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Stephanie DURRANS

Professor of American Literature
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Publications

Elia Peattie and Willa Cather: Influence and Shared Vision

Stephanie DURRANS
Willa Cather Review, 2023, 64 (1), pp.3-8
Journal articles hal-04165298v1

Performing Womanhood: Fictions of Love in Louisa May Alcott’s Behind a Mask

Stéphanie Durrans
European journal of American studies, 2022, 17 (3)
Journal articles hal-03950511v1

Filles des champs et femmes artistes : George Sand et Willa Cather.

Stéphanie Durrans
Les Cahiers George Sand, 2022, Les Ecrivains lecteurs de Sand - II (XXe - XXIe siècles), 44, pp.44-56
Journal articles hal-03950481v1

La Fabrique des corps dans Balcony Stories de Grace King

Stéphanie Durrans
E-rea - Revue électronique d’études sur le monde anglophone, 2022, 20 (1)
Journal articles hal-03950516v1

Of Women, Wine and Salt : Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction

Stéphanie Durrans
European journal of American studies, 2019, Harriet Prescott Spofford: The Home, the Nation, and the Wilderness, 14 (3)
Journal articles hal-02478116v1

Introduction. Harriet Prescott Spofford : The Home, the Nation, and the Wilderness

Stéphanie Durrans
European journal of American studies, 2019, 14 (3), ⟨10.4000/ejas.14869⟩
Journal articles hal-02477912v1

Introduction. Harriet Prescott Spofford: The Home, the Nation, and the Wilderness

Stéphanie Durrans
European journal of American studies, 2019, 14-3
Journal articles hal-02520285v1

"Kings in Exile”: Children’s Literature in Willa Cather’s Early Fiction

Stéphanie Durrans
Leaves, 2018, Minor Voices? When Major Literary Authors Write for Children, 5
Journal articles hal-02478175v1

American Women Writers Abroad: Myth and Reality

Stéphanie Durrans
Transatlantica. Revue d'études américaines/American Studies Journal, 2018, 1 | 2018
Journal articles hal-02520296v1

Nebraska, France, Bohemia: ‘What a Little Circle Man’s Experience Is’

Stéphanie Durrans
Willa Cather Review, 2018, 60 (3), pp.10
Journal articles hal-02478113v1

« La Femme en ce jardin : l’auto-réécriture dans Le Jardin des délices »

Stéphanie Durrans
Cahiers de L'Herne, 2017, Joyce Carol Oates, pp.147-150
Journal articles hal-02478143v1
Image document

What's in a Child's Voice?

Stéphanie Benson , Nathalie Jaëck , Stéphanie Durrans
Leaves, 2016, Voix d’enfants, regards d’enfants /The Child’s Voice, the Child’s Gaze, 2
Journal articles hal-01599778v1

« La Nouvelle-Orléans, miroir des angoisses de l’Amérique ? The Not Yet, roman dystopique de Moira Crone »

Stéphanie Durrans
E-rea - Revue électronique d’études sur le monde anglophone, 2016, 14 (1)
Journal articles hal-02478124v1

“The Translation in the Closet: Willa Cather and Marguerite Yourcenar”

Stéphanie Durrans
Willa Cather Newsletter and Review, 2015, 58 (n°2), pp.50-55
Journal articles hal-02478109v1

From ‘the Tyranny of the Stomach' to the World ‘Beyond' : Food and Utopia in The House of Mirth

Stéphanie Durrans
Spaces of Utopia: An Electronic Journal, 2014, 2nd series (No. 3), pp.53--69
Journal articles hal-02736620v1

Rimbaud’s Influence on Jayne Anne Phillips: from Sweethearts to Shelter

Stéphanie Durrans
Transatlantica. Revue d'études américaines/American Studies Journal, 2012, 2
Journal articles hal-01542170v1

D'une rhétorique de l'incarnation aux territoires du neutre : art et utopie dans l'øeuvre de Willa Cather

Stéphanie Durrans
Essais sur l'art, 2012, Art et utopie : Pens\'{e}es anglo-am\'{e}ricaines (V), pp.45--52
Journal articles hal-02736675v1

The Temptation of St Peter: Flaubert’s Saint Anthony and Cather’s The Professor’s House

Stéphanie Durrans
Cather Studies, 2010, 8, pp.176--192
Journal articles hal-01542029v1

Of Spirals, Snakes, and Selves : Jayne Anne Phillips's Black Tickets

Stéphanie Durrans
Appalachian Heritage, 2009, Vol. 37, n°1, pp.30--42
Journal articles hal-02736749v1

La Fabrique des corps dans Balcony Stories de Grace King

Stéphanie Durrans
Discipline / Indiscipline, Congrès de l’Association Française d’Etudes Américaines, May 2019, Nantes, France
Conference papers hal-02478265v1

Performing Womanhood : Fictions of Love in Louisa May Alcott’s Behind a Mask

Stéphanie Durrans
Love and Misfits in the Fiction of Louisa May Alcott., EAAS Study Group on 19th-Century American Literature, Oct 2019, Rome, Italy
Conference papers hal-02478271v1

« Foreign Bodies in Susanna Rowson’s Slaves in Algiers »

Stéphanie Durrans
Women Frontstage: Female Polemics and the American Revolution (EAAS Study Group on 19th-Century American Literature), Sep 2018, Salzburg, Austria
Conference papers hal-02478261v1

« Where are the Snows of Yesteryear? In Search of the Princess of Bygone Days in The Brownies’ Book »

Stéphanie Durrans
EAAS Study Group on 19th-Century American Literature, Sep 2017, Joensuu, Finland
Conference papers hal-02478228v1

« Harriet Prescott Spofford: Early Environmental Writer? »

Stéphanie Durrans
"La forêt dans les Amériques" (Congrès de l’Institut des Amériques), Oct 2017, Pessac, France
Conference papers hal-02478255v1

« Of Wine, Salt and Cellar: Redefining the Home in Harriet Prescott Spofford’s Detective Fiction »

Stéphanie Durrans
European Association of American Studies, Apr 2016, Constanta, Romania
Conference papers hal-02478198v1

« “Kings in Exile”: Children’s Literature in Willa Cather’s Early Fiction »

Stéphanie Durrans
Minor Voices? When Major Literary Authors Write for Children, Mar 2016, Pessac, France
Conference papers hal-02478193v1

« ‘Standing Around', ‘Encompassing’ and ‘Taking Possession’: the Circulation of Meaning in Harriet Prescott Spofford’s ‘Circumstance’ »

Stéphanie Durrans
EAAS Study Group on 19th-Century American Literature. Harriet Prescott Spofford: From Romanticism to Realism, Oct 2016, Pessac, France
Conference papers hal-02478209v1

Quelle place pour les élèves étrangers dans un milieu scolaire plurilingue et pluriculturel en classe de langues étrangères en Grèce ?

Hélène Vasilopoulou , Françoise Bonnet-Falandry , Stéphanie Durrans , Moya Jones
(se) construire dans l'interlangue : perspectives transatlantiques sur le multilinguisme, 2015, Bordeaux, France. ⟨10.4000/books.septentrion.18632⟩
Conference papers hal-01387432v1

« ‘Costume de ghost’ : Liminality in Grace King’s Balcony Stories »

Stéphanie Durrans
Society for the Study of American Women Writers, Nov 2015, Philadelphia, United States
Conference papers hal-02478188v1

« Metta Fuller Victor's Visual Poetics in The Dead Letter and The Figure Eight: From ‘The Talking Oak’ to ‘The Lady of Shalott’ »

Stéphanie Durrans
EAAS Study Group on 19th-Century American Literature, Sep 2015, Erfurt, Germany
Conference papers hal-02478184v1

Specters of the Great Plains: My Antonia as a Gothic Regionalist Novel.

Stéphanie Durrans
Monika Elbert and Rita Bode. American Women's Regionalist Fiction: Mapping the Gothic, Palgrave Macmillan, pp.269-284, 2021
Book sections hal-03950477v1

Exploring 'the dark backward and abysm of time' : First Impressions of Milly Theale

Stéphanie Durrans
Christian Gutleben. The Wings of the Dove de Henry James : De l'oeuvre au texte, 36 (1), L'Harmattan, pp.163-179, 2020, 978-2-343-21648-5
Book sections hal-03093004v1

Metta Fuller Victor’s Visual Poetics in The Dead Letter and The Figure Eight: From ‘The Talking Oak’ to ‘The Lady of Shalott’

Stéphanie Durrans
Verena Laschinger; Sirpa Salenius. Neglected American Women Writers of the Long Nineteenth Century, Routledge, pp.130-140, 2019, Routledge studies in nineteenth-century literature, 978-0-367-19349-2
Book sections hal-02478089v1

Grace King’s Apocalyptic Fiction : Lifting the Veil From ‘The Story of a Day

Stéphanie Durrans
Melissa Walker Heidari and Brigitte Zaugg. Nineteenth-Century Southern Women Writers: Grace King and Modernism, Routledge, pp.106-118, 2019, Routledge studies in nineteenth-century literature, 978-0-367-34929-5
Book sections hal-02478097v1

“‘Costume de ghost’: Liminality in Grace King’s Balcony Stories"

Stéphanie Durrans
Eds. Kristin J. Jacobson, Kristin Allukian, Rickie-Ann Legleitner & Leslie Allison. Liminality, Hybridity, and American Women’s Literature: Thresholds in Women’s Writing, Palgrave Macmillan, pp.183-199, 2018
Book sections hal-02478083v1

« In Search of a Transnational Identity : Carmen Tafolla’s ‘La Malinche’ »

Stéphanie Durrans
D. Barrientos-Tecun et A. Reynes-Delobel. Écritures dans les Amériques au féminin : Un regard transnational, Presses Universitaires de Provence, 2017, 9782821895911. ⟨10.4000/books.pup.6551⟩
Book sections hal-02478169v1

Femmes de bonne et mauvaise conduite dans Machine Dreams de Jayne Anne Phillips : l’automobile comme espace d’émancipation ?

Stéphanie Durrans
Ed. Claire Bazin. Les Lieux de femmes dans la littérature féminine de langue anglaise, pp.133-143, 2016, Textes & Genres VI
Book sections hal-02478165v1

« Littérature et ‘traumathisme’ dans An Invisible Sign of My Own d’Aimee Bender »

Stéphanie Durrans
Dir. Pascale Antolin et Marie-Lise Paoli. Dire les maux : Littérature et maladie, Maison des Sciences de l'Homme d'Aquitaine, pp.203-214, 2015
Book sections hal-02478149v1

“Here I Am, Washing my Heritage”: Unlawful Inheritance in Carmen Tafolla's Works

Stéphanie Durrans
Ed. Stéphanie Durrans. Thy Truth Then Be Thy Dowry: Questions of Inheritance in American Women's Literature, Cambridge Scholars Publishing, pp.185-197, 2014
Book sections hal-02478130v1

A corps perdu(s) : la traversée du territoire dans ‘Fast Lanes’ de Jayne Anne Phillips

Stéphanie Durrans
Antolin, Pascale and Schmitt, Arnaud and Barrett, Susan and Veyret, Paul. La Figure du Passeur : transmission et mobilité culturelles dans les mondes anglophones., Maison des Sciences de l'Homme d'Aquitaine, pp.175--188, 2014
Book sections hal-01541948v1

Les métamorphoses de Méduse dans la littérature féminine du Sud des Etats-Unis

Stéphanie Durrans
Machet, Laurence and Ravez, Stéphanie and Sardin, Pascale. Les Mères et l’autorité : mythes et réalités, Presses Universitaires de Bordeaux, pp.307--320, 2013
Book sections hal-01541956v1

L’étrangeté de la langue dans “La Belle Zoraïde“ et The Awakening de Kate Chopin

Stéphanie Durrans
Eels, Emily and Berthin, Christine and Déprats, Jean-Michel. L’Etranger dans la langue, Presses Universitaires de Paris Ouest, pp.287--302, 2013
Book sections hal-01541955v1

Le miroir du texte : réécritures intertextuelles dans Earthly Possessions de Anne Tyler

Stéphanie Durrans
Bazin, Claire and Perrin-Chenour, Marie-Claude. Les réécritures du canon dans la littérature féminine de langue anglaise, Université Paris X, pp.385--397, 2011
Book sections hal-01541990v1

Every Artist Makes Himself Born’: the George Sand Connection in Willa Cather’s Early Novels

Stéphanie Durrans
Haar, Roberta and Wynn, Neil. Transatlantic Conflict and Consensus: Culture, History & Politics (eds. Roberta Haar and Neil Wynn), Academic Press, pp.47--58, 2009
Book sections hal-02478079v1

The Influence of the Annales School on Annie Proulx’s Geographical Imagination

Stéphanie Durrans
Hunt, Alex. The Geographical Imagination of Annie Proulx: Rethinking Regionalism, Lexington Books, pp.11-23, 2009
Book sections hal-02478054v1

« Dissolving Borders: Towards a Community of Memory in the Fiction of Jayne Anne Phillips »

Stéphanie Durrans
Ed. Roxanne Harde. Narratives of Community: Women’s Short Story Sequences, Cambridge Scholars Publishing, pp.57-75, 2007
Book sections hal-02478030v1

Introduction : « What’s in a Child’s Voice ? »

Stéphanie Durrans , Nathalie Jaëck , Stéphanie Benson
Voix d’enfants, regards d’enfants / The Child’s Voice, the Child’s Gaze (dir. Stephanie Benson, Sarah Dufaure, Stéphanie Durrans et Lhorine François), 2016
Other publications hal-02478159v1

« Invisible in the Mirror: an Interview with Carmen Tafolla »

Stéphanie Durrans
(Se) Construire dans l’interlangue : Perspectives transatlantiques sur le multilinguisme, 2015, pp.203-213
Other publications hal-02478138v1