Lionel Feugère
- Bureau d'Enquêtes et d'Analyses pour la sécurité de l'aviation civile (BEA)
- University of Greenwich
Compétences
Publications
Publications
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Chapter 26: The role of hearing in mosquito behaviourHill, Sharon; Ignell, Rickard; Lazzari, Claudio; Lorenzo, Marcelo. Sensory ecology of disease vectors, Wageningen Academic Publishers, pp.683-708, 2022, 978-90-8686-380-8. ⟨10.3920/978-90-8686-932-9_26⟩ |
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Comment l’entomologie et la musique peuvent se nourrir l’une de l’autre : le cas de la communication acoustique des moustiquesBenjamin Lassauzet; Alain Montandon. Les insectes et la musique, Hermann, pp.37-57, 2022, Gream, 9791037022493 |
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3D audio-visual recordings of mosquito wings for aeroacoustic simulationForum Acusticum, Politecnico di Torino Torino, Sep 2023, Torino, Italy. pp.5151-5158, ⟨10.61782/fa.2023.0632⟩ |
Le contrôle des instruments chanteursCongrès Français d’Acoustique, CFA 2018, Apr 2018, Le Havre, France. pp.1249-1255 |
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Evaluation of singing synthesis: methodology and case study with concatenative and performative systemsProc. Interspeech 2016, Sep 2016, San Francisco, United States. pp.1245-1249, ⟨10.21437/Interspeech.2016-1248⟩ |
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Using pitch features for the characterization of intermediate vocal productions5th International Workshop on Folk Music Analysis (FMA), Jun 2015, Paris, France |
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On the playing of monodic pitch in digital music instrumentsICMC/SMC 2014, Sep 2014, Athènes, Greece. pp.1418 |
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Rule-Based performative synthesis of sung syllablesInternational Conference on New Interfaces for Musical Expression (NIME 2014), Jun 2014, London, United Kingdom. pp.86-87, ⟨10.5281/zenodo.1178762⟩ |
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Vox Tactum Meets Chorus Digitalis: Seven Years of Singing SurfacesInternational Conference on New Interfaces for Musical Expression (NIME 2013), May 2013, Daejeon, South Korea |
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Digitartic: bi-manual gestural control of articulation in performative singing synthesis13th International Conference on New Interfaces for Musical Expression (NIME), May 2013, Daejeon, South Korea. pp.331-336 |
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Performative voice synthesis for edutainment in acoustic phonetics and singing: a case study using the "Cantor Digitalis5th International ICST Conference, INTETAIN 2013, Jul 2013, Mons, Belgium. pp 169-178, ⟨10.1007/978-3-319-03892-6_20⟩ |
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ORJO et la META-MALLETTE 4.0Journées d'Informatique Musicale 2012, May 2012, Mons, Belgique. pp.227 |
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DIGITARTIC : Synthèse gestuelle de syllabes chantéesJournées d'Informatique Musicale, 2012, Mons, Belgique |
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Chorus Digitalis: polyphonic gestural singing1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011), Mar 2011, Vancouver, Canada |
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Chorus digitalis : polyphonic gestural singingInternational Workshop on Performative Speech and Singing Synthesis (P3S 2011), 2011, Vancouver, Canada. 4p |
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Chorus digitalis : experiment in chironomic choir singingAnnual Conference of the International Speech Communication Association (INTERSPEECH 2011), 2011, Firenze, Italy. pp.2005-2008, ⟨10.21437/Interspeech.2011-527⟩ |
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Synthèse par règles de la voix chantée contrôlée par le geste et applications musicalesSon [cs.SD]. Université Pierre et Marie Curie - Paris VI, 2013. Français. ⟨NNT : ⟩ |
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A Review on Foraging Trajectories in Termites: Insights from Lévy Walks to Ecological Behavior2024 |
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Supplementary materials v2. from Mosquito sound communication: are male swarms loud enough to attract females?2021 |
Cantor Digitalis: Interactive Voice Factory and Digital Instrument of Sung Vowels/Semi-Vowels2016 |