liliane campos
51
Documents
Présentation
Maître de conférences en études anglophones et théâtrales
Lecturer in English and Theatre Studies
Université de la Sorbonne Nouvelle - Paris 3
Publications
“Oneself as Many Others: The Microbiological Self in Contemporary Narrative”British Society for Literature and Science annual conference, Apr 2022, Manchester, France
Communication dans un congrès
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“Who/ What is the Microbiological Self? Some answers from Contemporary Literature”New Challenges Induced by Microbiomes, Oct 2022, Paris, France
Communication dans un congrès
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“Visual Disturbances in Anthropocene Fiction”“Contemporary Literature and the Environmental Imagination”, Dec 2021, Ghent, Belgium
Communication dans un congrès
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Microbiome Poetics: Metaphors and Narrative Strategies in Popular BiologyNew Challenges Induced by Microbiomes, Mar 2021, Paris, France
Communication dans un congrès
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“Escaping the Planet, Landing on Earth: Reading Jeanette Winterson with Bruno Latour”British Society for Literature and Science annual conference, 2019, Londres, United Kingdom
Communication dans un congrès
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"Biological Plots in Contemporary Fiction and Performance"Science as Storytelling: From Facts to Fiction, European Molecular Biology Laboratory, Oct 2019, Heidelberg, Germany
Communication dans un congrès
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"Innervation and the technological sensorium in Will Self’s Umbrella"British Society for Literature and Science Annual Conference, Bristol University, Apr 2017, Bristol, United Kingdom
Communication dans un congrès
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"Birnam Wood on a Liquid Stage: fracturing the common space in recent adaptations of Macbeth"Translation into Theatre and the Social Sciences, Université d'Oxford, Jun 2017, Oxford, United Kingdom
Communication dans un congrès
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"Innervation and the Technological Sensorium in Will Self's Umbrella"British Society for Literature and Science annual conference, British Society for Literature and Science, Apr 2017, Bristol, United Kingdom
Communication dans un congrès
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“Vers une micropoétique de la scène: les jeux d’échelle du theatre de Complicite”Journée d’étude “Changements d’échelle: les arts confrontés au réel”, Université Sorbonne Nouvelle; Université Paris Diderot; Conservatoire du Grand Avignon, Jul 2016, Avignon, France
Communication dans un congrès
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“The Narrative Challenges of Microbiology: scale, actants and imagery in two scientific fables”“Narrative, Cognition & Science” Symposium, Erlangen-Nürnberg University, Oct 2016, Erlangen, Germany
Communication dans un congrès
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“Le charme discret de la biologie: la tentation taxinomique dans les romans de Margaret Drabble”Colloque “Les influences souterraines de la science sur la littérature et la philosophie”, Ecole Normale Supérieure, Feb 2015, Paris, France
Communication dans un congrès
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Macbeth's Gunpowder at the Cartoucherie: Translating the Sensation of CrimeSéminaire TRACT, Université Sorbonne Nouvelle, Jan 2015, Paris, France
Communication dans un congrès
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"Entre hostilité et hospitalité: le rôle du médecin dans Saturday de Ian McEwan"Séminaire IRIST, Université de Strasbourg, Dec 2015, Strasbourg, France
Communication dans un congrès
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Recent British Fiction: part 3International conference of the Société d’études Anglaises Contemporaines (SEAC) State of Britain: Representing/Writing Britain in the 20th and 21st Centuries, Société d'études anglaises contemporaines, Oct 2014, Paris, France
Communication dans un congrès
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“'Wheels have been set in motion': geocentrism and relativity in Stoppard’s Rosencrantz and Guildenstern are Dead”Shakespeare 450, Société Française Shakespeare, Apr 2014, Paris, France
Communication dans un congrès
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Quantum Configurations in Nick Payne’s ConstellationsSymposium of the Société d’Études Anglaises Contemporaines "British Literature in the Present", SEAC, Feb 2013, Paris, France
Communication dans un congrès
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New Visions of Organicism on the British StageLiving Matter / Literary Forms (20th-21st centuries), liliane campos, Apr 2013, Paris, France
Communication dans un congrès
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"Science in contemporary British drama: a conceptual approach"British Society for Literature and Science Annual Conference, University of Oxford, Apr 2012, Oxford, United Kingdom
Communication dans un congrès
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"‘This is not science. This is storytelling’: The Poetics of Science in Arcadia" Colloque Arcadias, 14-15 octobre 2011, Paris, laboratoires VALE (Paris Sorbonne) et PRISMES (Sorbonne Nouvelle), Oct 2011, Paris, France
Communication dans un congrès
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‘Lifelessness… is only a disguise’: Living things and memories in the Theatre de Complicite’s Street of CrocodilesThings in English and Irish contemporary theatre and drama, VALE; SEAC, Oct 2007, Paris, France. pp.157-167
Communication dans un congrès
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“Collisions complexes” : l’inversion des rôles comme recomposition de l’histoire dans Mnemonic du Théâtre de ComplicitéL'envers du décor, SAES, May 2007, Avignon, France. pp. 154-169
Communication dans un congrès
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Life, Re-Scaled: The Biological Imagination in Twenty-First-Century Literature and PerformanceOpen Book Publishers, 1, 2022, ⟨10.11647/OBP.0303⟩
Ouvrages
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Living Matter / Literary Forms (20th-21st centuries)Ouvrages hal-01292207v1 |
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Le Théâtre et son autre : poétiques de l'altérité sur la scène anglophone contemporaineOuvrages hal-01292236v1 |
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Sciences en scène dans le théâtre britannique contemporainOuvrages hal-01292138v1 |
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Lectures de Tom Stoppard : ArcadiaOuvrages hal-01292178v1 |
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The Dialogue of Art and Science in Tom Stoppard's ArcadiaOuvrages hal-01292149v1 |
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Côté Sciences102-103, 2009, Alternatives théâtrales, 9782874280696
Ouvrages
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MathematicsTom Stoppard in Context, 1, Cambridge University Press, pp.97-103, 2021, ⟨10.1017/9781108303736.016⟩
Chapitre d'ouvrage
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"Mathematics and Dramaturgy in the Twentieth and Twenty-First Centuries"Tubbs R., Jenkins A., Engelhardt N. The Palgrave Handbook of Literature and Mathematics, Palgrave Macmillan, pp.243-262, 2021, 978-3-030-55477-4
Chapitre d'ouvrage
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"‘Wheels have been set in motion’: Geocentrism and Relativity in Tom Stoppard’s Rosencrantz and Guildenstern Are Dead"Sophie Chiari; Mickaël Popelard. Spectacular Science, Technology and Superstition in the Age of Shakespeare, Edinburgh University Press, pp.221-236, 2017, 9781474427814. ⟨10.3366/edinburgh/9781474427814.003.0012⟩
Chapitre d'ouvrage
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"Devised Theatre on the British stage"An Introduction to Anglophone Theatre, PUR, pp.186-193, 2015, Didact Anglais, 978-2-7535-3608-1
Chapitre d'ouvrage
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"Deconstructing characters"Antonia Rigaud; Françoise Palleau-Papin. An Introduction to Anglophone Theatre, PUR, pp.161-169, 2015, Didact Anglais, 978-2-7535-3608-1
Chapitre d'ouvrage
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