Sara Martinetti
Présentation
PhD in Art, History and Theory, École des hautes études en sciences sociales
https://www.theses.fr/2020EHES0051
Publications
Publications
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Trois actes d’écriture de Michel Claura entre 1973 et 1982Cahiers du Musee National d'Art Moderne, 2021, 156, pp.31-58 |
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Excerpts of an interview conducted by Sara Martinetti with Ian Wilson and Michel ClauraNewspaper Jan Mot, 2021, 25 (128), pp.3-4 |
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A Revolution First-Hand: Seth Siegelaub’s Journey to Portugal in May 1975May, 2013, 11, pp.111-145 |
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Memorial Service for Seth SiegelaubSeth Siegelaub (1941-2013), Sep 2013, Amsterdam, Netherlands |
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Jean-Noël Herlin, a junk mail junkieSara Martinetti. Bétonsalon, 2024 |
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Anka au cas par casCapc Musée d'art contemporain, 2022 |
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Anka au cas par casCapc Musée d'art contemporain, 2022 |
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The Stuff That Matters. Textiles collected by Seth Siegelaub for the Centre for Social Research on Old TextilesSara Martinetti, Alice Motard, Alex Sainsbury. Raven Row, pp.70, 2012, isbn 978-0-9561739-3-5 |
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Anthropologie visuelle des pratiques d'un papivoreSara Martinetti. Jean-Noël Herlin, un junk mail junkie, Bétonsalon, 2024 |
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Visual Anthropology of a Paper Eater's PracticesSara Martinetti. Jean-Noël Herlin, un junk mail junkie, Bétonsalo, pp.53-55, 2024 |
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A Guide to "Better Read Than DeadSeth Siegelaub: “Better Read Than Dead”; Writings and Interviews, 2020, 978-3-86335-784-9 |
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Thinker, Tailor, Soldier, SailorSeth Siegelaub: Beyond Conceptual Art, 2015, 978-3-86335-824-2 |
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Seth Siegelaub and the Commerce of ThoughtsSara Martinetti, Alice Motard, Alex Sainsbury. The Stuff That Matters. Textiles collected by Seth Siegelaub for the Centre for Social Research on Old Textiles., Raven Row, pp.70, 2012, isbn 978-0-9561739-3-5 |
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PatternTextile Terms: A Glossary, 2017 |
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Curating Textiles. The Stuff that MattersThe Handbook of Textile Culture, 2015 |
ÉCLAIRE. Education through the Imaginarium. History of art education in France, 1968-19992023 |
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Michel Claura. Code vestimentaire. Les fruits déguisés ne seront pas acceptés. De quelques insertions dans un moment de l’art peu vêtuCentre national des arts plastiques. 2020 |