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Jean-Michel Ganteau
Jean-Michel Ganteau - CV
Professor of Contemporary British Literature
Director of EA741-EMMA
Director of LLCER MA programmes
Université Paul-Valéry Montpellier 3
Member of Academia Europaea
101
Documents
Current affiliations
Researcher identifiers
jean-michel-ganteau
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0000-0002-3147-0430
- IdRef : 058596852
Presentation
**Jean-Michel Ganteau** is Professor of Contemporary British Literature at the University Paul Valéry Montpellier 3 (France) and a member of the Academia Europaea.
He is the editor of the journal *Études britanniques contemporaines*.
He is the author of four monographs: *David Lodge: le choix de l’éloquence* (2001), *Peter Ackroyd et la musique du passé* (2008) and *The Ethics and Aesthetics of Vulnerability in Contemporary British Literature* (2015), *The Poetics and Ethics of Attention in Contemporary British Narrative* (2023).
He is also the editor, with Christine Reynier, of four volumes of essays: *Impersonality and Emotion in Twentieth-Century British Literature* (Publications Montpellier 3, 2005), *Impersonality and Emotion in Twentieth-Century British Arts* (Presses Universitaires de la Méditerrannée, 2007), *Autonomy and Commitment in Twentieth-Century British Literature* (PULM, 2010) and *Autonomy and Commitment in Twentieth-Century British Arts* (PULM, 2011). He has also co-edited, with Susana Onega, *The Ethical Component in Experimental British Fiction since the 1960s* (Cambridge Scholars Publishing, 2007), *Ethics and Trauma in Contemporary Narrative in English* (Rodopi, 2011), *Trauma and Romance in Contemporary British Literature* (Routledge, 2012), *Contemporary Trauma Narratives: Liminality and the Ethics of Form* (Routledge, 2014), *Victimhood and Vulnerability in 21st Century Fiction* (Routledge, 2017), *Transcending the Postmodern. The Singular Response of Literature to the Transmodern Paradigm* (Routledge, 2020), and *The Poetics and Ethics of (Un-)grievability in Contemporary Anglophone Fiction* (Routledge, 2022).
He has published extensively on contemporary British fiction, with a special interest in the ethics of affects, trauma criticism and theory, and ethics of vulnerability and the ethics of attention, in France and abroad (other European countries, the United States), as chapters in edited volumes or in such journals as *Miscelánea*, *Anglia*, *Symbolism*, *The Cambridge Quarterly*, and so on.
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Impossible immunité et care: On the Beach de Nevil Shute.Etudes Anglaises, 2022
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Memory into Forgetting and Vice Versa: The Creative Uses of the Munane in Jon McGregor's Reservoir 13Caliban : French journal of English studies, 2018, 60, pp.115-124
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Logique de l'après-coup: Chatterton et le contemporainPolysèmes, 2017, 17, s.p
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Bare Lives. IntroductionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2017, 53, ⟨10.4000/ebc.3728⟩
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Of Wounds and secretsEtudes Anglaises, 2017, 70 (3), pp.339-353
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Performing the Void: The Violence of the Unassimilated in Some Contemporary British NarrativesSillages Critiques, 2017, 22, s.p
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Innocent Abroad: Jonathan Coe's Expo 58 and the Comedy of ForgivenessAnglistik : International Journal of English Studies, 2016, 27.1, pp.19-29
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Dualité, rêve, fantôme : Irish Murdoch et le mensonge comme dire de véritéEsquisse(s), 2016, 11, pp.27-34
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Le temps éclaté : Why Be Happy When You Could Be Normal? De Jeanette WintersonSillages Critiques, 2015, 19, s.p
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Vistas of the Humble: Jon McGregor?s FictionEtudes Anglaises, 2015, 68 (2), pp.170-82
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Nicholas Royle’s Quilt: The Ethics of Melancholic MourningÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2014, 47, s.p
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Recent British Fiction: Concluding panel of the 2013 SEAC conference. Catherine Bernard, Jean-Michel Ganteau, Vanessa Guignery, Diane LeblondÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2014, 47, ⟨10.4000/ebc.1992⟩
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Trauma and the Ethics of VulnerabilityÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2013, 45, s.p. ⟨10.4000/ebc.940⟩
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Entre mimétique du rien et réalisme traumatiqueÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2012, 42, pp.101-124
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Ruins, or, The Ethical Logic of Traumatic Capitalism, with Special Reference to Peter AckroydÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2012, 43, pp.139-152
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'If you like, we play detective'Etudes Anglaises, 2011, 64.4, pp.415-426
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Horizons de l'inassimilableÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2011, 40, pp.105-120
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The Logic of AffectAnglia, 2011, 129 (1-2), pp.79-92. ⟨10.1515/angl.2011.007⟩
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Compte rendu de Ceci n'est pas une fiction. Les romans vrais de B.S. Johnson.Etudes Anglaises, 2010, 127 p
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Présentations de LondresAnglophonia / Caliban - French Journal of English Linguistics, 2009, 19, pp.110-118
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Peter Ackroyd's "English Music" as romance of englishness: a response to Susan AngConnotations : a journal for critical, 2009, 18.1-3, pp.276-82
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"This empty tale"Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2008, 34, pp.129-144
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Anatomy of an ObsessionÉtudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2007, 33 (décembre), pp.103-114
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"A Conflict between an Image and a Man"Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, 2006, 31 (novembre), pp.69-81
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"Rise from the Ground like Feathered Mercury"Symbolism : an international journal of critical aesthetics, 2005, 5, pp.193-221
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Re-vision as Zapping : Tibor Fischer’s The Collector CollectorAlizés : Revue angliciste de La Réunion, 2001, Writing as Re-Vision, 20, pp.27-47
Journal articles
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Attention and the Ethics of Perception: Iain Sinclair's London OrbitalThe Suburbs: New Literary Perspectives, 2022
Book sections
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The Visibility of EmbeddingsRepresenting Vulnerabilities in Contemporary Literature, 1, Routledge, pp.48-61, 2022, ⟨10.4324/9781032130323-4⟩
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The Visibility of Survival: Even the Dogs and Jon McGregor’s Ethics of AttentionRudolf Freiburg; Gerd Bayer. The Ethics of Survival in Contemporary Literature and Culture, Springer International Publishing, pp.49-67, 2021, 978-3-030-83421-0. ⟨10.1007/978-3-030-83422-7_2⟩
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Exposed: Dispossession and Androgyny in Contemporary British FictionDaniela Carpi. Monsters and Monstrosity. From the Canon to the Anti-Canon: Literary and Juridical Subversions, De Gruyter, pp.141-154, 2019
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Refracting the Transmodern: Harry Parker's Anatomy of a SoldierJessica Aliaga-Lavrijsen; José María Yebra-Pertusa. Transmodern Perspectives on Contemporary Literatures in English, Routledge, pp.73-85, 2019
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Remembrance between Act and EventSusana Onega; Constanza del Rio; Maite Escudero Alias. Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature, Palgrave Macmillan, pp.181-200, 2018, Palgrave Studies in Cultural Heritage and Conflict, 9783319552774. ⟨10.1007/978-3-319-55278-1_8⟩
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Entre dérive et veering: Hantise et tradition visionnaire chez Peter AckroydCaritoux Nathalie; Villard Florent. Nouvelles psychogéographies, Editions Mimésis, pp.161-175, 2017
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He Cared: Forster, McEwan and the Ethics of AttentivenessCavalié Elsa; Mellet Laurent. Only Connect: E. M. Forster's Legacies in British Fiction, Peter Lang, pp.95-112, 2017
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Shifting Visibilities: The Politics of Trauma and Vulnerability in Neil Bartlett's Skin LaneGanteau Jean-Michel; Onega Susana. Victimhood and Vulnerability in 21st Century Fiction, Routledge, pp.176-192, 2017
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The Powers of Vulnerability: The Restorative Uses of ElegyMartinez Alfaro Maria Jesus; Pellicer Ortin Silvia. Memory Frictions in Contemporary Literature, Palgrave Macmillan, pp.21-40, 2017
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Vulnerable Visibilities: Peter Ackroyd's Monstrous Victorian MetropolisKohlke Marie-Luise; Gutleben Christian. Neo-Victorian Cities: Re-Imagining Utopian and Dystopian Metropolises, Brill; Rodopi, pp.151-174, 2015
Book sections
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Ghosts, Texts, Phantom Texts: McEwan's Saturday and Joyce's "The Dead"Johanna Glaser Brigitte; Puschmann-Nalenz Barbara. Narrating Loss: Representations of Mourning, Nostalgia und Melancholia in Contemporary Anglophone Fictions, Wissenschaftlicher Verlag Trier, pp.223-238, 2014
Book sections
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The past won't fit into memory without something left overJean-Michel Ganteau; Susana Onega. Trauma and Romance in Contemporary British Literature, Routledge, pp.17-33, 2013
Book sections
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Vulnerable Form and Traumatic Vulnerability: John McGregor's Even the DogsSusana Onega; Jean-Michel Ganteau. Contemporary Trauma Narratives: Liminality and the Ethics of Form, Routledge, pp.89-103, 2013
Book sections
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Non ServiamAnette Pankratz and Barbara Puschmann-Nalenz. Portraits of the Artist as a Young Thing, Carl Winter Verlag, pp.207-224, 2012
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La responsabilité comme travail de l'épreuveFrancoise Bort; Olivier Brossard et Wendy Ribeyrol. Figures de l'expérience dans la littérature anglophone, 1, Michel Houdiard éd., pp.136-147, 2012
Book sections
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Trauma as the Negation of AutonomySusana Onega; Jean-Michel Ganteau. Ethics and trauma in contemporary British fiction, Rodopi, pp.109-130, 2011
Book sections
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Mongrelization and AssimilationVanessa Guignery; Catherine Pesso-Miquel et François Specq. Hybridity: Forms and Structures in the Visual Arts, Cambridge Scholars Publishing, pp.49-58, 2011
Book sections
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Mediterranean EnglishnessChristine Reynier. Cross Cultural Encouters between the Mediterranean and the English-Speaking Worlds., Peter Lang, pp.117-129, 2011
Book sections
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In Thy Autonomy Is Thy CommitmentChristine Reynier et Jean-Michel Ganteau. Autonomy and Commitment in Twentieth-century British Literature, Presses universitaires de la Méditerranée, pp.191-201, 2010
Book sections
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Autonomy and Commitment in Twentieth-Century British LiteratureChristine Reynier; Jean-Michel Ganteau. Autonomy and Commitment in Twentieth-Century British Literature, Presses universitaires de la Méditerranée, pp.9-14, 2010
Book sections
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Rituel, Spectacle et fascination catholique Arnold Bennett et l'EspagneChrisine Reynier. Essais d'écrivains, 3, Houdiard, pp.81-105, 2010
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De l'allusion au commentaireJocelyn Dupont et Emilie Walezak. L'intertextualité dans le roman contemporain de langue anglaise, Presses universitaires de Perpignan, pp.123-137, 2010
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Camping the NationEnglishness revisited, Cambridge Scholars, pp.97-108, 2009
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Portrait de l'artiste en dynamiteurEtudes des pays anglophones (Montpellier). Les grands mouvements littéraires anglo-américains, M. Houdiard, pp.147-153, 2009
Book sections
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Objections de l'artEtudes des pays anglophones (Montpellier). La tradition littéraire dans les essais anglo-américains, M. Houdiard, pp.163-171, 2009
Book sections
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Peter Ackroyd and the Logic of Impersonal ImitationChristine Reynier; Jean-Michel Ganteau. Impersonality and emotion in Twentieth-century British literature, Service des publications de Montpellier 3, pp.239-249, 2006
Book sections
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Violence Biting Its Own TailAlain-Philippe Durand; Naomi Mandel. Novels of the contemporary extreme, Continuum, pp.132-142, 2006
Book sections
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Fiction climatique et déni/denialHumanEnvi: le déni, May 2022, Montpellier, France
Conference papers
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Introduction: The Ethics and Poetics of AttentionEuropean Society for the Study of English Conference 2022 Mainz - Seminar 40, Aug 2022, Mayence, Germany
Conference papers
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Towards an Ecology of Attention: Considering Human and Environmental Vulnerabilities (Embeddings, Embodiments, Interdependences)INTERFACES Representing Human and Environmental Vulnerability in the Fourth Industrial Revolution, Jun 2022, Grenade, Spain
Conference papers
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What Matters: Attention as Orientation in Contemporary British NarrativeDIS/ORIENTATIONS AND DIS/ENTANGLEMENTS IN CONTEMPORARY LITERATURE AND CULTURE, Sep 2022, Malaga, Spain
Conference papers
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"Dissonant identities": Corps, récit et jugement vulnérables dans Dans Leno and the Limehouse Golem de Peter AckroydGenres/Genre dans la littérature anglaise et américaine, Université Paris-Est-Créteil, 21-23 novembre 2013, 2016, Paris, France. pp.124-139
Conference papers
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Of Ramps and Selections: The Persistence of Trauma in Julian Barnes's A History of the World in 10 ½ ChaptersColloque Beyon Trauma, Université de Saragosse, 31 mars - 2 avril 2011, 2014, New-York, United States. pp.194-206
Conference papers
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Mémoire narrative et mémoire traumatiqueSéminaire ARTE, Université Paris 4, 11 janvier 2013, 2013, Paris, France
Conference papers
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Londres vue par les romanciers britanniques contemporains27e Comédie du Livre de Montpellier 31 mai - 3 juin 2012, 2012, Montpellier, France
Conference papers
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Le temps éclatéSéminaire ARTE, Université Paris 4, 29 juin 2012, 2012, Paris, France
Conference papers
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Entre mimétique du rien et réalisme traumatiqueCongrès de la SAES, Paris, Universités Paris 3 et Paris 7, mai 2011, 2012, Paris, France. pp.111-124
Conference papers
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Limit-Case Trauma NarrativesESSE conference, Istanbul, 4-8 septembre 2012, 2012, Istanbul, Turkey
Conference papers
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Spectral Presence and the Logic of Vulnerability in Nicholas Royle’s QuiltColloque "Elizabeth Bowen-Nicholas Royle Week", Université Lille 3, Lille, 15 décembre 2012, 2012, Lille, France
Conference papers
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Ruins, or, The Ethical Logic of Traumatic Capitalism, with Special Reference to Peter AckroydColloque de la SAIT et de la SEAC, Université de Londres, Londres, 4-5 novembre 2011, 2012, Londres, United Kingdom. pp.139-152
Conference papers
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Mongrelization and Assimilation: Peter Ackroyd and the Persistence of Englishness as HybridityHybridité: Formes et figures dans la littérature et les arts visuels, Lyon, 7-8 octobre 2010, 2011, Cambridge, United Kingdom. pp.49-58
Conference papers
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Vertiges de l'imitationSéminaire "Mutations de l'Autorité", Maison des Sciences Humaines de Montpellier, Montpellier, 9 décembre 2011, 2011, Montpellier, France
Conference papers
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Logique de l'après-coupColloque "L'Art intempestif / Untimely art", Paris-Sorbonne nouvelle, 9-10 septembre 2010, 2010, Paris, France
Conference papers
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Peter Ackroyd et 'The Englishness of English Letters'Les Médiateurs de la Méditerranée, 2010, Montpellier, France
Conference papers
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Vertus de l' "imitatio""L'impersonnel en littérature", colloque international, Université du Maine, Le Mans, 9-10 mars 2007, 2009, Le Mans, France. pp.19-31
Conference papers
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The Ethics of Negative Capability"Trauma and Ethics in Contemporary Fiction", Universidad de Zaragoza, Saragosse, 2009, 2009, Saragosse, Spain
Conference papers
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La théorie du trauma appliquée à quelques "romances" britannique contemporaines"La Résonance de la Théorie", colloque international, Paris X Nanterre, 12-14 juin 2008, 2008, Nanterre, France
Conference papers
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Présentations de Londres: Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacenceColloque international "L’Art de la ville", Université de Toulouse-Le Mirail, 6-8 novembre 2008, 2008, Toulouse, France. pp.109-118, ⟨10.4000/caliban.1492⟩
Conference papers
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L'effacement du sujet masculin dans la 'romance' britannique contemporaine"La relation, colloque national, Université Paris XII, 14-15 décembre 2007, 2008, Créteil, France. pp.27-35
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L'effacement du sujet masculin dans la "romance" britannique contemporaine"La Relation", colloque national, Université Paris 12 Val de Marne, 14-15 décembre 2007, 2007, Créteil, France
Conference papers
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Ethique de l' "imitatio""L'impersonnel en littérature", colloque international, Université du Maine, Le Mans, 9-10 mars 2007, 2007, Le Mans, France
Conference papers
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The Ethics of RomanceX Jornadas de Literatura Contemporánea en Lengua Inglesa : The Ethics of Fiction in Contemporary Narrative in English”, Universidad de Zaragoza, Jaca, 30 mars-1er avril 2006, 2007, Jaca, Spain. pp.77-85
Conference papers
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Entre kitsch et sublime"L'Art de plaire : esthétique, plaisir, représentation", Colloque International Pluridisciplinaire, Université Stendhal - Grenoble, 18-19 mars 2005, 2006, Grenoble, France. pp.357-368
Conference papers
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Vanitas Redux"Impersonality and Emotion in 20th Century British Arts", Université Paul Valéry Montpellier 3, Montpellier, 2006, 2006, Montpellier, France. pp.245-256
Conference papers
hal-02874362v1
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Trawl de B.S. Johnson"Les formes de l'obsession dans les littératures anglaise et américaines", Université Paris XII-Val de Marne, Créteil, 2-3 décembre 2005, 2006, Créteil, France. pp.73-85
Conference papers
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