 et Paris 7, mai 2011, 2012, Paris, France. pp.111-124 |
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Le temps éclatéSéminaire ARTE, Université Paris 4, 29 juin 2012, 2012, Paris, France |
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Londres vue par les romanciers britanniques contemporains27e Comédie du Livre de Montpellier 31 mai - 3 juin 2012, 2012, Montpellier, France |
Mongrelization and Assimilation: Peter Ackroyd and the Persistence of Englishness as HybridityHybridité: Formes et figures dans la littérature et les arts visuels, Lyon, 7-8 octobre 2010, 2011, Cambridge, United Kingdom. pp.49-58 |
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Vertiges de l'imitationSéminaire "Mutations de l'Autorité", Maison des Sciences Humaines de Montpellier, Montpellier, 9 décembre 2011, 2011, Montpellier, France |
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Logique de l'après-coupColloque "L'Art intempestif / Untimely art", Paris-Sorbonne nouvelle, 9-10 septembre 2010, 2010, Paris, France |
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Peter Ackroyd et 'The Englishness of English LettersLes Médiateurs de la Méditerranée, 2010, Montpellier, France |
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Vertus de l' "imitatio"L'impersonnel en littérature", colloque international, Université du Maine, Le Mans, 9-10 mars 2007, 2009, Le Mans, France. pp.19-31 |
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The Ethics of Negative Capability"Trauma and Ethics in Contemporary Fiction", Universidad de Zaragoza, Saragosse, 2009, 2009, Saragosse, Spain |
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Présentations de Londres: Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacenceColloque international "L’Art de la ville", Université de Toulouse-Le Mirail, 6-8 novembre 2008, 2008, Toulouse, France. pp.109-118, ⟨10.4000/caliban.1492⟩ |
La théorie du trauma appliquée à quelques "romances" britannique contemporaines"La Résonance de la Théorie", colloque international, Paris X Nanterre, 12-14 juin 2008, 2008, Nanterre, France |
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L'effacement du sujet masculin dans la 'romance' britannique contemporaine"La relation, colloque national, Université Paris XII, 14-15 décembre 2007, 2008, Créteil, France. pp.27-35 |
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Ethique de l' "imitatio"L'impersonnel en littérature", colloque international, Université du Maine, Le Mans, 9-10 mars 2007, 2007, Le Mans, France |
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The Ethics of RomanceX Jornadas de Literatura Contemporánea en Lengua Inglesa : The Ethics of Fiction in Contemporary Narrative in English”, Universidad de Zaragoza, Jaca, 30 mars-1er avril 2006, 2007, Jaca, Spain. pp.77-85 |
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L'effacement du sujet masculin dans la "romance" britannique contemporaine"La Relation", colloque national, Université Paris 12 Val de Marne, 14-15 décembre 2007, 2007, Créteil, France |
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Vanitas Redux"Impersonality and Emotion in 20th Century British Arts", Université Paul Valéry Montpellier 3, Montpellier, 2006, 2006, Montpellier, France. pp.245-256 |
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Entre kitsch et sublime"L'Art de plaire : esthétique, plaisir, représentation", Colloque International Pluridisciplinaire, Université Stendhal - Grenoble, 18-19 mars 2005, 2006, Grenoble, France. pp.357-368 |
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Trawl de B.S. Johnson"Les formes de l'obsession dans les littératures anglaise et américaines", Université Paris XII-Val de Marne, Créteil, 2-3 décembre 2005, 2006, Créteil, France. pp.73-85 |
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Stabilité définitionnelle des genres : le cas de la romance en langue anglaise, mode forainLa loi du genre, Jean-Claude Dupas, Apr 2000, Lille (Université Lille 3), France |