
JB
Jean Bresson
98
Documents
Identifiants chercheurs
Présentation
Publications
17
13
10
9
8
7
7
6
5
5
4
4
4
3
3
3
3
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
4
3
1
1
1
1
1
1
1
1
1
1
4
3
5
9
6
15
10
5
2
7
6
3
3
8
6
3
1
28
8
2
2
1
1
Publications
|
A Poly-Temporal Programming Environment for Live Shows and Interactive InstallationsSound and Music Computing Conference (SMC), Jun 2022, Saint Etienne, France
Communication dans un congrès
hal-03688526
v1
|
|
Composing Structured Music Generation Processes with Creative Agents2nd Joint Conference on AI Music Creativity (AIMC), 2021, Graz, Austria
Communication dans un congrès
hal-03325451
v1
|
|
Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D ElectronicsInternational Computer Music Conference (ICMC), Pontificia Universidad Católica de Chile, 2021, Santiago, Chile
Communication dans un congrès
hal-03348826
v1
|
|
A Polytemporal Model for Musical Scheduling15th International Symposium on Computer Music Multidisciplinary Research, Nov 2021, Tokyo (online), Japan
Communication dans un congrès
hal-03443756
v2
|
|
Score Objects in OM#International Conference on Technologies for Music Notation and Representation (TENOR'20/21), 2021, Hamburg / Online, Germany
Communication dans un congrès
hal-03221785
v1
|
|
OM-AI: A Toolkit to Support AI-Based Computer-Assisted Composition Workflows in OpenMusic16th Sound and Music Computing conference (SMC'19), 2019, Málaga, Spain
Communication dans un congrès
hal-02126847
v1
|
|
Symbolist: An Open Authoring Environment for End-user Symbolic NotationInternational Conference on Technologies for Music Notation and Representation (TENOR'18), 2018, Montreal, Canada
Communication dans un congrès
hal-01804933
v1
|
|
From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided CompositionMUME 2018: International Workshop on Musical Metacreation, 2018, Salamanca, Spain
Communication dans un congrès
hal-01815988
v1
|
|
Musical Gesture Recognition Using Machine Learning and Audio DescriptorsInternational Conference on Content-Based Multimedia Indexing (CBMI'18), 2018, La Rochelle, France
Communication dans un congrès
hal-01839050
v1
|
|
Timed Sequences: A Framework for Computer-Aided Composition with Temporal StructuresTENOR 2017, 3rd International Conference on Technologies for Music Notation and Representation, May 2017, A Coruña, Spain
Communication dans un congrès
hal-01484077
v1
|
|
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusicInternational Computer Music Conference (ICMC'17), 2017, Shanghai, China
Communication dans un congrès
hal-01567619
v2
|
|
Landschaften – Visualization, Control and Processing of Sounds in 3D SpacesInternational Computer Music Conference (ICMC'17), 2017, Shanghai, China
Communication dans un congrès
hal-01567629
v1
|
FARM 2017 Demo SummaryFARM’17: International Workshop on Functional Art, Music, Modeling, and Design (co-located with the International Conference on Functional Programming - ICFP'17), 2017, Oxford, United Kingdom
Communication dans un congrès
hal-01579136
v1
|
|
|
A Supervised Approach for Rhythm Transcription Based on Tree Series EnumerationInternational Computer Music Conference (ICMC), Sep 2016, Utrecht, Netherlands
Communication dans un congrès
hal-01315689
v2
|
|
o.OM: Structured-Functional Communication between Computer Music Systems using OSC and OdotACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (FARM '16), 2016, Nara, Japan. ⟨10.1145/2975980.2975985⟩
Communication dans un congrès
hal-01353794
v1
|
|
Une approche interactive pour la transcription rythmique dans OpenMusicJournées d'Informatique Musicale 2016, AFIM, Mar 2016, Albi, France
Communication dans un congrès
hal-01298806
v1
|
|
Trajectoires: a Mobile Application for Controlling Sound SpatializationCHI EA '16: ACM Extended Abstracts on Human Factors in Computing Systems., May 2016, San Jose, United States. pp.4, ⟨10.1145/2851581.2890246⟩
Communication dans un congrès
hal-01285852
v1
|
|
A Structural Theory of Rhythm Notation based on Tree Representations and Term RewritingMathematics and Computation in Music: 5th International Conference, MCM 2015, Oscar Bandtlow and Elaine Chew, Jun 2015, London, United Kingdom. pp.12
Communication dans un congrès
hal-01138642
v1
|
|
Tempo Curving as a Framework for Interactive Computer-Aided CompositionSound and Music Computing Conference (SMC), Jul 2015, Maynooth, Ireland
Communication dans un congrès
hal-01166166
v1
|
|
Tools and Applications for Interactive-Algorithmic Control of Sound Spatialization in OpenMusicinSONIC2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art, 2015, Karlsruhe, Germany
Communication dans un congrès
hal-01226263
v1
|
|
Articulation dynamique de structures temporelles pour l'informatique musicaleModélisation des Systèmes Réactifs (MSR 2015), Nov 2015, Nancy, France
Communication dans un congrès
hal-01224271
v1
|
|
Projet EFFICACE : Développements et perspectives en composition assistée par ordinateurJournées d'Informatique Musicale, 2015, Montréal, Canada
Communication dans un congrès
hal-01142022
v1
|
|
Towards Interactive Authoring Tools for Composing SpatializationIEEE 10th Symposium on 3D User Interfaces, Mar 2015, Arles, France
Communication dans un congrès
hal-01108709
v1
|
|
Guided improvisation as dynamic calls to an offline modelSound and Music Computing (SMC), Jul 2015, Maynooth, Ireland
Communication dans un congrès
hal-01184642
v1
|
|
Planning and Scheduling Actions in a Computer-Aided Music Composition SystemScheduling and Planning Applications Workshop (SPARK), Steve Chien; Mark Giuliano; Riccardo Rasconi, Jun 2015, Jerusalem, Israel. pp.1-6
Communication dans un congrès
hal-01163284
v1
|
|
Dynamic Message-Oriented Middleware with Open Sound Control and OdotInternational Computer Music Conference, University of North Texas, 2015, Denton, United States
Communication dans un congrès
hal-01165775
v1
|
|
Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical ModelsElectronic Visualisation and the Arts, 2015, London, United Kingdom. ⟨10.14236/ewic/eva2015.8⟩
Communication dans un congrès
hal-01177456
v1
|
|
Les nouveaux espaces de la notation musicaleJournées d'Informatique Musicale, Faculté de musique de l'Université de Montréal, 2015, Montréal, Canada
Communication dans un congrès
hal-01160759
v2
|
|
Trajectoires : une application mobile pour le contrôle et l'écriture de la spatialisation sonore27ème conférence francophone sur l'Interaction Homme-Machine., Oct 2015, Toulouse, France. pp.a5, ⟨10.1145/2820619.2820624⟩
Communication dans un congrès
hal-01218595
v1
|
|
OpenMusic on LinuxLinux Audio Conference, 2014, Karlsruhe, Germany
Communication dans un congrès
hal-01075235
v1
|
|
Reactive Visual Programs for Computer-Aided Music CompositionIEEE Symposium on Visual Languages and Human-Centric Computing, 2014, Melbourne, Australia. pp. 141-144, ⟨10.1109/VLHCC.2014.6883037⟩
Communication dans un congrès
hal-01055239
v1
|
|
pOM: Linking Pen Gestures to Computer-Aided Composition Processes40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Sep 2014, Athenes, Greece
Communication dans un congrès
hal-01053295
v2
|
|
Programmation and Control of Faust Sound Processing in OpenMusicJoint International Computer Music / Sound and Music Computing Conferences (ICMC-SMC), 2014, Athens, Greece
Communication dans un congrès
hal-01158363
v1
|
Rhythm Tree RewritingMeeting of the IFIP WG 1.6 on Term Rewriting, Vienna Summer of Logic, Jürgen Giesl, Jul 2014, Vienna, Austria
Communication dans un congrès
hal-01109666
v1
|
|
|
Reduction as a Transition Controller for Sound Synthesis EventsACM SIGPLAN workshop on Functional art, music, modeling & design (FARM '13), 2013, Boston, United States. pp.1-10
Communication dans un congrès
hal-00959107
v1
|
|
Un modèle de contrôle pour la synthèse par fonctions d'ondes formantiques avec OM-ChantJournées d'Informatique Musicale, 2013, Saint-Denis, France
Communication dans un congrès
hal-01156651
v2
|
|
Modeling and Simulation: The Spectral CANON for CONLON Nancarrow by James TenneySound and Music Computing, 2013, Stockholm, Sweden
Communication dans un congrès
hal-01170066
v1
|
|
Spatial Structures Programming for MusicSpatial Computing Workshop (SCW), 2012, Valencia, Spain
Communication dans un congrès
hal-01161314
v1
|
|
New Framework for Score Segmentation and Analysis in OpenMusicSound and Music Computing, 2012, Copenhagen, Denmark
Communication dans un congrès
hal-01161435
v1
|
|
Visual Programming and Music Score Generation with OpenMusicIEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC), 2011, Pittsburgh, United States. pp.247-248, ⟨10.1109/VLHCC.2011.6070415⟩
Communication dans un congrès
hal-01161285
v1
|
|
Implémentations et contrôle du synthétiseur CHANT dans OpenMusicJournées d'Informatique Musicale, 2011, Saint Etienne, France
Communication dans un congrès
hal-01157083
v1
|
|
The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound SynthesisInternational Computer Music Conference (ICMC'11), 2011, Huddersfield, United Kingdom
Communication dans un congrès
hal-01161282
v1
|
|
OpenMusic – Visual Programming Environment for Music Composition, Analysis and ResearchACM MultiMedia (MM'11), 2011, Scottsdale, United States. ⟨10.1145/2072298.2072434⟩
Communication dans un congrès
hal-01182394
v1
|
|
Representation and Interchange of Sound Spatialization Data for Compositional ApplicationsInternational Computer Music Conference, 2011, Huddersfield, United Kingdom
Communication dans un congrès
hal-01169015
v1
|
|
Représentation des données de contrôle pour la spatialisation dans OpenMusicJournées d'Informatique Musicale, May 2010, Rennes, France
Communication dans un congrès
hal-01157046
v1
|
|
ML-Maquette / Musique Lab 2International Computer Music Conference (ICMC'10), 2010, New York / Stony Brook, United States
Communication dans un congrès
hal-01161248
v1
|
|
Compositional Control of Periphonic Sound Spatialization2nd International Symposium on Ambisonics and Spherical Acoustics, 2010, Paris, France
Communication dans un congrès
hal-01161239
v1
|
|
Processing Sound and Music Description Data Using OpenMusicInternational Computer Music Conference (ICMC'10), 2010, New York / Stony Brook, United States
Communication dans un congrès
hal-01161247
v1
|
Synthèse sonore et composition musicale: Problématiques et outils d'écriture électroacoustiqueElectroacoustic Music Studies Network Conference - EMS'09, 2009, Buenos Aires, Argentine
Communication dans un congrès
hal-01162317
v1
|
|
|
Corpus-Based Transcription as an Approach to the Compositional Control of TimbreInternational Computer Music Conference (ICMC'09), 2009, Montreal, QC, Canada
Communication dans un congrès
hal-01161032
v1
|
OpenMusic: Design and Implementation Aspects of a Visual Programming LanguageEuropean Lisp Symposium - ELS'08, 2008, Bordeaux, France
Communication dans un congrès
hal-01106321
v1
|
|
|
Processus compositionnels et opérateurs musicaux dans ML-Maquette - Les outils de traitement du signalJournées d'Informatique Musicale, 2007, Lyon, France
Communication dans un congrès
hal-01156973
v1
|
|
Mixing Time Representations in a Programmable Score EditorSound and Music Computing Conference (SMC'07), 2007, Lefkada, Greece
Communication dans un congrès
hal-01161375
v1
|
L’analyse musicale différentielle : principes, représentation et application à l'analyse de l'interprétationElectroacoustic Music Studies Network Conference - EMS'07, 2007, Leicester, Royaume-Uni
Communication dans un congrès
hal-01162315
v1
|
|
|
EARTOY : Interactions ludiques par l'auditionJournées d'Informatique Musicale, 2007, Lyon, France
Communication dans un congrès
hal-03105404
v1
|
|
Musique Lab 2 - Un environnement d'aide à la pédagogie musicaleJournées d'Informatique Musicale - JIM'07, 2007, Lyon, France
Communication dans un congrès
hal-01106275
v1
|
|
Generation and Representation of Data and Events for the Control of Sound SynthesisSound and Music Computing Conference (SMC'07), 2007, Lefkada, Greece
Communication dans un congrès
hal-01161374
v1
|
|
Sound Processing in OpenMusicInternational Conference on Digital Audio Effects (DAFx'06), 2006, Montréal, Canada
Communication dans un congrès
hal-01169018
v1
|
|
Temporal Control over Sound Synthesis ProcessesSound and Music Computing (SMC'06), 2006, Marseille, France
Communication dans un congrès
hal-01161348
v1
|
Sound Writing and Representation in a Visual Programming FrameworkDigital Music Research Network Doctoral Research Conference, Goldsmiths College, University of London, 2006, London, United Kingdom
Communication dans un congrès
hal-01162309
v1
|
|
|
OpenMusic 5: A Cross-Platform Release of the Computer-Assisted Composition EnvironmentBrazilian Symposium on Computer Music (SBCM'05), 2005, Belo Horizonte, Brazil
Communication dans un congrès
hal-01161332
v1
|
Musique Lab 2: A Three-Level Approach for Music Education at SchoolInternational Computer Music Conference, 2005, Barcelona, Spain
Communication dans un congrès
hal-01106237
v1
|
|
|
Symbolic Control of Sound Synthesis in Computer-Assisted CompositionInrenational Computer Music Conference, 2005, Barcelona, Spain
Communication dans un congrès
hal-01161329
v1
|
|
SDIF sound description data representation and manipulation in computer assisted compositionInternational Computer Music Conference (ICMC'04), 2004, Miami, United States
Communication dans un congrès
hal-01161261
v1
|
|
Adaptive lookahead planning for performing music compositionThe 25th International Conference on Automated Planning and Scheduling (ICAPS), Jun 2015, Jerusalem, Israel. 2015
Poster de conférence
hal-01163294
v1
|
|
Rap, ragga et punk français (1977-1992) : une analyse computationnelleJournées d'analyse musicale de la Sfam, 2014, Paris, France. Musique savante/Musiques actuelles : Articulations
Poster de conférence
hal-01160625
v1
|
Marco Stroppas musikalische TechnologieMusik-Konzepte, 186, 2019, Marco Stroppa, 978-3-86916-819-7
Chapitre d'ouvrage
hal-02134780
v1
|
|
|
Electronic dramaturgy and computer-aided composition in Re OrsoJean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 3, Editions Delatour France / IRCAM-Centre Pompidou, 2016, 9782752102836
Chapitre d'ouvrage
hal-01353799
v1
|
|
A Term Rewriting Based Structural Theory of Rhythm Notation[Research Report] ANR-13-JS02-0004-01 - EFFICACe. 2015
Rapport
(rapport de recherche)
hal-01134096
v3
|
|
Specification of a reactive computation model for OpenMusic[Research Report] IRCAM. 2014, pp.17
Rapport
(rapport de recherche)
hal-00959312
v1
|
|
Reactive Visual Programs in OpenMusic[Research Report] IRCAM / ANR-13-JS02-0004-01 EFFICACe. 2014
Rapport
(rapport de recherche)
hal-01142078
v2
|
|
OpenMusic - LibAudioStream - Faust[Rapport de recherche] IRCAM / ANR-12-CORD-0009 INEDIT. 2013
Rapport
(rapport de recherche)
hal-00959371
v1
|
|
La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du sonModélisation et simulation. Université Pierre et Marie Curie - Paris VI, 2007. Français. ⟨NNT : 2007PA066400⟩
Thèse
tel-00807656
v1
|
|
Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicaleMultimédia [cs.MM]. Université Pierre et Marie Curie, 2017
HDR
tel-01525998
v2
|
Chargement...
Chargement...