Présentation
Nadia Lichtig is an artist and researcher working at the intersection of painting, voice, and artistic research. Her work develops the hypothesis that painting can operate as a temporal and sonic form, beyond visual representation. Through the concept of “radio-painting,” she explores how voice, recording, and resonance function as pictorial processes. Her research articulates artistic practice and theoretical inquiry, focusing on translation between media, memory, and modes of dissemination. Her work is situated between contemporary art, linguistic inquiry, and experimental forms of knowledge production.
Publications
Publications
Rethinking temporalities and modes of dissemination in artistic research: voice, language and phantom grammarsEléonore Yasri; Marion Dufour. Recherches sociolinguistiques et enquêtes de terrain, Presses Universitaires de la Méditerranée (PULM), In press |
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Ziziphus zizyphus: As Far Back as I Will RememberEdward Juler ; Alistair Robinson. Post-Specimen: Encounters Between Art, Science and Curating, Intellect Books, pp.162-176, 2021, 9781789383119 |
Ce que vous entendez est une peintureRevue Turbulences, A paraître |
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Ce que nous voyons sans voir — Blank Spots (Reichsbahnbunker)Cahiers d'études germaniques, A paraître |
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Grammaires fantômes – De la peinture furtiveArt et histoire de l'art. Aix Marseille Université (AMU), 2025. Français. ⟨NNT : ⟩ |