CV HAL - Sarabeth Mullins

The position of Gothic organs in Notre-Dame de Paris: An archeoacoustic simulation study

C. d'Alessandro , E.K. Canfield-Dafilou , S.S. Mullins , Brian F. G. Katz

Applied Acoustics, 2025, 231, pp.110506:1-10. ⟨10.1016/j.apacoust.2024.110506⟩

Article dans une revue hal-04875418v1

The Past Has Ears at Notre-Dame: Archaeoacoustic and Historically Informed Soundscape Research on the History of Paris' Cathedral

Brian F. G. Katz , Sarabeth S. Mullins , Elliot K Canfield Dafilou , Antoine Weber , Mylene Pardoen et al.

Journal of Anthropological and Archaeological Sciences , 2025, 11 (3), pp.1525-1544. ⟨10.32474/JAAS.2025.11.000364⟩

Article dans une revue (article de synthèse) hal-05378003v1

Vocal onset detection and pitch segmentation in medieval choral music guided by original notational sources

Samuel Bellows , Sarabeth S. Mullins , Brian F. G. Katz

Asia Pacific Signal and Information Processing Association Annual Summit and Conference, Oct 2025, Shangri-la, Singapore

Communication dans un congrès hal-05346461v1

Le chant dans le chœur de Notre-Dame à la fin du XIIe siècle. Expérimentations et analyses

Valérie Nunes-Le Page , Sarabeth S Mullins , Brian F. G. Katz , Frédéric Billiet

Résonances gothiques, Sep 2023, Avignon, France. pp.27-44, ⟨10.5281/zenodo.14163337⟩

Communication dans un congrès hal-04817836v1

The Past Has Ears at Notre-Dame: Immersive Audio Experiences for Public Engagement

Brian F. G. Katz , Mylène Pardoen , Jean-Marc Lyzwa , Stephanie Peichert , Cécile Cros et al.

AES 156th Convention, Audio Engineering Society, Jun 2024, Madrid, Spain

Communication dans un congrès hal-04639402v1

Beneath the Louvre Pyramid: Immersive Auralisation Workflow for Evaluating Potential Acoustic Treatments

David Poirier-Quinot , Sarabeth S. Mullins , Sebastien Jouan , Brian F. G. Katz

Extended Reality. XR Salento 2024, Sep 2024, Lecce (ITALY), Italy. pp.209-221, ⟨10.1007/978-3-031-71710-9_15⟩

Communication dans un congrès hal-04699324v1

Audibilité et prédication à Notre-Dame de Paris (XIIe-XIXe siècle)

Béatrice Caseau , Sarabeth S Mullins , Elliot K Canfield-Dafilou

Résonances Gothiques, Sep 2023, Avignon, France. pp.45-65, ⟨10.5281/zenodo.14163339⟩

Communication dans un congrès hal-04817841v1

Immersive Auralisations for Choral Ensembles

Sarabeth S. Mullins , Brian F. G. Katz

11th International Conference on Auditorium Acoustics,, Institute of Acoustics, Sep 2023, Athens, Greece

Communication dans un congrès hal-04226690v1

Searching for the location of the first medieval organ in Notre-Dame de Paris via acoustic simulation

Elliot Canfield-Dafilou , Sarabeth S. Mullins , Brian F. G. Katz , Christophe d'Alessandro

Forum Acusticum 2023, European Acoustics Association, Sep 2023, Turin, Italy. pp.2545-2552, ⟨10.61782/fa.2023.0960⟩

Communication dans un congrès hal-04248532v1

Can You Hear the Paintings? The Effect of Votive Offerings On the Acoustics of Notre-Dame

E.K. Canfield-Dafilou , Sarabeth S. Mullins , Brian F. G. Katz

Forum Acusticum 2023 - 10th Convention of the European Acoustics Association, European Acoustics Association, Sep 2023, Turin, Italy. pp.2537-2544, ⟨10.61782/fa.2023.0841⟩

Communication dans un congrès hal-04226647v1

The Development of the Early Acoustics of the Chancel in Notre-Dame de Paris: 1160–1230

Sarabeth Mullins , Elliot K Canfield-Dafilou , Brian F. G. Katz

2nd Symposium: The Acoustics of Ancient Theatres, Jul 2022, Verona, Italy. pp.1-4

Communication dans un congrès hal-03724923v1

Opening the Lateral Chapels and the Acoustics of Notre-Dame de Paris: 1225–1320

Elliot K Canfield-Dafilou , Sarabeth Mullins , Brian F. G. Katz

2nd Symposium: The Acoustics of Ancient Theatres, Jul 2022, Verona, Italy. pp.1-4

Communication dans un congrès hal-03724948v1

Preliminary report on the effect of room acoustics on choral performance in Notre-Dame and its pre-Gothic predecessor

Sarabeth Mullins , Valérie Le Page , Julien De Muynke , Elliot Canfield-Dafilou , Frédéric Billiet et al.

Acoustical Society of America 181 st Meeting, 2021, Seattle, United States. pp.A258-A258, ⟨10.1121/10.0008212⟩

Communication dans un congrès hal-03656066v1

Virtual Notre-Dame: Preliminary results of real-time auralization with choir members

Nolan Eley , Sarabeth Mullins , Peter Stitt , Brian F. G. Katz

Intl Conf 3D Audio (I3DA), Sep 2021, Virtuel, Italy. ⟨10.1109/I3DA48870.2021.9610851⟩

Communication dans un congrès hal-03371677v1

Virtual Acoustic Reconstruction of Notre Dame Cathedral’s Choral Past

Valérie Nunes-Le Page , Sarabeth S. Mullins , Brian F. G. Katz , Frédéric Billiet

Eva Esteve Roldán; John Griffiths; Francisco José Rodilla León. Historical Resonances. Space, Senses and Early Music, 2, Brill; Fink, pp.129-150, 2024, Rostocker Hochschulschriften zu Musik und Theater, 978-3-8467-6913-3. ⟨10.30965/9783846769133_007⟩

Chapitre d'ouvrage hal-04770303v1

Exploring cultural heritage and restoration of Notre-Dame Cathedral through acoustic digital reconstructions

Sarabeth S. Mullins , Elliot K Canfield-Dafilou , Brian F. G. Katz

2023, pp.48-54

Autre publication scientifique hal-04291434v1

Voices of the past : the historical acoustics of Notre-Dame de Paris and choral polyphony

Sarabeth Mullins

Acoustics [physics.class-ph]. Sorbonne Université, 2024. English. ⟨NNT : 2024SORUS376⟩

Thèse tel-04879114v1