Jean Bresson
Présentation
Publications
Publications
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A Poly-Temporal Programming Environment for Live Shows and Interactive InstallationsSound and Music Computing Conference (SMC), Jun 2022, Saint Etienne, France |
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Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D ElectronicsInternational Computer Music Conference (ICMC), Pontificia Universidad Católica de Chile, 2021, Santiago, Chile |
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Composing Structured Music Generation Processes with Creative Agents2nd Joint Conference on AI Music Creativity (AIMC), 2021, Graz, Austria |
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A Polytemporal Model for Musical Scheduling15th International Symposium on Computer Music Multidisciplinary Research, Nov 2021, Tokyo (online), Japan |
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Score Objects in OM#International Conference on Technologies for Music Notation and Representation (TENOR'20/21), 2021, Hamburg / Online, Germany |
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OM-AI: A Toolkit to Support AI-Based Computer-Assisted Composition Workflows in OpenMusic16th Sound and Music Computing conference (SMC'19), 2019, Málaga, Spain |
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Symbolist: An Open Authoring Environment for End-user Symbolic NotationInternational Conference on Technologies for Music Notation and Representation (TENOR'18), 2018, Montreal, Canada |
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From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided CompositionMUME 2018: International Workshop on Musical Metacreation, 2018, Salamanca, Spain |
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Musical Gesture Recognition Using Machine Learning and Audio DescriptorsInternational Conference on Content-Based Multimedia Indexing (CBMI'18), 2018, La Rochelle, France |
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Timed Sequences: A Framework for Computer-Aided Composition with Temporal StructuresTENOR 2017, 3rd International Conference on Technologies for Music Notation and Representation, May 2017, A Coruña, Spain |
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Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusicInternational Computer Music Conference (ICMC'17), 2017, Shanghai, China |
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Landschaften – Visualization, Control and Processing of Sounds in 3D SpacesInternational Computer Music Conference (ICMC'17), 2017, Shanghai, China |
FARM 2017 Demo SummaryFARM’17: International Workshop on Functional Art, Music, Modeling, and Design (co-located with the International Conference on Functional Programming - ICFP'17), 2017, Oxford, United Kingdom |
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o.OM: Structured-Functional Communication between Computer Music Systems using OSC and OdotACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (FARM '16), 2016, Nara, Japan. ⟨10.1145/2975980.2975985⟩ |
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A Supervised Approach for Rhythm Transcription Based on Tree Series EnumerationInternational Computer Music Conference (ICMC), Sep 2016, Utrecht, Netherlands |
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Une approche interactive pour la transcription rythmique dans OpenMusicJournées d'Informatique Musicale 2016, AFIM, Mar 2016, Albi, France |
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Trajectoires: a Mobile Application for Controlling Sound SpatializationCHI EA '16: ACM Extended Abstracts on Human Factors in Computing Systems., May 2016, San Jose, United States. pp.4, ⟨10.1145/2851581.2890246⟩ |
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A Structural Theory of Rhythm Notation based on Tree Representations and Term RewritingMathematics and Computation in Music: 5th International Conference, MCM 2015, Oscar Bandtlow and Elaine Chew, Jun 2015, London, United Kingdom. pp.12 |
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Tempo Curving as a Framework for Interactive Computer-Aided CompositionSound and Music Computing Conference (SMC), Jul 2015, Maynooth, Ireland |
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Tools and Applications for Interactive-Algorithmic Control of Sound Spatialization in OpenMusicinSONIC2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art, 2015, Karlsruhe, Germany |
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Towards Interactive Authoring Tools for Composing SpatializationIEEE 10th Symposium on 3D User Interfaces, Mar 2015, Arles, France |
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Projet EFFICACE : Développements et perspectives en composition assistée par ordinateurJournées d'Informatique Musicale, 2015, Montréal, Canada |
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Articulation dynamique de structures temporelles pour l'informatique musicaleModélisation des Systèmes Réactifs (MSR 2015), Nov 2015, Nancy, France |
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Guided improvisation as dynamic calls to an offline modelSound and Music Computing (SMC), Jul 2015, Maynooth, Ireland |
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Planning and Scheduling Actions in a Computer-Aided Music Composition SystemScheduling and Planning Applications Workshop (SPARK), Steve Chien; Mark Giuliano; Riccardo Rasconi, Jun 2015, Jerusalem, Israel. pp.1-6 |
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Dynamic Message-Oriented Middleware with Open Sound Control and OdotInternational Computer Music Conference, University of North Texas, 2015, Denton, United States |
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Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical ModelsElectronic Visualisation and the Arts, 2015, London, United Kingdom. ⟨10.14236/ewic/eva2015.8⟩ |
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Les nouveaux espaces de la notation musicaleJournées d'Informatique Musicale, Faculté de musique de l'Université de Montréal, 2015, Montréal, Canada |
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Trajectoires : une application mobile pour le contrôle et l'écriture de la spatialisation sonore27ème conférence francophone sur l'Interaction Homme-Machine., Oct 2015, Toulouse, France. pp.a5, ⟨10.1145/2820619.2820624⟩ |
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OpenMusic on LinuxLinux Audio Conference, 2014, Karlsruhe, Germany |
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pOM: Linking Pen Gestures to Computer-Aided Composition Processes40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Sep 2014, Athenes, Greece |
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Reactive Visual Programs for Computer-Aided Music CompositionIEEE Symposium on Visual Languages and Human-Centric Computing, 2014, Melbourne, Australia. pp. 141-144, ⟨10.1109/VLHCC.2014.6883037⟩ |
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Programmation and Control of Faust Sound Processing in OpenMusicJoint International Computer Music / Sound and Music Computing Conferences (ICMC-SMC), 2014, Athens, Greece |
Rhythm Tree RewritingMeeting of the IFIP WG 1.6 on Term Rewriting, Vienna Summer of Logic, Jürgen Giesl, Jul 2014, Vienna, Austria |
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Reduction as a Transition Controller for Sound Synthesis EventsACM SIGPLAN workshop on Functional art, music, modeling & design (FARM '13), 2013, Boston, United States. pp.1-10 |
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Un modèle de contrôle pour la synthèse par fonctions d'ondes formantiques avec OM-ChantJournées d'Informatique Musicale, 2013, Saint-Denis, France |
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Modeling and Simulation: The Spectral CANON for CONLON Nancarrow by James TenneySound and Music Computing, 2013, Stockholm, Sweden |
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Spatial Structures Programming for MusicSpatial Computing Workshop (SCW), 2012, Valencia, Spain |
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New Framework for Score Segmentation and Analysis in OpenMusicSound and Music Computing, 2012, Copenhagen, Denmark |
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Visual Programming and Music Score Generation with OpenMusicIEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC), 2011, Pittsburgh, United States. pp.247-248, ⟨10.1109/VLHCC.2011.6070415⟩ |
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The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound SynthesisInternational Computer Music Conference (ICMC'11), 2011, Huddersfield, United Kingdom |
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Implémentations et contrôle du synthétiseur CHANT dans OpenMusicJournées d'Informatique Musicale, 2011, Saint Etienne, France |
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OpenMusic – Visual Programming Environment for Music Composition, Analysis and ResearchACM MultiMedia (MM'11), 2011, Scottsdale, United States. ⟨10.1145/2072298.2072434⟩ |
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Representation and Interchange of Sound Spatialization Data for Compositional ApplicationsInternational Computer Music Conference, 2011, Huddersfield, United Kingdom |
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Représentation des données de contrôle pour la spatialisation dans OpenMusicJournées d'Informatique Musicale, May 2010, Rennes, France |
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ML-Maquette / Musique Lab 2International Computer Music Conference (ICMC'10), 2010, New York / Stony Brook, United States |
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Compositional Control of Periphonic Sound Spatialization2nd International Symposium on Ambisonics and Spherical Acoustics, 2010, Paris, France |
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Processing Sound and Music Description Data Using OpenMusicInternational Computer Music Conference (ICMC'10), 2010, New York / Stony Brook, United States |
Synthèse sonore et composition musicale: Problématiques et outils d'écriture électroacoustiqueElectroacoustic Music Studies Network Conference - EMS'09, 2009, Buenos Aires, Argentine |
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Corpus-Based Transcription as an Approach to the Compositional Control of TimbreInternational Computer Music Conference (ICMC'09), 2009, Montreal, QC, Canada |
OpenMusic: Design and Implementation Aspects of a Visual Programming LanguageEuropean Lisp Symposium - ELS'08, 2008, Bordeaux, France |
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Processus compositionnels et opérateurs musicaux dans ML-Maquette - Les outils de traitement du signalJournées d'Informatique Musicale, 2007, Lyon, France |
L’analyse musicale différentielle : principes, représentation et application à l'analyse de l'interprétationElectroacoustic Music Studies Network Conference - EMS'07, 2007, Leicester, Royaume-Uni |
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Mixing Time Representations in a Programmable Score EditorSound and Music Computing Conference (SMC'07), 2007, Lefkada, Greece |
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EARTOY : Interactions ludiques par l'auditionJournées d'Informatique Musicale, 2007, Lyon, France |
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Musique Lab 2 - Un environnement d'aide à la pédagogie musicaleJournées d'Informatique Musicale - JIM'07, 2007, Lyon, France |
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Generation and Representation of Data and Events for the Control of Sound SynthesisSound and Music Computing Conference (SMC'07), 2007, Lefkada, Greece |
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Sound Processing in OpenMusicInternational Conference on Digital Audio Effects (DAFx'06), 2006, Montréal, Canada |
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Temporal Control over Sound Synthesis ProcessesSound and Music Computing (SMC'06), 2006, Marseille, France |
Sound Writing and Representation in a Visual Programming FrameworkDigital Music Research Network Doctoral Research Conference, Goldsmiths College, University of London, 2006, London, United Kingdom |
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OpenMusic 5: A Cross-Platform Release of the Computer-Assisted Composition EnvironmentBrazilian Symposium on Computer Music (SBCM'05), 2005, Belo Horizonte, Brazil |
Musique Lab 2: A Three-Level Approach for Music Education at SchoolInternational Computer Music Conference, 2005, Barcelona, Spain |
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Symbolic Control of Sound Synthesis in Computer-Assisted CompositionInrenational Computer Music Conference, 2005, Barcelona, Spain |
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SDIF sound description data representation and manipulation in computer assisted compositionInternational Computer Music Conference (ICMC'04), 2004, Miami, United States |
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Adaptive lookahead planning for performing music compositionThe 25th International Conference on Automated Planning and Scheduling (ICAPS), Jun 2015, Jerusalem, Israel. 2015 |
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Rap, ragga et punk français (1977-1992) : une analyse computationnelleJournées d'analyse musicale de la Sfam, 2014, Paris, France. Musique savante/Musiques actuelles : Articulations |
Marco Stroppas musikalische TechnologieMusik-Konzepte, 186, 2019, Marco Stroppa, 978-3-86916-819-7 |
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Electronic dramaturgy and computer-aided composition in Re OrsoJean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 3, Editions Delatour France / IRCAM-Centre Pompidou, 2016, 9782752102836 |
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A Term Rewriting Based Structural Theory of Rhythm Notation[Research Report] ANR-13-JS02-0004-01 - EFFICACe. 2015 |
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Specification of a reactive computation model for OpenMusic[Research Report] IRCAM. 2014, pp.17 |
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Reactive Visual Programs in OpenMusic[Research Report] IRCAM / ANR-13-JS02-0004-01 EFFICACe. 2014 |
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OpenMusic - LibAudioStream - Faust[Rapport de recherche] IRCAM / ANR-12-CORD-0009 INEDIT. 2013 |
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La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du sonModélisation et simulation. Université Pierre et Marie Curie - Paris VI, 2007. Français. ⟨NNT : 2007PA066400⟩ |
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Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicaleMultimédia [cs.MM]. Université Pierre et Marie Curie, 2017 |