Research domains
Publications
In the Country of Lost Borders : New Critical Essays on My AntoniaPresses Universitaires de Paris Nanterre, 2017
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Le Commentaire et la dissertation en littérature de langue anglaiseEllipses, pp.118, 2016
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Willa Cather’s My Ántonia : A Winter’s JourneyPresses Universitaires de France, 2016
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(Se) Construire dans l’interlangue : Perspectives transatlantiques sur le multilinguismePresses Universitaires du Septentrion, 2015, ⟨10.4000/books.septentrion.18608⟩
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Thy Truth Then Be Thy Dowry: Questions of Inheritance in American Women’s LiteratureCambridge Scholars Publishing, 2014
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The Influence of French Culture on Willa Cather: Intertextual References and Resonances (with a foreword by James Woodress)Edwin Mellen Press, 2007
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La Fabrique des corps dans Balcony Stories de Grace KingDiscipline / Indiscipline, Congrès de l’Association Française d’Etudes Américaines, May 2019, Nantes, France
Conference papers
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Performing Womanhood : Fictions of Love in Louisa May Alcott’s Behind a MaskLove and Misfits in the Fiction of Louisa May Alcott., EAAS Study Group on 19th-Century American Literature, Oct 2019, Rome, Italy
Conference papers
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« Foreign Bodies in Susanna Rowson’s Slaves in Algiers »Women Frontstage: Female Polemics and the American Revolution (EAAS Study Group on 19th-Century American Literature), Sep 2018, Salzburg, Austria
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« Where are the Snows of Yesteryear? In Search of the Princess of Bygone Days in The Brownies’ Book »EAAS Study Group on 19th-Century American Literature, Sep 2017, Joensuu, Finland
Conference papers
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« Harriet Prescott Spofford: Early Environmental Writer? »"La forêt dans les Amériques" (Congrès de l’Institut des Amériques), Oct 2017, Pessac, France
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« Of Wine, Salt and Cellar: Redefining the Home in Harriet Prescott Spofford’s Detective Fiction »European Association of American Studies, Apr 2016, Constanta, Romania
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« “Kings in Exile”: Children’s Literature in Willa Cather’s Early Fiction »Minor Voices? When Major Literary Authors Write for Children, Mar 2016, Pessac, France
Conference papers
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« ‘Standing Around', ‘Encompassing’ and ‘Taking Possession’: the Circulation of Meaning in Harriet Prescott Spofford’s ‘Circumstance’ »EAAS Study Group on 19th-Century American Literature. Harriet Prescott Spofford: From Romanticism to Realism, Oct 2016, Pessac, France
Conference papers
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Quelle place pour les élèves étrangers dans un milieu scolaire plurilingue et pluriculturel en classe de langues étrangères en Grèce ?(se) construire dans l'interlangue : perspectives transatlantiques sur le multilinguisme, 2015, Bordeaux, France. ⟨10.4000/books.septentrion.18632⟩
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« ‘Costume de ghost’ : Liminality in Grace King’s Balcony Stories »Society for the Study of American Women Writers, Nov 2015, Philadelphia, United States
Conference papers
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« Metta Fuller Victor's Visual Poetics in The Dead Letter and The Figure Eight: From ‘The Talking Oak’ to ‘The Lady of Shalott’ »EAAS Study Group on 19th-Century American Literature, Sep 2015, Erfurt, Germany
Conference papers
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Specters of the Great Plains: My Antonia as a Gothic Regionalist Novel.Monika Elbert and Rita Bode. American Women's Regionalist Fiction: Mapping the Gothic, Palgrave Macmillan, pp.269-284, 2021
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Exploring 'the dark backward and abysm of time' : First Impressions of Milly ThealeChristian Gutleben. The Wings of the Dove de Henry James : De l'oeuvre au texte, 36 (1), L'Harmattan, pp.163-179, 2020, 978-2-343-21648-5
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Metta Fuller Victor’s Visual Poetics in The Dead Letter and The Figure Eight: From ‘The Talking Oak’ to ‘The Lady of Shalott’Verena Laschinger; Sirpa Salenius. Neglected American Women Writers of the Long Nineteenth Century, Routledge, pp.130-140, 2019, Routledge studies in nineteenth-century literature, 978-0-367-19349-2
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Grace King’s Apocalyptic Fiction : Lifting the Veil From ‘The Story of a DayMelissa Walker Heidari and Brigitte Zaugg. Nineteenth-Century Southern Women Writers: Grace King and Modernism, Routledge, pp.106-118, 2019, Routledge studies in nineteenth-century literature, 978-0-367-34929-5
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“‘Costume de ghost’: Liminality in Grace King’s Balcony Stories"Eds. Kristin J. Jacobson, Kristin Allukian, Rickie-Ann Legleitner & Leslie Allison. Liminality, Hybridity, and American Women’s Literature: Thresholds in Women’s Writing, Palgrave Macmillan, pp.183-199, 2018
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« In Search of a Transnational Identity : Carmen Tafolla’s ‘La Malinche’ »D. Barrientos-Tecun et A. Reynes-Delobel. Écritures dans les Amériques au féminin : Un regard transnational, Presses Universitaires de Provence, 2017, 9782821895911. ⟨10.4000/books.pup.6551⟩
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Femmes de bonne et mauvaise conduite dans Machine Dreams de Jayne Anne Phillips : l’automobile comme espace d’émancipation ?Ed. Claire Bazin. Les Lieux de femmes dans la littérature féminine de langue anglaise, pp.133-143, 2016, Textes & Genres VI
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« Littérature et ‘traumathisme’ dans An Invisible Sign of My Own d’Aimee Bender »Dir. Pascale Antolin et Marie-Lise Paoli. Dire les maux : Littérature et maladie, Maison des Sciences de l'Homme d'Aquitaine, pp.203-214, 2015
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“Here I Am, Washing my Heritage”: Unlawful Inheritance in Carmen Tafolla's WorksEd. Stéphanie Durrans. Thy Truth Then Be Thy Dowry: Questions of Inheritance in American Women's Literature, Cambridge Scholars Publishing, pp.185-197, 2014
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A corps perdu(s) : la traversée du territoire dans ‘Fast Lanes’ de Jayne Anne PhillipsAntolin, Pascale and Schmitt, Arnaud and Barrett, Susan and Veyret, Paul. La Figure du Passeur : transmission et mobilité culturelles dans les mondes anglophones., Maison des Sciences de l'Homme d'Aquitaine, pp.175--188, 2014
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Les métamorphoses de Méduse dans la littérature féminine du Sud des Etats-UnisMachet, Laurence and Ravez, Stéphanie and Sardin, Pascale. Les Mères et l’autorité : mythes et réalités, Presses Universitaires de Bordeaux, pp.307--320, 2013
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L’étrangeté de la langue dans “La Belle Zoraïde“ et The Awakening de Kate ChopinEels, Emily and Berthin, Christine and Déprats, Jean-Michel. L’Etranger dans la langue, Presses Universitaires de Paris Ouest, pp.287--302, 2013
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Le miroir du texte : réécritures intertextuelles dans Earthly Possessions de Anne TylerBazin, Claire and Perrin-Chenour, Marie-Claude. Les réécritures du canon dans la littérature féminine de langue anglaise, Université Paris X, pp.385--397, 2011
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Every Artist Makes Himself Born’: the George Sand Connection in Willa Cather’s Early NovelsHaar, Roberta and Wynn, Neil. Transatlantic Conflict and Consensus: Culture, History & Politics (eds. Roberta Haar and Neil Wynn), Academic Press, pp.47--58, 2009
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The Influence of the Annales School on Annie Proulx’s Geographical ImaginationHunt, Alex. The Geographical Imagination of Annie Proulx: Rethinking Regionalism, Lexington Books, pp.11-23, 2009
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« Dissolving Borders: Towards a Community of Memory in the Fiction of Jayne Anne Phillips »Ed. Roxanne Harde. Narratives of Community: Women’s Short Story Sequences, Cambridge Scholars Publishing, pp.57-75, 2007
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Introduction : « What’s in a Child’s Voice ? »Voix d’enfants, regards d’enfants / The Child’s Voice, the Child’s Gaze (dir. Stephanie Benson, Sarah Dufaure, Stéphanie Durrans et Lhorine François), 2016
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« Invisible in the Mirror: an Interview with Carmen Tafolla »(Se) Construire dans l’interlangue : Perspectives transatlantiques sur le multilinguisme, 2015, pp.203-213
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